The Case is Altered: "To speak and to speak well, are two things. A fool may talk, but a wise man speaks."
By Ben Jonson
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About this ebook
Benjamin "Ben" Jonson was born in June, 1572. A contemporary of William Shakespeare, he is best known for his satirical plays; Volpone, The Alchemist, and Bartholomew Fair, and his equally accomplished lyric poems. A man of vast reading and a seemingly insatiable appetite for controversy, including time in jail and a penchant for switching faiths, Jonson had an unparalleled breadth of influence on Jacobean and Caroline playwrights and poets. In 1616 Jonson was appointed by King James I to receive a yearly pension of £60 to become what is recognised as the first official Poet Laureate. He died on the 6th of August, 1637 at Westminster and is buried in the north aisle of the nave at Westminster Abbey. A master of both playwriting and poetry his reputation continues to endure and reach a new audience with each succeeding generation.
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The Case is Altered - Ben Jonson
The Case is Altered by Ben Jonson
A COMEDY
Benjamin Ben
Jonson was born in June, 1572. A contemporary of William Shakespeare, he is best known for his satirical plays; Volpone, The Alchemist, and Bartholomew Fair, and his equally accomplished lyric poems.
A man of vast reading and a seemingly insatiable appetite for controversy, including time in jail and a penchant for switching faiths, Jonson had an unparalleled breadth of influence on Jacobean and Caroline playwrights and poets.
In 1616 Jonson was appointed by King James I to receive a yearly pension of £60 to become what is recognised as the first official Poet Laureate.
He died on the 6th of August, 1637 at Westminster and is buried in the north aisle of the nave at Westminster Abbey.
A master of both playwriting and poetry his reputation continues to endure and reach a new audience with each succeeding generation.
Index of Contents
PERSONS REPRESENTED
MEN
WOMEN
SCENE - Milan
ACT I
SCENE I
SCENE II
SCENE III
SCENE IV
SCENE V
ACT II
SCENE I
SCENE II
SCENE III
SCENE IV
SCENE V
SCENE VI
SCENE VII
ACT III
SCENE I
SCENE II
SCENE III
SCENE IV
SCENE V
ACT IV
SCENE I
SCENE II
SCENE III
SCENE IV
SCENE V
ACT V
SCENE I
SCENE II
SCENE III
SCENE IV
Ben Jonson – A Short Biography
Ben Jonson – A Concise Bibliography
Ben Jonson – An Historical View by Felix E Schellin
A Glossary of Words & Meanings
This Comedy was sundry times acted by the Children of the Black-Friars.
It should be noted that at some point this play appears to have been revised but not by Jonson. The first three acts are numbered correctly thereafter we have used as structure Gifford’s numbering
PERSONS REPRESENTED
MEN
COUNT FERNEZE
LORD PAULO FERNEZE
CAMILLO FERNEZE
MAXIMILIAN
CHAMONT
SIGNIOR ANGELO
FRANCISCO COLONNIA
JAQUES DE PRIE
CHRISTOPHERO, the Steward
JUNIPER, a Cobler
ANTONIO BALLADINO, }
SEBASTIAN }
MARTINO }
VINCENTIO } Servants
VALENTINE }
BALTHASAR }
ONION }
MONS. PACUE.
FINIO, a Page
BOY
WOMEN
AURELIA
PHŒNIXELLA
RACHEL DE PRIE
SCENE - Milan.
ACT I. SCENE I
Sound, after a flourish: JUNIPER a cobler is discovered, sitting at work in his shop, and singing.
JUNIPER, ONION, ANTONIO BALLADINO.
JUNIPER – You woful wights, give ear a while,
And mark the tenor of my stile,
Enter ONION in haste.
Which shall such trembling hearts unfold,
As seldom hath to fore been told,
Such chances are, and doleful news, —
ONION - Fellow Juniper! peace a god's name.
JUNIPER - As may attempt your wits to muse.
ONION - Godso, hear, man! a pox a god on you.
JUNIPER - And cause such trickling tears to pass,
Except your hearts be flint or brass: —
ONION - Juniper! Juniper!
JUNIPER - To hear the news which I shall tell,
That in Custella once befel.
'Sblood, where didst thou learn to corrupt
A man in the midst of a verse, ha?
ONION - Godslid, man, service is ready to go up, man: you must slip on your coat, and come in; we lack waiters pitifully.
JUNIPER - A pitiful hearing; for now must I of a merry cobler become mourning creature.
[Exit ONION.
ONION - Well, you'll come.
