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The Dogs of Rome: A Commissario Alec Blume Novel
The Dogs of Rome: A Commissario Alec Blume Novel
The Dogs of Rome: A Commissario Alec Blume Novel
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The Dogs of Rome: A Commissario Alec Blume Novel

Rating: 3.5 out of 5 stars

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On a hot summer morning, Arturo Clemente is sloppily murdered in his Roman apartment by a mysterious slasher. When his wife, an eminent politician, finds his body, she swiftly springs into action--by calling the Ministry of the Interior.


By the time police inspector Alec Blume arrives at the scene, evidence has been collected, command taken, and, in short--his investigation has been compromised. As the details of the case continue to trickle out, Blume soon realizes he is being watched from on high--and that solving this crime may be the least of his worries. Losing sleep and unsure who to trust, Blume feels the case spinning out of control: does anyone involved even want justice? At what price will it come? And who runs this town--the police, the politicians, or organized criminals?


In this riveting novel, we are introduced to Blume, an American expatriate and seasoned police veteran. Intelligent yet sometimes petulant, instinctive yet flawed, Blume is a likeable and trustworthy protagonist for this, the first installment of a gritty and promising series.

LanguageEnglish
Release dateApr 9, 2010
ISBN9781608191154
The Dogs of Rome: A Commissario Alec Blume Novel
Author

Conor Fitzgerald

Conor Fitzgerald has lived in Ireland, the UK, the United States and Italy. He has worked as an arts editor, produced a current affairs journal for foreign embassies based in Rome, and founded a successful translation company. He is married with two children and lives in Rome. The Namesake is the third in his series of Italian Crime novels.

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Rating: 3.6666666666666665 out of 5 stars
3.5/5

