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Pao: A Novel
Pao: A Novel
Pao: A Novel
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Pao: A Novel

Rating: 3.5 out of 5 stars

3.5/5

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As a young boy, Pao comes to Jamaica in the wake of the Chinese civil war and rises to become the Godfather of Kingston's bustling Chinatown. Pao needs to take care of some dirty business, but he is no Don Corleone. The rackets he runs are small time and the protection he provides necessary, given the minority status of the Chinese in Jamaica. Pao, in fact, is a sensitive guy in a wise guy role that doesn't quite fit. Often mystified by all that he must take care of, Pao invariably turns to Sun Tsu's Art of War. The juxtaposition of the weighty, aphoristic words of the ancient Chinese sage, and the tricky criminal and romantic predicaments Pao must negotiate goes far toward explaining the novel's great charm.
A tale of post-colonial Jamaica from a unique and politically potent perspective, Pao moves from the last days of British rule through periods of unrest at social and economic inequality, though tides of change that will bring Rastafarianism and the Back to Africa Movement. Jamaica is transforming: And what is the place of a Chinese man in this new order? Pao is an utterly beguiling, unforgettable novel of race, class and creed, love and ambition, and a country in the throes of tumultuous change.
LanguageEnglish
Release dateJul 12, 2011
ISBN9781608196845
Pao: A Novel
Author

Kerry Young

Kerry Young was born in Kingston, Jamaica, to a Chinese father and a mother of mixed Chinese-African heritage. She moved to England in 1965 and lives in Leicestershire. Kerry is a Reader for The Literary Consultancy and a tutor for the Arvon Foundation. She is also Honorary Assistant Professor in the School of English at The University of Nottingham and Honorary Creative Writing Fellow at the University of Leicester. She was writer-in-residence at The University of Sheffield (2014-2016) as a part of the Royal Literary Fund Fellowship Programme. Kerryyoung.co.uk

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Rating: 3.6370968451612904 out of 5 stars
3.5/5

