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Gretchen's Forty Winks
Gretchen's Forty Winks
Gretchen's Forty Winks
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Gretchen's Forty Winks

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Francis Scott Key Fitzgerald (September 24, 1896 – December 21, 1940) was an American author of novels and short stories, whose works are the paradigmatic writings of the Jazz Age. He is widely regarded as one of the greatest American writers of the 20th century. Fitzgerald is considered a member of the "Lost Generation" of the 1920s. He finished four novels: "This Side of Paradise", "The Beautiful and Damned", "The Great Gatsby" (his most famous), and "Tender Is the Night". A fifth, unfinished novel, "The Love of the Last Tycoon", was published posthumously. Fitzgerald also wrote many short stories that treat themes of youth and promise along with age and despair.

Fitzgerald's work has been adapted into films many times. His short story, "The Curious Case of Benjamin Button", was the basis for a 2008 film. "Tender Is the Night" was filmed in 1962, and made into a television miniseries in 1985. "The Beautiful and Damned" was filmed in 1922 and 2010. "The Great Gatsby" has been the basis for numerous films of the same name, spanning nearly 90 years: 1926, 1949, 1974, 2000, and 2013 adaptations. In addition, Fitzgerald's own life from 1937 to 1940 was dramatized in 1958 in "Beloved Infidel".
LanguageEnglish
PublisherBoD E-Short
Release dateMay 11, 2015
ISBN9783734795169
Gretchen's Forty Winks
Author

F. Scott Fitzgerald

F. Scott Fitzgerald was born in Saint Paul, Minnesota, in 1896, attended Princeton University in 1913, and published his first novel, This Side of Paradise, in 1920. That same year he married Zelda Sayre, and he quickly became a central figure in the American expatriate circle in Paris that included Gertrude Stein and Ernest Hemingway. He died of a heart attack in 1940 at the age of forty-four.

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    Gretchen's Forty Winks - F. Scott Fitzgerald

    Table Of Contents

    I

    II

    III

    IV

    Copyright

    I

    The sidewalks were scratched with brittle leaves, and the bad little boy next door froze his tongue to the iron mail-box. Snow before night, sure. Autumn was over. This, of course, raised the coal question and the Christmas question; but Roger Halsey, standing on his own front porch, assured the dead suburban sky that he hadn't time for worrying about the weather. Then he let himself hurriedly into the house, and shut the subject out into the cold twilight.

    The hall was dark, but from above he heard the voices of his wife and the nursemaid and the baby in one of their interminable conversations, which consisted chiefly of 'Don't!' and 'Look out, Maxy!' and 'Oh, there he goes!' punctuated by wild threats and vague bumpings and the recurrent sound of small, venturing feet.

    Roger turned on the hall-light and walked into the living-room and turned on the red silk lamp. He put his bulging portfolio on the table, and sitting down rested his intense young face in his hand for a few minutes, shading his eyes carefully from the light. Then he lit a cigarette, squashed it out, and going to the foot of the stairs called for his wife.

    'Gretchen!'

    'Hello, dear.' Her voice was full of laughter. 'Come see baby.'

    He swore softly.

    'I can't see baby now,' he said aloud. 'How long 'fore you'll be down?'

    There was a mysterious pause, and then a succession of 'Don'ts' and 'Look outs, Maxy' evidently meant to avert some threatened catastrophe.

    'How long 'fore you'll be down?' repeated Roger, slightly irritated.

    'Oh, I'll be right down.'

    'How soon?' he shouted.

    He had trouble every day at this hour in adapting his voice from the urgent key of the city to the proper casualness for a model home. But tonight he was deliberately impatient. It almost disappointed

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