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  • Rating: 3 out of 5 stars
    3/5
    With the Michael Dibdin books featuring Zen now on PBS, this book provides a compare and contrast. Not as good but this is number 1 so maybe. Add Donna Leon in venice for a nice visit to Italy and Andrea Camilleri for a side trip to Sicily.
  • Rating: 4 out of 5 stars
    4/5
    Alec Blume, American by birth, is not as charismatic or as interesting to the English reader as the Italian Commissario Salvo Montalbano; nor is political dimension of Roman police procedural handled with the skill of Michael Dibdin, but nevertheless the novel does come to life. Interiors, food, manners, weather, all are credible, visible. I found the plot worth following (though the canine strand was the least compelling) and the characters distinct and likeable. I'll be tuning in next week ...
  • Rating: 3 out of 5 stars
    3/5
    I enjoyed this story of a detective in Rome but not as much as the Donna Leon books. There wasn't quite the same sense of place. I also felt there were a few idiosyncrasies that irritated, the main one being speeds and distances in imperial rather than metric.
  • Rating: 2 out of 5 stars
    2/5
    Read to the end. American who grew up in Italy (a bit of a mystery around who helped him after his parents were killed) and became a policeman. The dogs here mostly dog fighting. I read to the end. But this always seemed like something of a duty. (On my new Kindle Fire.)
  • Rating: 4 out of 5 stars
    4/5
    I love reading detective books from different parts of the world. Currently I'm reading series in Edinburgh (Rebus); Galway, Ireland (Jack Taylor), Quebec (Gamache), Southern France (Bruno Chief of Police) and Yorkshire (Vera Stanhope), so it was fun to find this series set in present day Rome. Commissioner Alec Blume is an American, but he has lived most of his life in Italy. He lost his parents when he was young boy and grew up in the foster system in Rome. He went to college and then joined the Italian police where he is now in charge of the murder squad. Alec is an unlikely hero as he's very human and very aware of his own faults and shortcomings. He also has a very strong sense of justice (which reminded me of John Rebus and Jack Taylor). His vulnerability and his natural instincts make Alec Blume a very likable protagonist. This book is not really a whodunit, as the perpetrator is known almost from the start, but it is certainly a lesson in Italian policing and politics as Alec and his team set out to try to catch a psychotic killer. Friendships and loyalties are tested, new ties are made thus assuring us that this series will be around for awhile. The book is graphic in spots and I found that a bit uncomfortable at times, but it's definitely a promising series for me.
  • Rating: 4 out of 5 stars
    4/5
    Good characterization and plot; authentic dialog. The first of Fitzgerald's books I've read, and I'll read more.
  • Rating: 4 out of 5 stars
    4/5
    The storyline of this book (illegal dog fighting and a psychopathic gamer whose murderous instincts spill over from his virtual life online to the real-life streets of Rome) is seamier than I usually find appealing and the cover art is is hideous, but the plot is well-crafted and the main character, an American set adrift in Italy by tragic circumstances in his early life, has the potential to develop depth over the course of a series. I'm planning to try another installment while I wait for the next Dona Leon....
  • Rating: 4 out of 5 stars
    4/5
    The main character, Alec, is intriguing, and discovering the nuances of the title make for an interesting unfolding. The setting is vivid and the action ties and turns. The book as a little too long, but still kept my attention.
  • Rating: 3 out of 5 stars
    3/5
    The book was good, although the writing was not as good as the Fatal Touch.
  • Rating: 4 out of 5 stars
    4/5
    The Dogs of Rome is a very good murder mystery with well developed characters. The characters are not the “cookie-cutter stereotypes” often found in “Whodunit” murder mysteries. The characters are more important that the “puzzle” of the mystery. This novel is similar in this way to the “Columbo” television series or the “Inspector Bill Slider” novels by Cynthia Harrod-Eagles. It is a novel about the people surrounding a murder investigation, rather than a novel about a murder investigation.Unlike many other male writers, whose female characters seem unidimensional, Mr. Fitzgerald captures both male and female characters equally well. The characters are very complex and real with strengths and weaknesses, just as all real people have good points and flaws. All of the characters are well developed. The men, women, children, good-guys, bad-guys, and in-between-guys are all very real.Reading as Fitzgerald brings all the stories to an end, is like watching the space shuttle leave orbit and taxi to a stop at the end of its runway. Many modern mystery novels have a STOPING rather than an ENDING, with stories that crash into a tree rather than arriving at a destination.The quixotic nature of the Italian police system's bureaucracy is well captured. Rome has worked to perfect the art of bureaucracy for at least 10,000 years, and Fitzgerald gives the reader a wonderful introduction to its nuance. I sincerely hope that this is but the first of many Commissario Alec Blume novels.
  • Rating: 3 out of 5 stars
    3/5
    Police Inspector Alec Blume has a lot of “help” for his current case from other Roman law enforcement agencies. The problem is, Blume wants to find the real murderer, while other agencies are looking for a resolution that will satisfy the dead man's politician wife, the press, and the mob boss with inside connections. Although Blume has spent more than half of his life in Rome, he is American. His inability to think like a native Roman is a hindrance to his investigation.This is an average crime novel without a hook to entice me to continue reading this series. I found it difficult to relate to Alex. It wasn't adequately explained why he wasn't returned to the United States after his parents' deaths when he hadn't yet turned 18. He isn't outstanding at his job, nor is he endearingly incompetent. The American woman he falls for, and who distracts him from what he should be doing to solve his case, has a difficult personality and gives him little encouragement. The sense of place isn't particularly strong, either, unlike Donna Leon's Venetian setting for the Commissario Brunetti series.
  • Rating: 4 out of 5 stars
    4/5
    Alec is an appealing if somewhat flawed character and I liked the way his past intertwined with the case he works in this novel. I also enjoyed the view of Rome - Alec's background as an American who has been living in Italy since his childhood makes for a unique point of view.
  • Rating: 4 out of 5 stars
    4/5
    In fact, a very good doggie. While a criminal dogfighting operation sets this book in motion, it is a wonderful set of characters that distinguishes this generally low-key crime procedural set in Rome. This is not the Rome of picturesque fountains and palaces. This is the Rome of the streets, populated by shopkeepers and waiters; punks, enforcers, and crime bosses; honest and less-than-honest cops; journalists; and politicians. At the heart of the book is Alec Blume, born in the United States, who moved to Italy with his parents as a child. Now an inspector with the Italian State Police, he finds himself investigating the murder of the husband of a state senator, who is an activist against dogfighting. He also finds himself dealing with the byzantine Italian justice system, Italian politics, and his own past. The characters are superbly drawn, the plot leisurely but not lazy, and the suspect a real piece of work. Highly recommended.
  • Rating: 4 out of 5 stars
    4/5
    I found a new fictional private detective, Alec Blume, of the Rome Police. He was born an American to two academics who moved to Rome temporarily when he was just a kid. While there his parents were brutally murdered. He doesn't really have any family or friends in the States that will take him so ends up staying in Rome making his own way and eventually becomes a police inspector. Very interesting. The Dogs of Rome by Conor Fitzgerald is the first in a new series of books to feature Alec Blume.The book starts with the very grisly, amateurish, murder of the husband of a prominent Italian politician. Alec Blume is called to lead the investigation and immediately runs into roadblocks put up by the upper management of the police. The result is a very gritty fast paced novel. It of course involves the Italian police and judicial system which is fascinatingly different from what we have in the US.I found the novel fascinating. I read most of it on the beach on vacation on my Kindle. I rate it four stars out of five overall, five stars out of five for a beach read.
  • Rating: 4 out of 5 stars
    4/5
    The storyline of this book (illegal dog fighting and a psychopathic gamer whose murderous instincts spill over from his virtual life online to the real-life streets of Rome) is seamier than I usually find appealing and the cover art is is hideous, but the plot is well-crafted and the main character, an American set adrift in Italy by tragic circumstances in his early life, has the potential to develop depth over the course of a series. I'm planning to try another installment while I wait for the next Dona Leon....
  • Rating: 3 out of 5 stars
    3/5
    The Dogs of Rome follows American-born Rome Police Comissario Alec Blume as he tries to find the killer of a politician’s husband. Blume’s efforts are constantly being thwarted by internal police politics, an organized crime boss and his own blunders. Blume doesn’t appear particularly capable in his job, or in his private life for that matter, and it could be argued that if he had used proper police procedures and methods he would have captured his killer early on, before he did more damage. Of course, that would mean that this would have been a short story, not a novel.Many police procedurals have an element of interference, or at least conflict, with the higher authorities, but Dog of Rome has a surplus. Personally, I am not fascinated by the complex inner workings of a politicized and corrupt police establishment. In Dogs everyone seems to have a hidden agenda, or at least Blume suspects that they do.The structure of the book is interesting. The first chapter, detailing the murder, is told from the perspective of the murderer. The next chapters continue the time line, from Blume’s perspective. Fully two-thirds through the book we switch back to the killer’s point of view, picking up the story just after the murder and bringing the story up to the “current” time, after which the denouncement is presented from alternating perspectives. Confused? So was I. I found this structure to be a bit of writer’s trickery, since he does not have to have Blume figure out the killer’s motives and movements in detail, yet we readers understand them.Fitzgerald writes well, despite my criticisms of plot structure and protagonist. Many of his characters are well drawn and interesting and much of the dialogue is refreshing. Others may find these virtues to be of far more importance than the items I take issue with. For me, though, it was a tough slog in parts and 3 stars of 5.
  • Rating: 3 out of 5 stars
    3/5
    The publisher accidentally me sent this book, which I didn't request, along with an Early Reviewers book that I actually won. But a free book is a free book, and I figured it would be nice to read it and review it anyway. It should be noted, though, that I don't read much in the way of straight detective stories, so I'm far from an ideal reviewer on this one.The novel begins with a murder, which turns out to have implications involving politics, dog fighting, and organized crime. Whodunit isn't actually much of a mystery; the first chapter describes the murder being committed in great detail. Instead, the focus is more on the investigation, which is complicated by the fact that the police themselves have what you might call conflicts of interest, and also on slowly revealing the way in which the various bad guys and suspects fit together. I didn't find the plot terribly gripping, although it did have its moments. And for a while I was having some trouble keeping track of the plot details, although in fairness that might have less to do with the book itself and more to do with the circumstances under which I read much of it, which featured too many interruptions and too little sleep. I will say that the Italian setting added a nice, fresh note, helping to distinguish it a bit from all the generic American detective stuff I'm familiar with from TV. And while the writing, on the individual sentence level, isn't exactly brilliant, it is quite readable, and there are some very nice flashes of humor.Bottom line: Not something I'd ever have read on my own initiative and nothing I felt remotely excited about, but not bad. May be the sort of thing you'll like if you like this sort of thing.
  • Rating: 4 out of 5 stars
    4/5
    An interesting first book in what will likely be a series based on an American expat, Alec Blume, who is now a detective in the Roman police. The book starts off with the murder of the husband of an Italian politician, and from there explores political corruption, Mafia involvement, and police corruption. An ongoing theme through the book is how Alec Blume fits into Italian society, and how his American background colors his views on life. This is a promising first book and I hope the author continues the series.
  • Rating: 5 out of 5 stars
    5/5
    I am partial to detective mysteries and especially enjoy those set in exotic locations or historic periods. So, I jumped at the chance to review the first novel in Colin Fitzgerald's Commissario Alec Blume series, The Dogs of War.Set in present day Rome, The Dogs of Rome combines a familiarity with Rome, Roman culture, and Italian politics with a strong and complex detective mystery. Alec Blume is a flawed but engaging character - and a fine detective. When faced with an unusual murder scene, he systematically searches for the truth - wading through corrupted evidence, ignoring pointed directives from his superiors and pressure from both the political elite and powerful players in the criminal world.Alec Blume isn't just driven by a desire to learn the truth - he is sufficiently worldly and the reader realizes that there is more to him than that. But for his cynicism, Blume has a strong appreciation of the innocent and the good, and an appeal to his better self leads him to promise to find the truth no matter where it leads. It leads the reader to on a fascinating chase with unexpected twists and a satisfying conclusion. I thoroughly enjoyed The Dogs of Rome by Conor Fitzgerald and am looking forward to reading more adventures of Commissario Alec Blume.
  • Rating: 3 out of 5 stars
    3/5
    Fitzgerald writes smoothly - with a penchant for rather disturbing murder scenes. His central character, Alec Blume, an American serving on the Rome police force (how this came to be is interesting, but I won't put in any spoilers) grows on you, but it is difficult to see how he has risen to the level of detective given his performance in this book. Of course, Fitzgerald's take on the whole Roman police force (surprise surprise) is that it is full of all sizes and shapes of corruptions. Fitzgerald does a pretty good job at creating a memorable cast of characters, but frankly there are too many of them and by the end of the book he isn't giving them all the attention they need. Cut down to its violent essence at perhaps a little over 200 pages, this book would have been far more effective. As it is, in the tradition of modern detective novels, it just goes on and on and on. Even after the climax, Fitzgerald takes a few more chapters to wrap up all the loose ends. Not much is left to the reader's imagination here; there are few lines to read between. From the opening chapters, I felt like I had read all this before--because indeed I have read it before in so many similar books. Fitzgerald is laying the groundwork for a series here, particularly with Blume's infatuation with an FBI agent serving in the American Embassy, but this is just one of way too many subplots that detract from the forward motion of the novel. Fitzgerald throws in so many things here that you get the feeling he thinks he better say it now or he may not get the chance. On the basis of this book, he does deserve at least one more chance - but next time he should focus a bit more on the main plot.