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  • Rating: 3 out of 5 stars
    3/5
    I have mixed feelings about this book. On the one hand, Young set the stage well. She included a lot of historical references so it was an interesting lesson in Jamaican history. On the other hand, the story really didn't flow very well. It seemed to get bogged down with too many characters and too many things going on at once. Plus, the timeline was a little off because Young tried to cover too much territory in such a short little book. Good first effort.
  • Rating: 4 out of 5 stars
    4/5
    Pao is a novel about the Chinese community living in Jamaica. Pao's life is far from easy. Each day brings change. The changes not only happen to Pao and his community but to the whole of Jamaica. Pao is a paid protector of mainly the brothels where he lives. The madame pays him to protect the girls who work for her. In our time I guess Pao would be called a gangster. He knows the hard men in the neighborhood, men with no hearts whatsoever. Pao is able to deal with people of different stripes. He is an all around person.Pao is a good man. However, he will do whatever is needed, whether illegal or not, to get what he wants. I had trouble with the character, Pao. To me he seemed too gentle, too good to live the life of a gangster. Who wants to end up really liking a gangster hero? So my mind was always divided about Pao. He was like a butterfly. I had trouble pinning him down in my mind. Perhaps, all of us are as complex as Pao.Maybe Kerry Young shines as an author because he made me feel so many different ways about Pao.I especially was drawn to Pao when he began to have troubles with his family. His wife, Fay, steals away his children whom he loves with all of his heart. She takes them all the way to England from Jamaica. Pao does done all within his power to protect his children from her scheming mind and hands. I suppose this is when Pao realized he was fallible as a man. He's not strong enough or cunning enough to protect what's closest to his heart.Now that I think of it this novel's basic theme is about protection. Not only the protection of children involved in a bad marriage but the protection of a place, Jamaica. Jamaicans, the Chinese, the Indians, all have the deep desire to protect their world from the hands of a foreign power like Britain. When a place becomes colonized it loses its face, its individuality and becomes the twin of the conquering power. So all affected want to "protect" their customs and their freedom. People become willing to fight a revolution in order to bring back the world as they knew it.So Pao by KERRY YOUNG is about the ability to hold together a world that is falling apart in so many different ways. I had to think about how many different ways my world has or is falling apart. Do I realize how often my thoughts are about protecting family, country, friends, etc.? I also liked the fact that the author used a man losing his children and not a woman. So often there is the thought that only women love children in the family deeply. I was reminded that men have that maternal heart too. Pao's heart breaks in half when his children are taken from him.The words he speaks during this time made me want to cry. I wanted to help him. Wanted to see his children back with him again.One thing for sure is we aren't really different. Mankind cries, laughs and loves over the same things in life. I once heard someone write or say 'we are more the same than we are different.' Is it true? kerryyoung.co.uk I do want to end with Ms. Kerry Young's words."Han Suyin once wrote that we Chinese are history-minded. And as the world knows, we Jamaicans are politics-minded. Perhaps it is no surprise, therefore, that this book, my first work of fiction, should turn out to be a political history."
  • Rating: 4 out of 5 stars
    4/5
    This was another serendipitous find - having finished the book I was reading and not having my Kindle to hand i needed something to read on the journey home, and picked this up by chance as it was on special offer in Waterston'es at Trafalgar Square. It proved to be an intriguing debut novel from Kerry Young following the life of Philip "Pao" Yang who at the age of 14 flees from China in 1938 following his father's death. He and his mother come to live with his "uncle" Zhang who has already established a robust protection network within the burgeoning Chinese community in Kingston, Jamaica. Zhang is a committed adherent of Mao Zedong, and brings the young Pao up to believe in the necessity to display social responsibility, though this guidance is bolstered with immersion in the teachings of Sun Tzu.Pao grows up learning the ropes of protection, benefiting from the steady source of income but never forgetting the responsibility to help his "clients" when necessary. He falls in love with Gloria, a beautiful prostitute, though he marries Fay Wong, daughter of another senior figure within the Chinese community.The novel gives an interesting insight into Jamaican history (a subject about which I knew precisely nothing). Pao, despite his criminal activities, is essentially a very sympathetic character, and he takes great care of all of the people with whom he has any extended dealings.Very different to my normal reading material, but very enjoyable, too.
  • Rating: 3 out of 5 stars
    3/5
    I believe that this was on the long list for the Costa Prize. Slightly difficult to read due to the dialect but worth the struggle. Yang Pao is a Chinese immigrant to Jamaica while it was still a British colony. He becomes part of the Chinese underworld there, providing "protection". I appreciated the writers use of Sun Tzu's "The Art of War".
  • Rating: 3 out of 5 stars
    3/5
