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    A Dialogue in Hades: "Illustrated"
    A Dialogue in Hades: "Illustrated"
    A Dialogue in Hades: "Illustrated"
    Ebook85 pages1 hour

    A Dialogue in Hades: "Illustrated"

    By Murat Ukray and James Johnstone

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    About this ebook

      "When Jesus arrives, Hades bids his servants to bolt and lock the doors, but to no avail; Jesus shatters the gates and enters. He seizes Satan and binds him in iron chains, then consigning him into Hades’s keeping until the second coming. Jesus next turns his attention to the patriarchs. He raises up Adam, along with all the prophets and the saints. Together, they all depart up out of Hades, and ascend into Paradise.) The “Harrowing of Hell” portion of that Gospel was widely circulated in other compilations of religious literature, most notably in the Golden Legend of the lives of the saints, compiled by Jacob of Voragine in the 13th century."


      The literary versions of the “Harrowing of Hell” in turn gave rise to many works of art, including the “mystery play” tradition of medieval religious drama. Most commonly, however, people would learn about Jesus’s descent into the underworld from the artwork which decorated the churches and cathedrals of Europe.


      A Dialogue in Hades, this illlustrated version of the book, gives a many perspective to the readers,


    With WELL ILLUSTRATIONS BY MURAT UKRAY
    {E-KITAP PROJESI}..



    LanguageEnglish
    PublishereKitap Projesi
    Release dateMar 30, 2015
    ISBN9786155529313
    A Dialogue in Hades: "Illustrated"
    Author

    Murat Ukray

    YAZAR:MURAT UKRAYYetkinlikler:Aynı zamanda bir yazar olan ve yaklaşık genel araştırma konuları ile fizikle ve birleşik alan kramı ile ilgili 2006’dan beri kaleme aldığı yaklaşık 12 eseri bulunan Murat UKRAY, yine bunları kendi kurmuş olduğu çeşitli web siteleri üzerinden, kitaplarını sadece dijital elektronik ortamda, hem düzenli olarak yılda yazmış veya yayınlamış olduğu diğer eserleri de yayın hayatına e-KİTAP ve POD (Print on Demand -talebe göre yayıncılık-) sistemine göre yayın hayatına geçirerek okurlarına sunmayı ilke olarak edinirken; diğer yandan da, projenin SOSYAL yönü olan doğayı korumak amaçlı başlattığı "e-KİTAP PROJESİ" isimli yayıncılık sistemiyle KİTABINI KLASİK SİSTEMLE YAYINLAYAMAYAN "AMATÖR YAZARLAR" için, elektronik ortamda kitap yayıncılığı ile kitaplarını bu sistemle yayınlatmak isteyen PROFESYONEL yayıncılar ve yazarlar için de hemen hemen her çeşit kitabın (MAKALE, AKADEMİK DERS KİTABI, ŞİİR, ROMAN, HİKAYE, DENEME, GÜNLÜK TASLAK) elektronik ortamda yayıncılığının önünü açan e-YAYINCILIĞA 2010 yılı başlarından beri başlamıştır ve halen daha ilgili projeleri yürütmektedir..Aynı zamanda YAZAR KOÇLUĞU ve KUANTUM & BİRLEŞİK ANA KURAMI doğrultusunda, kişisel gelişim uzmanlığı konularında da faaliyet göstermektedir..Çalışma alanları:Köşe yazarlığı yapmak, Profesyonel yazarlık (12 yıldır), Blog yazarlığı, web sitesi kurulumu, PHP Programlama, elektronik ticaret sistemleri, Sanal kütüphane uygulamaları, e-Kitap Uygulamaları ve Yazılımları, Kişisel gelişim, Kuantum mekaniği ve Birleşik Alan teorisi ile ilgili Kuramsal ve Uygulama çalışmaları..

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      Book preview

      A Dialogue in Hades - Murat Ukray

      A Dialogue In Hades (Illustrated)

      By

      James Johnstone

      Illustrated by Murat Ukray

      ILLUSTRATED &

      PUBLISHED BY

      e-KİTAP PROJESİ & CHEAPEST BOOKS

      www.cheapestboooks.com

      www.facebook.com/EkitapProjesi

      Copyright, 2014 by e-Kitap Projesi

      Istanbul

      ISBN: 978-6155529-313

      A DIALOGUE IN HADES

      A PARALLEL OF MILITARY ERRORS, OF WHICH THE FRENCH

      AND ENGLISH ARMIES WERE GUILTY, DURING THE

      CAMPAIGN OF 1759, IN CANADA.

      ATTRIBUTED TO CHEVALIER JOHNSTONE.