  • Rating: 3 out of 5 stars
    3/5
    The Dogs of Rome is a solid first outing for Conor Fitzgerald and Commissioner Alec Blume. Ex-pat Alec Blume (who is occasionally still at odds with his adopted home of Italy) gets called to a case of murder, and worse, the murder of a politician's spouse. In some stories one might say the detective is thrown into the case. After all, there are interviews to be conducted, evidence to be collected, higher ups to be pleased. However, Alec Blume doesn’t seem to be thrown by much of anything. While Fitzgerald’s plot is solid, he masterfully navigates his cast of (many) characters and the subtle dealings of the police hierarchy, for me Blume seemed lethargic for much of the story. His character has a ripe history to draw from, including his childhood and his history with his former and current partners. However, at times, it felt like he was just there because there need to be a lead hanging around. It did pick up about two thirds of the way through, and sped along through the satisfying ending. Fitzgerald’s storytelling style is unique. You’ll end where you begin, but you won’t be quite finished. A well-plotted, satisfying mystery; I’ll definitely be looking forward to the next Alec Blume entry.
  • Rating: 4 out of 5 stars
    4/5
    Commissario Alec Blum is an expatriate American who has lived in Rome since his parents were killed. He was seventeen. Events from that time come to into the light with the murder of animal rights activist Arturo Clemente. Politics, crime, love, lust murder, family, dogs, loyalty, loneliness and trust.A look inside a man with a troubled past trying to do what is right against opposition from within the government and without. A great read , I'm looking forward to more from Conor Fitzgerald.
  • Rating: 2 out of 5 stars
    2/5
    A decent detective novel taking place in Rome, with an American ex-patriot in the leading role. The pace is pretty agreeable, there are few chapter-to-chapter cliffhangers, which makes this book a rather relaxed experience - you won't shed any sweat.
  • Rating: 5 out of 5 stars
    5/5
    As an orphaned American expatriate living in Rome, Commissario Alec Blume has no illusions that justice brings closure. After all, his own parents were murdered in a botched bank robbery when he was just seventeen. Years later, as he stared at the gravestone of the man he believed shot them, he felt no sense of justice. So when Blume is called to investigate the brutal, messy murder of animal rights activist Arturo Clemente, he does not pursue his prime suspect to punish him or to bring closure to Clemente’s family or devoted mistress; rather, with dogged determination, he tracts the killer because he knows his job—his real job—is to prevent more victims. This is why he became a policeman, not to punish the guilty but to save the innocent.But Rome has a complex civic culture where politicians, law enforcement, and established criminal organizations have certain understood agreements where a certain amount of give and take is expected from all sides. It's just how things are. Up to now, Blume has managed to remain largely ignorant of the unspoken deals made in the interests of keeping order in the streets. But Clemente’s murder exposes the underbelly of all these intertwined forces that run Rome: Clemente’s wife is a politician who wants to minimize the damage to herself and her son; Clemente’s mistress, the daughter of a feared crime boss, wants and eye for an eye; and Clemente’s superiors want the case closed quickly without repercussions. So, when a small-time dog-fighting operator named Alleva looks good for the crime, Blume is pressured to arrest him and tie up the loose ends. But Blume’s instincts tell him Alleva is all wrong for this crime. It’s too messy. It’s too unprofessional. It’s too NOT Alleva. So Blume pushes back against the powers that be to pursue his own leads and, in the process, learns a lot about his past, his present, and where he wants to go from here, an orphaned American expatriate now pushing forty.A unique police procedural, Conor Fitzgerald’s The Dogs of Rome introduces a fresh, somewhat hybrid detective. While Alec Blume’s American roots have grown shallow, he doesn’t always feel as embedded in his adopted city as its natives. He’d rather not know what bargains were made to keep the 17-year-old orphan safe until he grew up to become a police detective. Although flawed, Blume is essentially a good man doing an impossible job in an impossible city. Through him, we see Rome as a city of people just trying to make it all work and keep the dogs from running wild in the streets.
  • Rating: 3 out of 5 stars
    3/5
    Conor Fitzgerald’s debut novel introduces Commissario Alec Blume investigating the brutal death of the husband of an Italian politician. Born in America, Blume lived most of his life in Rome after his parents were murdered there. He has not endeared himself to the Italian police hierarchy, but he is a competent detective. Unfortunately, the Italian system of local police, detectives, magistrates, organized crime lords, and shifting political parties and allegiances creates a much too complex setting for what is otherwise a pleasantly complex mystery. I found it too easy to set aside once I lost track of who was who and what their role might be in the story despite the fact that I was interested in how the story developed. Perhaps Blume will grow on me as I learn more about the Italian legal system.I never developed an emotional connection with Blume, good or bad, and I think that was my biggest problem with Fitzgerald’s writing style. The strongest character is a young girl who saw her father murdered. She appears in only two scenes, but her character is memorable and well written. Blume’s FBI female love interest feels cold and I never understood why they hook up in the story except that they are both Americans and speak English.I am willing to give the Blume series another try if I notice when the next book comes out. I like hanging on a good mystery until late in the night when fatigue forces me to bed. Fitzgerald writes well, the story is interesting and complex, but it failed to hook me on an emotional level.
  • Rating: 4 out of 5 stars
    4/5
    The Dogs of Rome debut novel for accomplished foreign affairs journalist Conor Fitzgerald. A current resident of Rome, Fitzgerald has also lived in the UK, Ireland, and the United States, and the characters of the book reflect his diverse background.It would be easy to dismiss the book as just another mob/political corruption story taking place in a city renown for it, but Fitzgerald adds some subtle twists. Yes, there is mob involvement, but for most of the story, it is covert; watchful eyes spreading information where it needs to go. There is corruption too, although our hero, Commissario Alec Blume, endeavors to remain above it. But what I found most interesting was the interplay of otherwise mundane events and bureaucracy that created a psychopathic killer out of a gambling-addicted computer geek. In a story that tries to finger professional criminals, the evidence is so abundant that it did not fit the classic mob profile. Blume is thwarted by political interests stemming from the murder victim's widow, a Senator. He is distracted by the victim's mistress, the daughter of a mob boss. And his hands are tied by protocol, which prevents him from arresting the perp when all he had was a "gut feeling" and other possible evidence. Meanwhile, the body count rises and includes the innocent (and not so innocent). But Blume is responsible for his share of mistakes too, including his initial visit to the perp while he was in a hurry to meet up with his first date in 18 months. Fitzgerald does a good job pointing out that in spite of their tough outward appears, cops are people too.
  • Rating: 3 out of 5 stars
    3/5
    I admit I just selected this book because it took place in Rome. I should have read the description a bit more carefully because I am a dog person and, while the dog fighting subject was timely, I found myself skipping most of the parts that pertained to it. It was just too much. That being said, I did enjoy the book. The author Conor Fitzgerald takes about 100 pages to find his groove and for me to stop noticing the awkward dialogue so I can concentrate on the story which was engrossing. In the beginning, the author is trying to hard to be sharp and witty. But most of the conversations were hard to follow and left dangling or didn't advance the storyline. I found myself really confused at the start. That and the characters were hard to keep track of because of all the nicknames. I would look forward to reading the next Commisario Alec Blume novel just so I could see the development of the characters, as they are now, they are a bit clichéd and hard to sympathize with. Overall however, I did find the novel compelling and the seedy, non-touristy side of Rome fascinating.
  • Rating: 4 out of 5 stars
    4/5
    I could not help but think of Arkady Renko in Martin Cruz Smith's book, Gorky Park when I read this book. Alec Blume is also a non-native, single older man, and skating on the thin ice between different law enforcement departments. He is called to a crime scene where the husband of a senator has been knifed. The victim was discovered by his wife and son shortly after the murder took place in his own apartment . Blume's investigations take Blume into the world of illegal dog fighting.One of the problems I had with this book is that the names of the departments and titles of the police involved were not translated for me. Since the problem of jurisdiction is so prevelant in the story, and since Blume is English speaking, it would have been nice to have a little clarification. For instance, I would have liked to have known the difference between a policeman and a Carabiniere.The reader is aware of the identity of the murderer but has to discover the motive along with the detective. Following Blume also gives us a tour of modern Rome and a taste of life for a resident of that city.Blume has the right amount of sarcasm to add interest to the interviews with suspects and exchanges with the other policemen. He is rather fearless and reckless which adds to the excitement of the chases around Rome.Blume's parents were murdered in Rome when he was 14 years old and he managed to finish school and acquire living spaces without any money left to him. Even though he had lived in Rome for 2/3s of his life, he is still slighted for not being a native Roman. He presses on and ignores the barbs. He follows and insists on the rules of evidence and interrogation but ignores them when it suits him, being sure that his actions won't affect the outcome of any trial.SPOILERI wish I would follow those little thoughts that occur to me while reading mysteries more astutely. I sometimes put down strange things, like how he managed to cope after his parents' death, to a fault in the storyline when in fact, it was important and revelant to the story.The information about the world of dog fighting was repulsive but I learned about the breed of dog called Cane Corso, which is the Italian version of the American pit bull, bred for fighting and consequently antisocial. It was a rare glimpse of Blume's humanity when he sorta, kinda, adopted the dog at the end of the book.
  • Rating: 4 out of 5 stars
    4/5
    I am an Italophile and am drawn to any books set in Italy or about Italy and the people. I love Inspector Brunetti in Venice and I love Inspector Montalbano in Sicily. So when I put my hands on "The Dogs of Rome," I was prepared to fall in love again, with Commissario Alec Blume. Set in Rome the story revolves around the investigation of the murder of an Animal Rights activist. The main character, Alec Blume, is neither fish nor fowl. He is an American so even though he speaks Italian very well and has lived in Rome since a young teenager, he is not an Italian. Yet, he has been away from the United States for longer than he lived there and does not feel the identity of an American. The story ties together the activities of a variety of individuals from in inner sanctums of the Italian police, to the wife and mistress of the deceased, to the politicians of the region to the mafiosi. l this is what the author does best, develop these characters in a manner that makes them believable and alive. The plot actually seems secondary to the characterizations and I really didn't care that much about finding the killer. I am sure that Alec Blume will be back...but I did not fall in love with him.
  • Rating: 2 out of 5 stars
    2/5
    The book was very engaging, that's the reason for a second star. Well written and easy to read.Unfortunately it feels like the author is happy to slash against a country, Italy, that he obviously doesn't like nor understand.The author forces an American type of crime in a country where it doesn't not belong, Italy, and surrounds it with the typical prejudices and stereotypes about the country: mafia, corruption, police sloppiness.The killer is a senseless serial killer, a character more adapt to an Anglo-Saxon fiction that does not fit with the Mediterranean noir.The police commissioner is American. How likely is that? This trick allows the author to slash against Italy, to wrongly complain about the absence of good dentists, to let his character scream "you Romans are the dirtiest people on Planet".One wonder why the author puts a jar of peanut butter on the crime scene, a product that you don't find on the shelves of Italian grocery stores. Occult advertisement? Or an attempt to glorify american food against Italian? And breakfast with donuts? I challenge you to find a place selling donuts in Italy. Really. Just one place.And what do you make of sentences like: "it looked to him like England or Ireland or one of those perfect places with horses and church spires. At the far end of the field, Italian squalor reasserted itself in the form of crumbling outhouses made mostly of corrugated sheets of aluminium that could be seen through a thin curtain of tall reeds and sedges." The relationship with the American woman is simply ridiculous. "Something about the whiteness of her blouse, the brightness of her skin, told him she was American." Right. And guess what? She was working for FBI. Of course. And naturally she saves his life with her ninja fighting capabilities, and leaves undisturbed the 'crime' scene smiling to herself while all Italians around were looking shocked and in disbelieves at her abilities. Please!!!Shall I start to talk about the role in the book of the mafia and corruption among authorities and police?If you already have many prejudices about that country, go for the book, you will find confirmation of your prejudices in it, and maybe enjoy them. You will not find a lot of how things are really working there. Books by Donna Leon are more engaging and realistic, more in tone with the situation in the country.On top of that characters are not well developed, the plot is lacking, and at the end you are left empty handed.