    After the death of his father in the Chinese Civil War, Pao and his mother and brother immigrate to Jamaica, where a family friend< Zhang, takes them in. Zhang instructs Pao in the art of racketeering, and Pao moves up the ranks till he himself is the crime boss of Chinatown. Through Pao's story, first-time novelist Kerry Young, herself a Chinese-Jamaican, tells the story of newly independent Jamaica.I enjoyed reading about the multicultural aspects of Jamaica, but I think I would have liked this novel better if it had been told from another character's point of view. Pao isn't the most sympathetic character. His second child is conceived when he forces himself upon his wife, and later, he orders a hit on the men who helped her kidnap their children and flee to England. Also, the novel is told in dialect, which I found distracting at times.
  • Rating: 4 out of 5 stars
    4/5
    I loved this depiction of Jamaica from the viewpoint of a Chinese immigrant. This Jamaica of unemployment and gang activity is unfamiliar to me, so I enjoyed this new perspective. I never got emotionally engaged in Pao's story because the book covers such a long time period is a relatively quick way, but I was entertained nonetheless.
  • Rating: 5 out of 5 stars
    5/5
    It was a great read. Very interesting as it showed Jamaica from the perspective of a Chinese immigrant. I found Pao an intriguing choice for the narrator. A teenager when the book begins, he immigrates to Jamaica in 1940s to join his uncle who works there as a ‘protector’ of the Chinese community. As the years go by, he himself slides into the role of a mostly benevolent and wise Godfather, maybe not entirely the Corleone but comparable in scale for a small island. We accompany him through ups and downs of his life and many events of Jamaican history. He may be a bit too good for the life he leads and the role he plays from time to time, but he works quite well for the most part.I quite liked the style of the book – it was written mostly in spoken Chinese English. I think it added to the feel of the authenticity of Pao’s experience. Thanks to the Early Reviewers for the book.
  • Rating: 3 out of 5 stars
    3/5
    I have mixed feelings about this book. On the one hand, Young set the stage well. She included a lot of historical references so it was an interesting lesson in Jamaican history. On the other hand, the story really didn't flow very well. It seemed to get bogged down with too many characters and too many things going on at once. Plus, the timeline was a little off because Young tried to cover too much territory in such a short little book. Good first effort.
  • Rating: 3 out of 5 stars
    3/5
    This novel was a moderately enjoyable read, with many moments of humor as the main character, Pao, narrates how he immigrated from China to Jamaica, and became a member of a Chinese gang that controlled a number of criminal enterprises in Chinatown. He rapidly becomes the main lieutenant of the gang leader, and rises to become the head of the gang when the leader retires.The aspect of the book that prevented me from loving it was the lack of sustained tension, as there were never any serious threats to Pao's leadership. There were no real turf wars between rival gangs, as each separate gang seemed to be content to observe mutually agreed boundaries. Similarly, there were no internal threats to his leadership as no other members seemed to have any real ambitions on his position. Each chapter involves Pao dealing with minor crises often having to do with relationship issues between himself, his wife, his mistress, and his two children.
  • Rating: 3 out of 5 stars
    3/5
    Spanning approximately 50 years, this work of fiction examines Jamaica's more recent cultural, political and economic history as narrated by Pao, a Chinese immigrant that arrives in Jamaica in 1938 from Guangzhou China as a young boy with his mother and older brother. Seen through Pao's eyes, Jamaica is hardly a tropical island paradise. The Jamaica of Pao's world is one of high unemployment, poverty and identity issues. An island where how light, or how dark your skin is determines your lot in life. A Jamaica where organized crime and gangs are the norm and corruption in the police force isn't a surprise. A Jamaica that under British rule was a slave-dependent nation and after gaining independence, was a slave to the foreign investors that came in to make money off the agriculture, mining and tourism industries.Pao is an interesting choice as narrator for this story. He is rather on the naive side, has had the good fortune to have his future in a way predetermined for him so his observations of the people and events occurring around him are not always accurate or reliable. I found Pao's reliance on quotes from Sun Tzu's The Art of War] as a bible to guide his everyday business and personal interactions to be novel at first but by the end of the book I was tired of the quotes. I also felt that the book didn't fully describe the setting and relies too on the reader knowing the background of the historical figures mentioned and the landscape of Jamaica. The opportunity to deliver an in depth, meaningful examination appears to be a missed opportunity here. That all being said, I did find the story did a good job in providing me with a glimpse into Jamaica's history through the lens of a longtime resident outsider of the community still ingrained in the Chinese ways but with an understanding of what it means to be Jamaican. My favorite quote of the book is this one: And even though we still struggling to sort ourselves out after the English come here three hundred years ago and set everything up so careful and tidy - Africans on the bottom, the Indians, the Chinese, English on top - I think we doing OK. But I wonder to myself how many other countries there are like Jamaica? How many other countries been through what we been through? How many of them still going through it like us? All because some long time back somebody decide to pick themselves up and sail halfway 'round the world to come colonise us. And it not just about the English and the slaves. It about the Americans and the money.This book was courtesy of Librarything's Early Reviewer Program.
  • Rating: 4 out of 5 stars
    4/5