      With Illustrations by Murat Ukray {e-Kitap Projesi}

      1887.

      Table of Contents

      A Dialogue In Hades (Illustrated)

      Introduction

      A Dialogue In Hades

      Addenda

      Footnotes

      Introduction

      The original of this manuscript is deposited in the French war archives, in Paris; a copy was, with the permission of the French Government, taken in 1855, and deposited in the Library of the Legislative Assembly of Canada. The Literary and Historical Society of Quebec, through the kindness of Mr. Todd, the Librarian, was permitted to have communication thereof. This document is supposed to have been written about the year 1765, that is five years after the return to France from Canada of the writer, the Chevalier Johnstone, a Scottish Jacobite, who had fled to France after the defeat at Culloden, and obtained from the French monarch, with several other Scotchmen, commissions in the French armies. In 1748, says Francisque Michel,A "he sailed from Rochefort as an Ensign with troops going to Cape Breton; he continued to serve in America until he returned to France, in December, 1760, having acted during the campaign of 1759, in Canada, as aide-de-camp to Chevalier de Levis. On Levis being ordered to Montreal, Johnstone was detached and retained by General Montcalm on his staff, on account of his thorough knowledge of the environs of Quebec, and particularly of Beauport, where the principal works of defence stood, and where the whole army, some 11,000 men, were entrenched, leaving in Quebec merely a garrison of 1500. The journal is written in English, and is not remarkable for orthography or purity of diction; either Johnstone had forgotten or had never thoroughly known the language. The style is prolix, sententious, abounding in quotations from old writers. This document had first attracted the attention of one of the late historians of Canada, the Abbé Ferland, who attached much importance to it, as calculated to supply matters of detail and incidents unrecorded elsewhere. Colonel Margry, in charge of the French records, had permitted the venerable writer, then on a visit to Paris, to make extracts from it; some of which extracts, the abbé published at the time of the laying of the St. Foy Monument, in 1862. The Chevalier Johnstone differs in toto from the opinions expressed by several French officers of regulars, respecting the conduct of the Canadian Militia, in 1759, ascribing to their valour, on the 13th September, the salvation of a large portion of the French army. He has chosen the singular, though not unprecedented mode of the Dialogue, to recapitulate the events of a campaign in which he played a not inconsiderable part."

      —J. M. LeMoine.

      A Dialogue In Hades

      When Jesus arrives, Hades bids his servants to bolt and lock the doors, but to no avail; Jesus shatters the gates and enters. He seizes Satan and binds him in iron chains, then consigning him into Hades’s keeping until the second coming. Jesus next turns his attention to the patriarchs. He raises up Adam, along with all the prophets and the saints. Together, they all depart up out of Hades, and ascend into Paradise.) The Harrowing of Hell portion of that Gospel was widely circulated in other compilations of religious literature, most notably in the Golden Legend of the lives of the saints, compiled by Jacob of Voragine in the 13th century.

      The literary versions of the Harrowing of Hell in turn gave rise to many  works of art, including the mystery play tradition of medieval religious drama. Most commonly, however, people would learn about Jesus’s descent into the underworld from the artwork which decorated the churches and cathedrals of Europe. In the remainder of this article, I would like to look at ten different visual depictions of the story, to see what details we can observe in each artist’s rendering of the scene.

      The Marquis de Montcalm:​—​Having ardently desired a conversation with you, sir, upon the operations of a campaign which proved to both of us so fatal, I have sought you continually amongst the shades ever since I descended here, where I soon followed you.

      General Wolfe:​—​I can assure you, sir, I was equally impatient to meet with you. Some of my countrymen, arrived here since the battle of the 13th September, informed me that there was only an interval of a few hours in our sharing the same hard fate. They gave me some accounts of that event which joined Canada to the British dominions; but as they had a very imperfect knowledge of the circumstances, and entirely ignorant of your plan of operations, I have little information from them, and I am heartily glad that chance at last has procured me the pleasure of seeing you.

      Montcalm:​—​Will you permit me, sir, before our conversation becomes serious, to offer some reflections upon the difference in our destiny. Your nation rendered you the greatest honours; your body was conveyed to London, and buried there magnificently in Westminster Abbey, amongst your kings. Generous Britons erected to your memory a superb monument over your grave, at public expense; and your name, most dear to your countrymen, is ever in their mouths, accompanied with praise and regret. But in my country what a strange indifference? What sensation did my death make upon my compatriots? My conduct denounced and censured without measure, is the continual subject of conversation for gossiping fools and knaves, who form the majority in all communities, and prevail against the infinitely small number to be found of honest, judicious, impartial men, capable of reflection. The Canadians and savages who knew the uprightness of my soul, ever devoted

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