Book preview

The Dogs of Rome - Conor Fitzgerald

THE DOGS OF ROME

A Commissario Alec Blume Novel

CONOR FITZGERALD

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Acknowledgments

A Note on the Author

The Fatal Touch

For Paola, and in memory of Pat Kavanagh and Katherine Breen.

1

FRIDAY, AUGUST 26, 10:30 A.M.

ARTURO CLEMENTE PUT down the phone, turned to the woman lying among the twisted sheets, and said, That was Sveva. You need to go right now.

Now? The woman pouted and started pulling her clothes off the floor.

She stood in front of the open window and linked her hands behind her neck, which raised her heavy breasts a little and made Arturo nervous that she could be seen.

God, it’s hot, she said, turning her broad shoulders to catch the slight breeze. The window looked straight into the lower canopy of an umbrella pine that was almost as high as the apartment building. The outside shutters were half-closed, too, so there was not too much danger the people in the apartments opposite would see her.

Thanks to the tree and the small garden in which it stood, the usual Roman smells of dust, car fumes, and garbage were overlaid with a heavy perfume of pine resin. Even the sounds of the streets seemed to be muted from here. It was a private place, more conducive to sleep than to sex. She seemed to be moving in luxurious slow motion.

You need to go right now, said Arturo. She’s changed her plans. She’s on her way back with Tommaso.

He went to the window and peered out, just to make sure no one was looking. He could see the exoskeletons of rehatched cicadas still clinging to the patch of pine bark outside.

Manuela worked her way methodically into a pair of tight white jeans with jeweled pockets, and struggled a bit with the zipper.