    Interesting story about the Chinese immigrant community in Jamaica prior to Independence and afterwards. Narrated by main character Pao, a Chinese-born immigrant who came to Jamaica with his mother and brother after the death of his father in the upheaval of 1940's China to live with his "Uncle", a godfather of sorts to the Chinese community. Pao would later take over the "family business" and tells the story of his struggles with life, love, business, heartbreak, death, violence and more in his beloved Jamaica. Covers a community and an area of the Caribbean I knew nothing about in a different and intriguing voice.
  • Rating: 4 out of 5 stars
    4/5
    This is the history of Jamaica and its independence through the eyes of a Chinese immigrant, Pao. We follow Pao’s journey from a child fleeing China’s revolution to an adult running Chinatown in Jamaica. Pao rises to power in Chinatown following a family friend who teaches him the philosophy of war from Sun Tzu. Pao lives by this philosophy when dealing with challenges in his personal and professional life.The idea of telling a historical story through fiction was great for this narrative. I enjoyed learning about Jamaica’s independence and the struggles afterwards. Pao’s story was interesting, but it always felt a little off to me. Maybe Pao’s character wasn’t developed enough for me – he seemed to lack any deeper substance than the present situation or in any situation that did not directly relate to Sun Tzu’s “Art of War.” At times I felt that Pao was an empty character. I was also a little annoyed with the constant reference of Sun Tzu’s “Art of War” even if it was not a great match for the situation. I understand what the author was trying to do, but I felt that it was done to excess. Overall Pao was an enjoyable read that just lacked something for me.
  • Rating: 4 out of 5 stars
    4/5
    To learn Jamaican history through the fictional life story of a Chinese gangster is novel; that it is written in the vernacular somehow gives it even more appeal. Pao, a teenage immigrant from China in the days before Jamaica's independence, becomes a sort of godfather. Many Chinese were escaping the horrors of the Chinese Civil War. Their growing numbers in Jamaica reduced the few jobs that were available, creating a need for protection. This is not a topic or time that is covered often in historical fiction and Kerry Young has done an excellent job of creating a tale that is interesting and entertaining.
  • Rating: 4 out of 5 stars
    4/5
    This novel has enough forward momentum to keep me interested in a subject that I probably would have never known about if not for this story. There is a fair amount of reading between the lines which I appreciated from the author - she doesn't insult the reader's intelligence by explaining every little detail about the characters' for us. The one time where this fails is the heavy-handed discussions on Jamaican history. Often a chapter will begin with a few pages detailing what was happening in Jamaica at the time. I felt the history sat inelegantly on the page and worked better when the political events were woven into conversations between the characters rather than the out-of-place history lessons.
  • Rating: 4 out of 5 stars
    4/5
    This novel is narrated by Pao, who fled at the age of 14 from Guangzhou, along with his mother and brother, to Jamaica in 1938, after his father was killed during the second Sino-Japanese War. Uncle Zhang, a friend of Pao's father who is the godfather of Kingston's Chinese community, provides for the family and takes Pao under his wing. Pao quickly learns the business, and acquires more power and status as he provides protection for businesses and individuals in Chinatown and becomes an influential racketeer and businessman in his own right. He marries Fay Wong, the beautiful but self-absorbed daughter of another powerful businessman, which allows him to accrue more power but leads to personal grief and tragedy. Through Pao's narrative the reader learns about multicultural Kingston, the relationship between the races and different segments of the local community, and the history of Jamaica as a British colony and an independent though not completely free nation, where the majority struggle to overcome poverty and increasing violence while a select few profit handsomely and leave the island with their ill gotten gains.Pao is an engaging narrator, whose Jamaican patois, frequent quotes from Sun Tzu's "The Art of War", and personal conflicts and successes make this an enjoyable and educational novel. However, the reader learns about the other characters through Pao's not entirely reliable eyes, and they are more inscrutable and less interesting as a result. Th author was born in Kingston and emigrated to England in 1965 along with her Chinese father and Chinese-African mother, and her personal knowledge and experiences add flavor and integrity to this compelling debut novel.
  • Rating: 4 out of 5 stars
    4/5
    This is a story about the history, politics, people, and the feel of Jamaica. The story traces the life of Pao, a young Chinese immigrant fleeing the Japanese occupation of China prior to the beginning of World War II, as he adapts to life in Chinatown and, as he matures, life in Jamaican society.Told in local dialect, Pao's first person narrative seems awkward at first, but the reader quickly adapts to the patois and becomes immersed in his story. Intricate relationships are governed by the teachings of Sun Tzu as Pao progresses from humble beginnings to affluence. His journey is not an easy one: Pao seems to move with purpose and a quiet courage.The book is not easily described. One can put "handles" on it, yet there is something beyond the handles"..... a feeling that one can live an honorable life without always doing what is honorable.
  • Rating: 3 out of 5 stars
    3/5
