No-No Boy
By John Okada, Ruth Ozeki, Lawson Fusao Inada and Frank Chin
3.5/5
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About this ebook
"No-No Boy has the honor of being among the first of what has become an entire literary canon of Asian American literature,” writes novelist Ruth Ozeki in her new foreword. First published in 1957, No-No Boy was virtually ignored by a public eager to put World War II and the Japanese internment behind them. It was not until the mid-1970s that a new generation of Japanese American writers and scholars recognized the novel’s importance and popularized it as one of literature’s most powerful testaments to the Asian American experience.
No-No Boy tells the story of Ichiro Yamada, a fictional version of the real-life “no-no boys.” Yamada answered “no” twice in a compulsory government questionnaire as to whether he would serve in the armed forces and swear loyalty to the United States. Unwilling to pledge himself to the country that interned him and his family, Ichiro earns two years in prison and the hostility of his family and community when he returns home to Seattle. As Ozeki writes, Ichiro’s “obsessive, tormented” voice subverts Japanese postwar “model-minority” stereotypes, showing a fractured community and one man’s “threnody of guilt, rage, and blame as he tries to negotiate his reentry into a shattered world.”
The first edition of No-No Boy since 1979 presents this important work to new generations of readers.
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Reviews for No-No Boy
113 ratings6 reviews
- Rating: 5 out of 5 stars5/5I'm not really sure what to say about No-No Boy. It's very tragic. Very true. Very well-written. It highlights an era of American history that is often, if not always, glossed over. I had no idea about Japanese-American issues before reading this book, and I must say that Ichiro's story told it very well.The only thing I would say is that the ending felt very abrupt to me and I wanted a little bit more. Every time it felt like things were concluding, more would happen. And then more happened, and then it ended.
- Rating: 3 out of 5 stars3/5Historically important, gritty account of a Japanese who refused to fight in WWII. Identity struggle. Interesting read. Pending further review.
- Rating: 3 out of 5 stars3/5OK, somewhat harrowing novel of a Jap.-Amer. youth who made a bad decision and must live with it.
- Rating: 3 out of 5 stars3/5Japanese-Americans were imprisoned in the desert following the bombing of Pearl Harbor. For no reason. When they were released, the males of draft age were told to sign up to fight in WWII. if you didn't feel especially patriotic after being locked up in a desert prison for 2 years, and declined, you were again locked up. 2 more years. Is it any wonder that the young men characterized in this book were full of hate and despair? John Okada died at 47, his book largely unread, and unacclaimed by other Japanese-Americans.
- Rating: 3 out of 5 stars3/5I received this book for free through Goodreads First Reads.
I understand why this is considered a classic; I was moved by the emotions and struggles of not only the main character, Ichiro, but by all of the characters, and how each was affected by their decisions regarding WWII, and even their greater life decisions (for example, Mama's views on Japan and America and WWII). It is well written but not plot driven. While I enjoyed reading it when I picked it up, I never felt compelled to pick it back up again when I wasn't reading. Even still, I think this novel will stay with me for a long time. All of the books I've read about Japanese Americans during WWII all took place before or during the war, so it was interesting to read a new perspective: what happens after the war, when people return home? There were many wonderful insights in this book...about being an immigrant, about being an American, and what that means...about racism and hatred and people. These insights and his beautiful writing ultimately land the book as "I liked it" even though the plot didn't fully capture my attention.2 people found this helpful
- Rating: 5 out of 5 stars5/5Unfortunately, this was Okada's only published work before he committed suicide. It's one thing to be a draft-dodger, but for Japanese Americans who wanted to prove their loyalty after being interned it meant a rejection of both Japanese and American identities.