It had been Manuela’s idea to spend the weekend together in Arturo’s house while Sveva was in her constituency center in Padua. He had not been so sure it was a good idea, and now he was being proved right.

Manuela was soon ready to go. Arturo, dressed only in boxer shorts, pulling in his stomach a bit, but not much since there was no point, accompanied her to the door.

In her shoes, she was taller than he was. Just before she left, she laid a hand on his arm, squeezed it hard, and brought her face close enough for him to see the pinched skin over her lip.

Arturo, she said, we could be good together. I know we could. But not like this. She waved a large hand to indicate the bedroom, the apartment, him, Rome, everything. You have a young child. I respect that. But just don’t … She paused. I am really keen for it to work.

Arturo closed the door behind her and strolled back to the bedroom. He felt relief and no hurry. Sveva said she was calling from Padua. Even if the train left right now, she would still take a whole five hours. He stripped the sheets off the bed and then wondered what to do with them. He put them in the dirty laundry basket, and took out others that seemed more or less the same. He did not see how Sveva would notice the difference. Neither he nor she did the laundry.

And even if she did. He no longer cared to hide his loneliness. When Sveva came to Rome, it was to vote in the Senate against Berlusconi, not to spend time with her husband.

It had been a while since he had made a bed. Removing the creased sheets had already tired him. He set the folded fresh linen on the mattress, then abandoned the enterprise, and went for a shower. He stayed in it for a long time, feeling guilty about all the water he was using, to escape the heat and to wash off the lingering tastes and smells of Manuela.

As he turned off the water, the tree’s first adult cicada struck up with a rattling of its tymbals just loud enough to drown out the rasping sound of someone downstairs buzzing the intercom.

Within seconds of stepping out of the shower, Arturo could already feel the first traces of sweat gathering in the lines of his brow. Then the invisible cicada stopped as suddenly as it had begun, and the silence was beautiful. He listened to the droplets of water from his body hit the marble floor.

He squinted at the wardrobe mirror, and saw the blurred outline of a naked man whose flesh was expanding and drooping despite conscientious vegetarianism. Three years ago, he had noticed tufts of hair in his ears. Now he noticed, or admitted the existence of, a dangling piece of lobe above his Adam’s apple, like those bits on turkeys, whatever they were called. Wattles.

A muffled thump came from the landing outside the apartment as if someone had dropped something soft and heavy. The cicada outside crawled a few inches up the cracked bark, tried a few experimental clicks before striking up again and rapidly increasing the frequency to a level that seemed unsustainable.

Then the doorbell rang.

Arturo glanced around and picked his bathrobe off the towel rack, revealing Tommaso’s comically small one underneath. Arturo pictured his son’s round head with its exuberant blond curls all wrapped up inside the hood of his bathrobe, his grave eyes looking out. The child’s voice was permanently pitched to a tone of perfect astonishment at all the interesting things he saw around him.

Sveva seemed to regard Tommaso as a strategic mistake. He had arrived late, well into the time of life when most estranged aging couples prefer a pair of high-maintenance dogs to human offspring. But it was a mistake Arturo was glad they had made. Now Tommaso and Sveva were beginning to spend time together. Taking him to Padua had been a first, the mother maybe beginning to make it up to her child for the empty early years, warming to him at last, proud of how he had turned out; she had needed to wait until Tommaso could speak and reason before showing affection. Sveva was not one to coo.

The doorbell rang again, and Arturo could not locate his glasses.

I am not answering that, he muttered aloud to himself, pulling on the bathrobe. The front door to the building was no barrier to vendors. Someone always buzzed them in. Once, in vengeful fun, he kept a heavyset Kirby vacuum cleaner saleswoman in the apartment for two hours demonstrating her clunky useless product before telling her to fuck off.

He heard a scratching outside the front door, followed by four hard thumps.

Ringing the bell was intrusion enough, but banging at his door was an affront. Arturo tightened the cord on his robe and strode down the corridor, a torrent of abuse already running through his head. Angrily, majestically, he flung open the reinforced door and found himself looking at a sagging cardboard box of groceries and two plastic packs of Nepi mineral water.

A smallish man dressed in a white Adidas tracksuit zipped up to the collar, who must have been hugging the wall on the left, slipped into his vision. Arturo peered at him. The man peered back. He seemed to have a light mustache, but it may have been just the slanted light.

Arturo Clemente? said the man, cocking his head to one side. He waved a small bony hand at the box and bottles on the floor.

Arturo had completely forgotten about the delivery of the groceries that he himself had bought last night, and his anger subsided. He stood back and held the door open.

The delivery boy slid the box across the threshold, hissing through his teeth from the effort. He used his foot to get the two packs of mineral water inside. He kicked one too hard and it toppled over as it crossed the slight ledge between the outside landing and the apartment floor.

He wasn’t the usual delivery boy. He was not really a boy at all, now that he was standing so close. His hair was wispy and light, like a two-year-old’s, but thinning in the middle. He was wearing slip-on shoes under shimmering Adidas tracksuit bottoms that had zippers running down the calves. Arturo felt a quick flash of pity. Here was a man trying to fit in with the ugly prole look of his younger colleagues.

Arturo realized that he’d have to go back to his bedroom for his wallet if he wanted to tip the man, who was breathing fast with little grunts. Maybe he should offer a glass of water. The man gave him a crooked-toothed smile and darted his tongue over his slightly pouting lips. Maybe not.

Arturo walked quickly down the hallway, glancing at the shelves on his left on the off-chance he had left a few coins lying about that he could use, but found none. As he reached the bedroom, from behind he heard the familiar soft clunk of the front door closing. He glanced back briefly and saw the white shape of the man squeezed up against the wall at the end of the corridor.

As he entered the bedroom, Arturo felt a twinge of uneasiness, as if someone had tugged on a thin cord attached to the inside of his navel. The usual delivery boy slid the boxes over the threshold, stepped outside immediately and left. This one looked like he wanted to go nosing his way through the apartment, poking his pointed face into nooks and crannies. A second cicada struck up.

Moving quickly, he retrieved his pants, which were draped over a chair, and fumbled about for his wallet. He decided not to waste time looking for coins or his glasses, and strode out of the bedroom, wallet in hand. The man seemed to have assumed a crouching posture, but had not moved an inch from where he had been before, the box of groceries and plastic mineral water packs slightly to his left.

Arturo nodded curtly and slowed his pace as he moved up the corridor checking the contents of his wallet. Now he remembered he had dumped all the spare change into a Deruta bowl that sat on one of the shelves in his study. All he had was notes, and the smallest was a twenty. He could not tip twenty. Nor would he veer off into the study, leaving his visitor to sniff about.

Look, I’m sorry about this … he began. His voice was louder than he had intended, his tone more pompous.

The deliveryman suddenly held up a hand to cut him off in midsentence. Arturo was so taken aback that he stopped speaking at once. Then, realizing that he had just done the stranger’s bidding, he opened his mouth again to protest. The man took a step forward. He did have a light mustache. He pointed meaningfully to the closed front door, as if he and Arturo were in on some significant quest together. Arturo obeyed again, and paused to listen.

Beautiful Claudia Sebastiano on the floor above was playing a Mozart piano sonata, adagio, holding her own against the cicadas’ prestissimo clacking. Someone sneezed twice with an exaggerated whoop. It was late August and the city was mostly quiet.

What is it? Arturo’s voice betrayed anxiety.