    Pao is the story of Yang Pao a young man who moves to Jamaica in 1938 along his elder brother and mother. Pao is a gangster figure in Chinatown and we see events in Jamaican history through his eyes. I found the book difficult to get into as the writing style is that of simple conversational English with twists of Asian and Jamaican influence. I found this made it a little stilted. Many of the characters were well developed but I found the main character of Pao very shallow, there was more there to explore or explain, his feelings really do not start to come out till late in the book.This book is an interesting way to learn more about Jamaican history.
  • Rating: 5 out of 5 stars
    5/5
    Thank you Library Thing for this early reviewers copy! This was a delightful read. The spoken form rings true rather than trying to be demeaning. The story is touching as it goes through time and Pao learns and grows.
  • Rating: 4 out of 5 stars
    4/5
    An interesting read that provides insight into aspects of Jamaican history that few may be aware of. Some readers may not like a narrative written in the same idiom as the spoken dialogue. Characters are well-developed, but none is particularly sympathetic. For this interested in the politics and history of Jamaica, it is a good read.
  • Rating: 4 out of 5 stars
    4/5
    Pao is a historical and political look at Jamaica using a Chinese immigrant's story as the vehicle. His story and character is also compelling. Without quite realizing it's happening you notice that your empathies and concern are for the Godfather of the Chinese mafia of Kingston. So besides painting a picture of Jamaica, it is also a picture of a life with issues of morality, loyalty, happiness, and integrity.
  • Rating: 4 out of 5 stars
    4/5
    Pao traces the history of 20th century Jamaica from British rule to independence and the economic imperialism which keeps profits funneling out of the country into British and American pockets. Pao comes to Jamaica as a boy, in the wake of the Chinese Civil War, and his family is taken in by a friend of his late father's, the godfather of Kingston's Chinatown. As Pao adapts to his new life, he makes friends in all social strata, marries the wrong woman, and struggles with his feelings for his children, his true love, and the people and culture of the island which has become his true home. Pao's speech patterns are distinctive, and Young uses them to give a sense of place and culture. His Jamaica is multicultural, poverty-stricken, and subject to the whims of neocolonialist economic powers, but his story is engaging, complicated, and very real. Highly recommended.
  • Rating: 5 out of 5 stars
    5/5
    Decades slip by in a flash in this delightfully crafted novel about a Chinese immigrant to Jamaica and his life, labors, and loves. Author Kerry Young does a great service to her home country and to her own ancestral history by bringing the world's attention to the often unknown world of the Chinese immigrant in Jamaica. Young Pao is introduced to his new life in his new country by Zhang, the man who has paid for Pao's mother's passage to the West Indies after the death of Pao's father. Zhang is a combination godfather and wise man in the underworld of Jamaica's Chinatown. He raises Pao to follow his footsteps and Pao, who has little formal schooling, learns his lessons of life on the city streets.As Pao narrates, the reader sees him as a rather serious, contemplative man for whom toughness does not seem to come naturally, but rather as a symptom of circumstance. Like all of Young's characters, Pao is strong, memorable, and easy for the reader to relate to. In just 270 pages, we follow most of Pao's life. We see him as a child, as a teenager, a young man, a middle-aged man, and as an elder. Although multigenerational novels are hard to do in short manuscripts, Young seems to succeed, and what we end up seeing in Pao is a totally "round" character, one who transforms and changes in many ways through the pages of the book.Kerry Young creates memorable characters: Zhang as the wise man, Pao as the always musing good "bad" boy, Cecily, the African Jamaican married to a Chinese man who rules over her privileged household and holds insecurities to herself, and Gloria, the bright, loving, practical, and very vital prostitute who creates a balance in Pao's life.For those interested in British Colonialism and West Indian history, particularly around the issues of independence in former British colonies, Pao offers interesting insights. With a flavor of historical fiction, Young brings her characters' lives in line with the years of British colonialsim through independence, taking us on a ride through the administrations of Bustamante, Manley, and Seaga. She does not burden the reader with too much information; there's just enough to set the stage and get the reader to thinking about the political scene going on around Pao's personal narrative.Pao is an excellent book about a little-written-about group - the Jamaican Chinese, a group that some readers may be discovering for the first time. Young left her homeland of Jamaica when she was just ten years old, but she is able to conjure up the flavor and feel of the country and give us not only wonderful characters that we will hold in our mind for a long time but also a real view and sense of the country that is Jamaica. For both lovers of West Indian literature and those who have never been exposed to it, this book is highly recommended.
  • Rating: 4 out of 5 stars
    4/5
    Atmospheric account of Jamaica's political history through the the eyes of a Chinese gangster.
  • Rating: 3 out of 5 stars
    3/5
    Pao is the story of a young boy who comes to Jamaica from China with his family to live in the Chinese community. His mother's friend Zhang is the leader of the community's Chinatown. Pao learns a lot from Zhang and eventually becomes Zhang's successor. How he handles his position, his friends, his family, and his own life during turbulent times is interesting and may not be a surprise to some. Although I enjoyed the novel, I would have liked to have a few more dates to know how much time has gone by during the story.