JUNIPER - Presto. Go to, a word to the wise, away, fly, vanish:
Lie there the weeds that I disdain to wear.
ANTONIO BALLADINO - God save you, master Juniper.
JUNIPER - What signior Antonio Balladino!
Welcome sweet Ingle.
ANTONIO BALLADINO - And how do you, sir?
JUNIPER - Faith you see, put to my shifts here, as poor retainers be oft-times. Sirrah, Antony, there's one of my fellows mightily enamoured of thee; and I faith, you slave, now you're come, I'll bring you together: it's Peter Onion, the groom of the hall; do you know him?
ANTONIO BALLADINO - No, not yet, I assure you.
JUNIPER - O he is one as right of thy humour as may be, a plain simple rascal, a true dunce; marry he hath been a notable villain in his time: he is in love, sirrah, with a wench, and I have preferred thee to him; thou shalt make him some pretty paradox, or some allegory. How does my coat sit? well?
ANTONIO BALLADINO - I, very well.
Enter ONION.
ONION - Nay, godso, fellow Juniper, come away.
JUNIPER - Art thou there, mad slave? I come with a powder. Sirrah, fellow Onion, I must have you peruse this gentleman well, and do him good offices of respect and kindnesses, as instances shall be given.
ANTONIO BALLADINO - Nay, good master Onion, what do you mean, I pray you, sir? you are too
respective, in good faith.
ONION - I would not you should think so, sir; for though I have no learning, yet I honour a scholar in any ground of the earth, sir. Shall I request your name, sir?
ANTONIO BALLADINO - My name is Antonio Balladino.
ONION - Balladino! you are not pageant poet to the city of Milan, sir, are you?
ANTONIO BALLADINO - I supply the place, sir, when a worse cannot be had, sir.
ONION - I cry you mercy, sir; I love you the better for that, sir; by Jesu, you must pardon me, I knew you not; but I'll pray to be better acquainted with you, sir, I have seen of your works.
ANTONIO BALLADINO - I am at your service, good master Onion; but concerning this maiden that you love, sir, what is she?
ONION - O did my fellow Juniper tell you? marry, sir, she is, as one may say, but a poor man's child indeed, and for mine own part, I am no gentleman born, I must confess; but my mind to me a kingdom is truly.
ANTONIO BALLADINO - Truly a very good saying.
ONION - 'Tis somewhat stale; but that's no matter.
ANTONIO BALLADINO - O 'tis the better; such things ever are like bread, which the staler it is, the
more wholsome.
ONION - 'Tis but a hungry comparison, in my judgment.
ANTONIO BALLADINO - Why I'll tell you, master Onion, I do use as much stale stuff, though I say it myself, as any man does in that kind, I am sure. Did you see the last pageant I set forth?
ONION - No faith, sir; but there goes a huge report on't.
ANTONIO BALLADINO - Why you shall be one of my Mæcenasses; I'll give you one of the books; O
you'll like it admirably.
ONION - Nay that's certain, I'll get my fellow Juniper to read it.
ANTONIO BALLADINO - Read it, sir! I'll read it to you.
ONION - Tut, then I shall not chuse but like it.
ANTONIO BALLADINO - Why look you, sir, I write so plain, and keep that old decorum, that you must of necessity like it: marry, you shall have some now (as for example, in plays) that will have every day new tricks, and write you nothing but humours; indeed this pleases the gentlemen, but the common sort they care not for't; they know not what to make on't; they look for good matter they, and are not edified with such toys.
ONION - You are in the right, I'll not give a halfpenny to see a thousand on 'em. I was at one the last term; but and ever I see a more roguish thing, I am a piece of cheese, and no Onion: nothing but kings and princes in it, the fool came not out a jot.
ANTONIO BALLADINO - True, sir, they would have me make such plays; but as I tell 'em, and they'll give me twenty pounds a play, I'll not raise my vein. No, it were a vain thing and you should, sir.
ANTONIO BALLADINO - Tut, give me the penny, I care not for the gentlemen I; let me have a good
ground, no matter for the pen, the plot shall carry it.
ONION - Indeed that's right, you are in print already for the best plotter.
ANTONIO BALLADINO - I, I might as well have been put in for a dumb shew too.
ONION - I, marry, sir, I marle you were not.
Stand aside, sir, a while.
Enter an armed sewer, some half dozen in mourning coats following, and pass by with service.
Enter VALENTINE.
ONION - How now, friend, what are you there? be uncovered. Would you speak with any man here?
VALENTINE - I, or else I must have returned you no answer.