I thought I heard someone outside the door just now … let me see. The voice was slightly nasal and complaining, like a Milanese woman’s. He peered into the spy hole in the door. Arturo spotted his glasses on a shelf to his right, grabbed them, and put them on his face. The deliveryman snapped his head away from the spy hole and twisted around to catch what Arturo was doing. He scanned the shelf, Arturo’s hands, and then his face. Then his quick eyes registered the glasses perched slightly askew on Arturo’s fat nose, and he smiled and jerked his head, as if agreeing that the glasses were a good idea.

Arturo resolved to control the situation. He checked a massive desire to hurl himself at the intruder and trample him to death. The important thing now was to make sure his voice did not quaver. He knew his face must be white by now. His bathrobe had opened, but closing it would seem womanly. Everything depended on tone.

Thank you for the groceries. I am afraid I can’t find a tip. I want you to leave now.

His voice had hardly cracked. Perhaps some anger had seeped through, but that was all the better.

The visitor shifted back from the door and cocked his head slightly to study him. From downstairs, Arturo heard the dilapidated door to the apartment block slam. Was that someone going or arriving? The deliveryman’s slow wink was followed by an almost imperceptible upward tilt of the face.

Arturo’s mind raced back over the years. An old friend. An old enemy. A debt of some sort. He had never had debts. A more recent encounter, then. Manuela? Surely not. He couldn’t work it out. A joke. They were filming this? He wasn’t famous enough yet.

Not a joke. A theft. This was a house invasion by a robber. Incredible, but obvious, too.

The man was smaller than he was. It looked like a safe bet.

Arturo Clemente’s physical instincts drove him into action before his mind worked its way around to a full decision. He lunged forward, concentrating all his 200 pounds of weight into a single fist that aimed to burst the insulting lips. But with a squeal that was either delight or fear, the deliveryman twisted and lashed out at the side of Arturo’s head, knocking his glasses flying. Arturo only just managed to land a glancing blow to the bony shoulder.

You have a violent streak! His tone was pleased, as if Arturo had just done something immensely clever. Are you ready?

Ready for…? Arturo broke off. He was not going to be distracted by words.

The intruder shrugged, then brought his right hand over to rub his left shoulder where Arturo had hit him. Then he unzipped, rezipped his jacket. A flash of something caught Arturo’s eye, and he tried to bring the arm that had just hit him in the face into focus. It had not seemed like an impressive arm. It reminded him of a chicken bone. The hand at the end seemed small and pink.

They resumed their positions as if it were an arranged duel. Arturo retreated down the corridor to defend his home. He refastened his bathrobe. His bare feet were clammy on the floor and now he was worried he would slip.

Arturo had done some street fighting against the neo-fascists and the police back in the late seventies. His opponent, now a blur at the other end of the corridor, had got lucky. A real fighter would have followed up on his punch and not allowed Arturo to reposition himself. This time, he would pummel, then strangle, and maybe choke the identity out of his attacker. Arturo growled, balled his fists, and lunged down his hall again like a slow old bull.

The blow he received in the stomach wiped every thought from his mind except for a sickening concept of yellowness. He found himself standing in the middle of the corridor, unable to raise his arms. Even lifting his chin off his chest now seemed very difficult. With great effort, breathing heavily through his nose, Arturo edged his hands around his stomach, and folded them there, like Sveva had done when pregnant with Tommaso.

His hands were cold, and the outflow from his stomach felt like hot diarrhea. Except it was blood. He could see that now, just as he could see the knife in the hand with a silver bracelet, tracing an arc in the air. Without warning, Arturo’s right leg gave way, and he found himself half kneeling. It turned out to be a good move, because the deliveryman’s jab toward his throat failed, and the knife tip punctured only the air. But the clumsy backhanded thrust that immediately followed, which should have missed him altogether, went straight in under the left collarbone. The attacker then pushed downward with the tempered metal, and transfixed him. Then, for reasons Arturo could only dimly grasp at, he pulled it out again. Arturo raised his infinitely heavy hands upwards to fend off the next blow, but he couldn’t see anything now. So he decided he should talk. If he could get the words out, the deliveryman might stop in time. Something thudded against his chest, and he felt the floor, solid, straight against his back. A froth rising in his throat so softened the words as he spoke them that they came out as gurgles. He tried to swallow down the froth but it rose and rose like overboiling milk. Arturo jerked his legs like a baby on a changing mat. The pain signals from each wound were all traveling inward now, all converging on one tiny bright point in the very middle of his body. He didn’t want to be there when they merged. He sent the darkness behind his eyes racing down his body, hoping it would get there first.

2

THE KILLER STOOD up. The blood seemed to have gotten everywhere. It had spurted up the walls, some of it even to the ceiling. He spat into Clemente’s clouding eye.

I win, he said.

Stepping over Arturo Clemente, whose thrashing had quickly decreased in intensity to become no more than brief jittery movements, the killer made his way down the corridor. After opening a few doors he found the bathroom, and came back carrying some white towels. Perhaps he would not need them. Clemente’s powder blue bathrobe had soaked up the mess below him and turned imperial purple.

The killer crouched down, balancing four towels on his left arm, the galvanized rubber grip of the knife nestled comfortably in his right fist. Clemente’s face presented itself in profile, though most of his body was turned upward, set quite correctly for the morgue position. After a moment’s consideration, he pushed the point of the knife in hard at the temple, and deftly twisted it with a flick of the wrist as he withdrew. Almost at once the twitching stopped. He half wiped the blade on the top towel, then stood up, and walked over to the door and drew a deep breath. He was all right, but he had not expected blood to smell so strong. His hands reeked as if they had been holding fistfuls of dirty coins. He placed the towels on the floor, then took one from the top of the pile, rolled it up and pushed it against the bottom of the door. He repeated the operation with the second.

Returning to the bathroom, he closed the toilet seat and placed the knife on it. He noticed it still had stains near the grip. He took off his white track-suit and examined his clothes underneath. The front of his V-necked soccer shirt had caught a few flecks, but it just looked as if he was a messy eater. His gray pants seemed fine. He stripped down to his underpants, and enjoyed the relief from the heat. He dropped the stained tracksuit on the tiled floor, which, he noticed, was already wet. Running the water in the sink, he delicately dabbed at dark patches on his short-sleeved shirt. Cold water for chocolate and blood, his mother used to say. When the stains did not wash, he allowed himself more water and a little ordinary soap. Even if he ended up wearing a visibly wet shirt, people would just assume it was sweat, or that he had deliberately soaked himself at a drinking fountain to stay cool.

He started sliding the belt out of the loops in his pants, removed the Kydex sheath, then relooped the belt. He was disappointed with the cheap sheath, which he had bought separate. But the knife, a Ka-Bar Tanto, was magnificent. He picked it off the toilet and brought it to the sink. As he rotated it under the running faucet, the stream of water struck the flat of the blade and spray shot out sideways and backward. Cursing, he leaped back, turned off the water, and checked to see if his clothes had been hit. He resheathed the knife and dropped it on the tracksuit on the floor.