Book preview

Pao - Kerry Young

Author

1

1945

Me and the boys was sitting in the shop talking ’bout how good business was and how we need to go hire up some help and that is when she show up. She just appear in the doorway like she come outta nowhere. She was standing there with the sun shining on her showing off this hat, well it was more a kind of turban, like the Indians wear, only it look ten times better than that. Or maybe it just look ten times better on her.

She got on this blue dress that look like it must sew up with her already inside of it, it so tight, and a pair of high-heel shoes I never before seen the like of. I almost feel embarrassed that she come here and find me like this, sitting on a empty orange crate, in my vest with the beer bottle in my hand.

So we all three of us quickly jump up and ask her how we can help. And what she want is for me to go visit her sister in the hospital so I can see what some white sailor boy do to her.

‘What he do to her?’ Hampton ask.

‘He beat her. He beat her so bad I can hardly recognise her, my own sister.’

‘So what he beat her for?’

‘Just go see her. That is all I am asking of you.’ And then she look directly at me and say, ‘Can you do that?’

And I just say yes even though I don’t know why.

Then she say, ‘Thank you,’ and hand me a piece of paper with the details of the hospital where the sister at. The sister name Marcia Campbell. Then she say, ‘Marcia will tell you how you can contact me if you decide you want to help.’ And she turn and walk outta the shop.

No sooner than she gone Hampton start, ‘The sister a whore, man.’

‘How you know that?’

‘Sure, man, sure. What you think she doing with the sailor boy? They most likely arguing over money. And this one, she probably a whore as well even though she look so good and I bet she taste good too, but she a whore, man, sure.’

‘So what you saying, if she a whore it don’t matter if she get beat?’

‘It come with the territory. Like should I get vex if somebody try my patience? No, man, it come with the territory.’

I ask Judge Finley, ‘You think she just a whore as well?’

‘Yes. I think most likely Hampton right. But if this white boy really beat her like the sister say then you have to ask yourself what kinda man this is and if it OK for a white man to beat a Jamaican woman and it pass just like that.’

‘Cho, man, white men been beating Jamaican women for three hundred years.’

‘That is true,’ I say to Hampton, ‘but this is the first time anybody come ask us to do something ’bout it.’

The next day I go up the hospital to see Marcia Campbell, and she is in a state. The boy break her arm and two ribs and he mash up her face so bad her own mother wouldn’t recognise her. Then she show me the bruises and fingerprints he leave all over her body, and her back where him kick her. Is a wonder the girl still alive.

I ask her, ‘You know the name of the man who do this to you?’ And she tell me, and I say, ‘How can I get hold of your sister?’ I didn’t ask her nothing ’bout what happen because I reckon no kind of argument could justify the condition this woman was in.

When I catch up with the sister she tell me her name Gloria and she ask me what I going to do. So I say to her, ‘You don’t need bother yourself ’bout that. You just leave it with me.’ And afterwards I tell Hampton to go sort it out.

A week later Gloria Campbell come down the shop with money to pay me. She hear ’bout what happen to the sailor boy and how him in the naval hospital. I say to her, ‘I don’t need no money for that. The bwoy had it coming.’ So she put the money back in her purse.

Then she say to me, ‘You know what happen with all of that?’

And I say, ‘No, and I don’t need to neither.’

‘But you know the business we in?’

‘I can have a damn good guess.’

‘We have a house in East Kingston. We got four girls living there. Men think that just because we a house of women they can come there and do whatever they want. That’s how come what happen to Marcia.’

So I tell her, ‘This got nothing to do with me. Yu ask me to help yu and now it done. Yu don’t need to come here to talk ’bout it or explain nothing to me.’

‘I wanted to ask you if you would keep an eye on us. You know like you watch over Chinatown.’

This is the first time I look at this woman properly. Look her in the face because it suddenly strike me that she is a serious businesswoman. And when I look at her she catch me the same way she did that first day. And even though my head is telling me not to get involved with her, my mouth is moving and I hear myself saying, ‘What do you have in mind?’

When I tell Zhang he say, ‘They have a name for that.’

‘I am not pimping these girls. They running their own business. All I am doing is trying to make sure what happen to Marcia Campbell don’t happen again. They paying me the same as Mr Chin and Mr Lee and all the rest of them.’

‘Chin and Lee run honourable business. What these girls do not honourable.’

‘They making a living. You want me not do it?’

‘Is your business now, I tell you that the day I retire. You must run it way you see fit.’