ONION - Friend, you are somewhat too peremptory, let's crave your absence; nay, never scorn it, I am a little your better in this place.
VALENTINE - I do acknowledge it.
ONION - Do you acknowledge it? nay, then you shall go forth; I'll teach you how you shall acknowledge it another time; go, void, I must have the hall purged; no setting up of a rest here, pack, begone.
VALENTINE - I pray you, sir, is not your name Onion?
ONION - Your friend as you may use him, and master Onion; say on.
VALENTINE - Master Onion with a murrain; come, come, put off this lion's hide, your ears have discovered you. Why Peter! Do not I know you, Peter?
ONION - Godso, Valentine?
VALENTINE - O can you take knowledge of me now, sir?
ONION - Good lord, sirrah, how thou art altered with thy travel!
VALENTINE - Nothing so much as thou art with thine office: but sirrah, Onion, is the Count Ferneze at home?
[Exit ANTONY.
ONION - I, bully, he is above, and the lord Paulo Ferneze his son, and madam Aurelia and madam Phœnixella his daughters; but O Valentine!
VALENTINE - How now, man! how dost thou?
ONION - Faith, sad, heavy, as a man of my coat ought to be.
VALENTINE - Why, man, thou wert merry enough even now.
ONION - True; but thou knowest
All creatures here sojourning upon this wretched earth,
Sometimes have a fit of mourning, as well as a fit of mirth.
O Valentine, mine old lady is dead, man.
VALENTINE - Dead?
ONION - I' faith.
VALENTINE - When died she?
ONION - Marry, to-morrow shall be three months; she was seen going to heaven, they say, about some five weeks agone: how now? trickling tears! ha!
VALENTINE - Faith thou hast made me weep with this news.
ONION - Why I have done but the part of an
Onion: you must pardon me.
SCENE II
Enter the sewer, pass by with service again, the serving-men take knowledge of VALENTINE as they go. JUNIPER salutes him.
JUNIPER - What, Valentine! fellow Onion, take my dish, I prithee. You rogue, sirrah, tell me how thou dost, sweet Ingle.
VALENTINE - Faith, Juniper, the better to see thee thus folick.
[Exit ONION.
JUNIPER - Nay, slid I am no changling, I am Juniper still. I keep the pristinate; ha, you mad hieroglyphick, when shall we swagger?
VALENTINE - Hieroglyphick? what meanest thou by that?
JUNIPER - Mean! Godso, is't not a good word, man? what, stand upon the meaning with your friends. Puh, abscond.
VALENTINE - Why but stay, stay; how long has this sprightly humour haunted thee?
JUNIPER - Foh, humour, a foolish natural gift we have in the Æquinoxial.
VALENTINE - Natural, 'slid it may be supernatural all this.
JUNIPER - Valentine, I prithee ruminate thyself welcome. What fortuna de la guerra.
VALENTINE - O how pitifully are these words forc'd,
As though they were pumpt out on's belly.
JUNIPER - Sirrah, Ingle, I think thou hast seen all the strange countries in Christendom since thou went'st.
VALENTINE - I have seen some, Juniper.
JUNIPER - You have seen Constantinople?
VALENTINE - I, that I have.
JUNIPER - And Jerusalem, and the Indies, and Goodwin-sands, and the tower of Babylon, and Venice, and all?
VALENTINE - I, all: no, marle, and he have a nimble tongue, if he practise to vault thus from one side of the world to another.
JUNIPER - O it's a most heavenly thing to travel, and see countries, especially at sea, and a man had a patent not to be sick.
VALENTINE - O sea-sick jest, and full of the scurvey.
SCENE III
Enter JUNIPER, ANTONIO, SEBASTIAN, MARTINO, VINCENTIO, BALTHASAR and CHRISTOPHERO.
SEBASTIAN - Valentine! welcome I faith; how dost, sirrah?
MARTINO - How do you, good Valentine?
VINCENTIO - Troth, Valentine, I am glad to see you.
BALTHASAR - Welcome, sweet rogue.
SEBASTIAN - Before god he never lookt better in his life.
BALTHASAR - And how is't, man? what alla coragio?
VALENTINE - Never better, gentlemen, I faith.
JUNIPER - 'Swill, here comes the steward.
CHRISTOPHERO - Why how now, fellows! all here, and nobody to wait above, now they are ready to rise? look up, one or two; signior Francisco Colonia's man, how does your good master?
[Exeunt JUNIPER, MARTINO, VINCENTIO.
VALENTINE - In health, sir; he will be here anon.
CHRISTOPHERO - Is he