He splashed water all over his face, hands, arms, neck, and chest. He found a patch of blood on the side of his neck, but it wasn’t his. Bending his head further down into the sink, he allowed the cool water to wash over his head. When he felt relaxed, he stood up, eyes closed. When he opened them, he saw that his wet hair was dripping bright pink droplets onto his face, lips, and shoulders. He hunted around for shampoo. He had to scrabble his way through the whole medicine cabinet on the wall behind him before he found some, though it was a brand he had never even heard of. He double-checked the bottle to make sure it was shampoo, then poured some onto his palm, and sniffed at it suspiciously. It smelled like expensive face cream. He touched it with a finger, then held up his finger and examined it. Satisfied, he rubbed it into his hair, and used the hand shower in the bathtub to rinse. Then he took off his socks and shoes. He balled his socks and rinsed his shoes thoroughly. They would be wet on the inside, too. He got dressed again, leaving his tracksuit, shoes, and wet balled socks on the floor. He needed something to put them into.

He took his knife and padded out of the bathroom barefoot, victorious but unsure what to do with the freedom of the house. The kitchen was off to his left, and he entered it. A high window looked directly across over the courtyard and afforded a clear view of Building D to the right. No more than seven yards away, standing on a balcony, a woman, taking a break from housework, was leaning on the rail smoking. Her eyes seemed fixed on him as he stood there in his underpants staring back, but she registered no interest or surprise.

Taking some money struck him as a good idea, but the kitchen was an unlikely place for cash, so he moved to the bedroom. As he entered, his reflected self walked toward him, causing him to freeze in midstep until he realized he was looking at four full-length mirrored doors on a built-in wardrobe.

He slid open a mirrored door and was confronted with a row of dresses, skirts, and dress suits hanging on a rail. He was about to move on to the far side of the wardrobe door when curiosity got the better of him and he pulled open one of the drawers fitted into the lower half of the compartment. It was filled with women’s underwear, mostly silk and expensive, but some of it ordinary cotton. He stretched an arm into the drawer and ran his hand between the piles of silk. He pulled some of them out, pulled down a handful of summer dresses, and buried his face in them. Some of them smelled like his mother’s had. Others were different.

It was a pity the wife was away. He liked the idea of having a woman at his mercy now, begging, sobbing quietly. But he would not take advantage. He would be magnanimous.

He opened Clemente’s side of the wardrobe, located the sock drawer, emptied it, did the same with the next drawer and the next, but found no cash. He selected a nice fresh pair of socks, clambered onto the bed, lay on his back, feet in the air, and pulled them on.

He pushed the pile of sharply folded sheets off the bed, and pulled the mattress off the bed to reveal a lattice-wood frame, unsuitable for hiding anything. Then he slit the latex mattress right down the middle. It split like a mozzarella, but the inside was like the outside, and gave up no treasures.

He negotiated his way up the corridor and over and around the corpse. He spotted Clemente’s wallet lying on the floor. He hunkered down, stretched out a hand, and took the wallet, only to find it was sticky with blood underneath. He stuck it into his pocket anyhow.

He checked out the living room, threw the sofa cushions about a bit. They had an old TV and a VCR. He didn’t think anyone used VCRs anymore. The room had three windows and was bright. He was unimpressed by the modernist paintings on the walls.

He went into the next room, which turned out to be a child’s bedroom. The bedspread had a picture of Winnie the Pooh. The child’s books were neatly stacked. He sat down on the bed and looked around him, then stood up, smoothed the bedspread flat, patted the cushion, and left, closing the door gently behind him.

Moving past the corpse down the corridor, he entered the room opposite the front door. It was a study. The first thing he noticed was Clemente’s Acer flat-screen monitor. Sleek, black.

The glint of coins in a bowl caught his attention. He took a handful and was about to stick them in his pocket when he noticed many of the coins were foreign, and included an American silver dollar commemorating the bicentennial. Heads or … eagles. He flicked it once. It came down wrong. He flicked it again. Heads. Good. Then he pocketed it.

A gray Champion backpack sat on a chair. He unzipped it, emptied the contents on the sofa. A book on flowers, a brown apple, crumpled cartons of juice, a sweatshirt. He went back to the bathroom, retrieved his bloodied tracksuit and socks, stuffed them into the backpack, and slipped on his shoes, then returned to the study.

Behind the desk was a gray steel filing cabinet, on top of which stood two plants in terra-cotta jars. Judging by the stains on the top of the cabinet, Clemente had watered them where they were. He opened the cabinet. Clemente’s life had been ordered. He checked under the letter A in the top drawer, and found five folders marked Alleva, Renato filed after Allergies.

He spent another ten minutes hunting in the study. He found two cards for restaurants in the town of Amatrice, both claiming to make the best amatriciana in the world, but did not find any money.

He left the study and went back into the hall. Using the knife again, he sliced through the masking tape holding the grocery box closed and foraged inside for booty. He came out with a jar of Nutella, which he loved. It went into the backpack. He found a jar of strange brown paste. Peanut butter. It might have an interesting taste. He dropped it into the backpack.

He kicked the towels away from the base of the door, peered through the spy hole to make sure the stairway was clear, opened the door, and crept down the stairs, out the main door across the courtyard and away.

Five hours later, Sveva Romagnolo, tired from a train journey and unenthusiastic at the prospect of a few days with her husband, turned the key in the apartment door. Tommaso ducked under her arm and pushed in through the gap, anxious to show off his new shoes with Velcro straps to his father.

3

FRIDAY, AUGUST 26, 5:15 P.M.

COMMISSIONER ALEC BLUME received the call on his cell from headquarters at 17:15, while he was having a late lunch in Frontoni’s. Dressed in a T-shirt with paint stains, shorts, and running shoes, Blume was enjoying a white pizza overstuffed with bresaola, rocket, and Parmesan and drinking a beer. His intention was to eat a lot, then run a lot. He was alone in the restaurant, and almost alone in Trastevere. An overheated tourist family stood for a while staring at him through the window, like he was a tropical fish, then moved on, only to be intercepted by a North African hawker selling socks.

Blume picked off a salt crystal from the pizza and crunched it between his teeth. His phone on the table peeped and shook a little, and he pressed at it with an oily thumb. They had texted the address to him.

The street name on the display meant nothing, but the efficient superintendente at the desk had very usefully included the zip code. Blume saw it was in a nearby area, so he had time to finish his lunch and knock back a thimbleful of coffee before returning to his car. He called Paoloni, told him they had a case. Paoloni said he knew and was already on site.

Blume drove at a stately speed beneath the plane trees, not wishing to spoil the quietness of the streets. He took just ten minutes to reach the top of the Monteverde hill. He glanced at a Tuttocittà map to find the street. Five minutes later, he swung his Fiat Brava around a corner and parked. Three squad cars blocked the road, their lights flashing. A forensics van had been slotted in at a right angle in the narrow space between two parked cars, its front wheels and nose blocking the sidewalk, the back section creating a bottleneck on the narrow street. As he arrived, Blume saw an ambulance, unable to squeeze behind the forensics van, start executing what would probably be a twelve-point turn. The coroner’s wagon had not arrived yet.

Apartment building C, one of four around a pebbled courtyard, was guarded by a uniformed officer who did not even ask for identification. Blume gave it anyway, told the officer to note it down, check who was going and coming, and generally do his job. Then he went in.

The building had no elevator. When Blume arrived, puffing, on the third floor, the apartment door was shut, and the landing outside crammed with far too many people.

Inspector Paoloni was wearing a billowy Kejo jacket despite the heat, low-slung jeans, and bling-bling bracelets. His head was shaved bald, his face was gray.

I went in, but they told me to leave, he said when he saw Blume.

Who did?

The head of the Violent Crime Analysis Unit. He wants only the most senior officer or the investigating magistrate in there. He’s raging, says the scene has been totally compromised with all the people walking around.

What people?

D’Amico was here. Then he went, only to be replaced by the Holy Ghost, of all people. Also it appears the wife who found the body touched it, walked all over the place.

D’Amico. As in Nando? What’s he doing here?

Paoloni shrugged. Beats me. Anyhow, he’s a commissioner now. Same rank as you.

I know. Blume did not like to be reminded of D’Amico’s promotions. The thing is, he’s not an investigator anymore. So he has no reason to be here. And the Holy Ghost, was that a joke?

Paoloni adjusted his crotch, sniffed, scuffed the wall with a yellow trainer, and looked vacantly at his superior. No, he was here, and says he’ll be back.

But Gallone never comes to a crime scene, said Blume.

Yeah, well, he did this time.

Vicequestore Aggiunto Franco Gallone was Blume’s immediate superior. Everyone referred to him as the Holy Ghost, but nobody could say for sure where the name came from. It stuck, because he was invisible when the hard work was being done, but somehow always present with a pious demeanor whenever the press or his superiors invoked his presence. There was a story that he got the name back in 1981, when, a mere deputy commissioner at the time, he was found weeping in the station, devastated after the attempted murder of Pope John Paul II.

Blume looked around. There were four policemen standing on the landing. There was one other apartment on the floor, he noticed, and its door was firmly shut. Is the officer who first arrived on the scene here?

Yes, sir, said one of the uniformed policemen, coming out of a comfortable reclining position.

What are you doing now?

I am logging the names of people coming in and out.

You get my name?

I know who you are, sir.

Blume looked at the officer. He was in his thirties, and would have seen his fair share of scenes.

On a scale of one to ten, how bad is it in there?

A scale of one to ten? I don’t know—two, three?

That low?

No children, no rape, just one body, not even that young. Corpse fresh, so not much of a smell, no wailing relatives, no animals, no public, no reporters yet.

Who was here when you arrived?

A woman. The wife of the victim. She found him like that. She called 112.

Why did you let the witness leave?

The policeman’s gaze flickered, and he shifted his weight onto the other foot.

There was a kid, short thing, with long blond hair. It seemed best to let them get out of here. They left when the ambulance men arrived.

We have female officers and psychologists for these things.

That wasn’t all.

What else?

I got a direct order, from the vicequestore. He told me the technicians from UACV were on their way, said I was to let the witness leave.

The Holy Ghost spoke to you directly?

Yes, Commissioner. He grinned at Blume’s use of the nickname.

Beppe, did you get the name of this officer? said Blume.

Paoloni nodded.

Right, said Blume. Let’s go in.

He bent down and stepped through the barber-pole-colored crime-scene tape around the door. His foot caught on a lower strand and snapped it.

The head of the Violent Crime Analysis Unit team came down the corridor and pointed to Blume. Come in, come in, join the trample-fest. So now you’re the officer in charge? Not, who was it—D’Amico? And not Gallone? Or are you all in charge? Maybe you’d like to invite a few friends over?

Blume looked at the technician in his pristine white suit with the yellow and black UACV symbol on his breast pocket. The man was at least fifteen years his junior.

I picked up the sarcasm from the start. There’s no need to keep going.

The young UACV investigator shrugged and walked away without offering any walk-through.

Blume wondered again about D’Amico. D’Amico had been his junior partner for five years, and had been pretty good. Two years ago, he had moved to a desk job in the Ministry of the Interior. Blume regretted the wasted training, but D’Amico had other plans for himself. Every few months Blume would hear news of how D’Amico had widened his political base, increased his leverage.

As Blume and Paoloni entered, the medical examiner, Dr. Gerhard Dorfmann, was already packing away his things. Blume nodded amicably at Dorfmann, who stared back with loathing, his default demeanor. Blume waited until Dorfmann recognized him and finally conceded a curt nod.

Upon first seeing Dorfmann’s name on a report, Blume had felt a slight thrill at finding another foreigner. He had briefly wondered whether Dorfmann might be another American. That was a long time ago. Even then Dorfmann had seemed old. Blume wondered what age he had now achieved. His hair was gleaming white, but there was a lot of it. His eyes were hidden behind thick gold glasses that had gone in and out of style several times since he first bought them. His face contained thousands of wrinkles, but was free of folds or sagging skin. It was finely fissured like old porcelain.

Dorfmann was from the Tyrol and spoke heavily accented Italian. He would not accept being mistaken for a German, though he allowed that people might think he was Austrian. Dorfmann soon revealed a low opinion of Americans. He was not very fond of Italians either.

Blume no longer felt offended. Essentially, Dorfmann disliked people who were still breathing.

Knife attack, said Dorfmann, completely ignoring Paoloni.

Very well, thank you, and you? said Blume.

Dorfmann continued. Four wounds. Stomach, lower abdomen, throat, head—behind the orbital lobe. All of them potentially fatal. He was probably dead when the last blow came. The knife hand-guard left a sign in the lower abdomen, so it went in with some force. Probably right-handed. What are you doing here? I don’t see why I should repeat what I just told your dandy colleague. No evident bruising elsewhere, nothing sexual that I can see despite the open robe, though we’ll wait for the autopsy. No mutilations in genital area.

My dandy colleague? The ME had to be referring to D’Amico.

D’Alema.

D’Alema? You mean D’Amico?

Yes. That’s the one. Not that fool D’Alema. D’Alema is far from dandy. Or intelligent, or politically literate … Dorfmann was about to express some deeply held political opinions, which Blume did not want to hear.

OK, doctor, but here we’re talking about Nando D’Amico, not the political failure that is D’Alema.

Yes. Dorfmann was pleased enough at Blume’s choice of terms to overlook the fact of the interruption. Your colleague, D’Amico. He was walking about polluting the crime scene, then left, possibly to shine his teeth.

So what sort of person did this? asked Blume, trying to hunker down to examine the body but finding his knees were having none of it.

I would not describe the stabbing as frenzied. Nonetheless, the person who did this was not serene.

A small pool of blood had gathered on either side of the neck, and there were impact spatters on the walls to the side and behind the victim, but the blood spillage on the floor was contained. Paoloni was walking up and down, head bent, staring at the floor, then the wall. Blume saw from the way he was moving he was describing a grid pattern around the body. The forensic team ignored him.

Time of death? Blume asked Dorfmann.

This is an unpleasantly hot and dirty city, and the apartment is warm, began Dorfmann. When I woke up this morning, I thought we might be in for some refreshing rain, but a hot wind arose and blew the clouds over to Croatia.

Blume clicked his tongue sympathetically. Damned Croats.

The liver temperature, however, is warmer even than this place. Loss is just under eight degrees. First signs of rigor around the mouth. The body was almost certainly not here early this morning.

Can we say midday?

You can say it.

Eleven?

Dorfmann shrugged.

Nine?

Dorfmann looked very doubtful. That was as good as he would get.

Dorfmann turned away and pulled off a pair of latex gloves, picked up a clipboard, and made a slight flourish with his hand to emphasize that he was signing off on the case already. "Lividity on back, buttocks. I don’t think anyone moved the body. This seems to

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