The first time I go over to the East Kingston house Gloria invite me to dinner to celebrate Marcia coming home from the hospital. They make a traditional Jamaican dinner, stew chicken and rice and peas with coleslaw and cho-cho that Gloria cook herself. The only people that is there is me and these four women. And what I discover is that these women are just ordinary people who talk ’bout everything from the price of rice to how Bustamante come outta jail and go set up his own political party and win the election from Manley. And that was after a year and a half detention at Up Park Camp because his union call so much strike him nearly bring the country to a standstill and Governor Richards couldn’t take it no more.

To me the whole thing was a joke because after three hundred years of British rule the Queen decide she going let us go vote but the House of Representatives we elect didn’t have no power to do nothing. All it could do was talk, and make decisions that the Governor have the last say over anyway. They call it a partnership between the Colonial Office and the ministers. I call it a stupid waste of time.

But these women take it all serious, like they think all this going actually make a difference to something. Then just the same way they want set the country to right, the next thing is they laughing and joking and getting up and dancing with one another when the mood take them.

What I discover ’bout Gloria is that she got a edge but she also kind and gentle. And when she walk with me out to the car I notice how her arms look like black satin in the moonlight, and my nose catch the sweet, spicy smell coming off of her. Afterwards I discover it a perfume called Khus Khus.

After that I find I am going over there almost every other day. I take something with me, like a hat or a newspaper or something like that, and I leave it there on purpose so I have to go back and fetch it. Then it seem that every errand I am running take me by the house and I step inside because I am passing. It get so bad the rest of the girls just start laughing when they see me coming. So then even I know how it must look. And all I am doing there is drinking tea with Gloria Campbell. I am sipping Lipton’s Yellow Label at ten o’clock in the morning and ten o’clock at night. And I am talking about god knows what because half the time I can’t remember.

Then one day Gloria smile at me and say, ‘You know when I ask you to watch over us I didn’t mean for you to be sitting down here every day looking at me. I already broadcast the news that we under your wing so everything is fine.’

I rest the cup in the saucer, and I put the saucer on the table, and I stand up and say, ‘That is good,’ and I walk out.

Some days she have to tell me to go away because the poor woman can’t get no work done. Every day I promise myself that I will stop going there, and that last maybe two or three days.

Next thing you know I become a odd-job man, fixing up the cupboard door, sawing and hammering even though I don’t know a damn thing ’bout what I am doing. I swear every time I fix something and leave they must have to call a carpenter to come sort it out.

Then one day me and Judge Finley sitting alone in the shop and him say to me, ‘What you doing with Gloria Campbell?’

And I say, ‘Nothing.’

‘Well you better make up your mind to do something or stop going over there. You got things to do and I’m damn sure she got plenty to keep herself busy as well.’

So I say to him, ‘What yu think of Gloria?’

‘What you asking me this for?’

‘I just asking yu, that’s all.’

‘Well now you asking me to give an opinion about a woman I hardly know, a woman I seen maybe five or six times when I happen to take a envelope from her. She beautiful, I give you that. And she got style. She carry herself well. And I think she have some brains as well running all them girls and turning a profit. Well, I reckon a man wouldn’t mind to be seen out with a woman looking that good on his arm. But he wouldn’t marry her.’

‘Who is talking ’bout marrying?’

‘Well maybe it time you thinking ’bout it at least.’

‘So what you know ’bout it? You not even married yourself.’

‘Oh yes, I get married last year.’

‘You get married and you don’t tell nobody ’bout it?’

‘Her people from St Thomas, we go over there and we do it.’

‘And you don’t invite nobody to come join in the celebration?’

‘Marriage is not for celebrating. It is something you do to give your children a name.’

After that I stop going to see Gloria, but it don’t stop me from thinking ’bout her. I am thinking about her so much it like I am in a daze. I drive the wrong way from Half Way Tree to Red Hills and have to turn ’round. I count out the pai-ke-p’iao money two, three times but I can’t make it add up. I have to keep asking Hampton and Finley what they say to me because I can’t remember.

Then one evening me and Zhang sitting at the table in Matthews Lane. Ma at temple and Hampton out on the prowl. Zhang ask me, ‘You sick?’

And I tell him no.

‘So it must be a woman.’

What Zhang know about women I don’t know. He and my father was just boys when they busy fighting for Dr Sun Yat-sen and the Republic and when that was done he leave China and come to Jamaica and live like a hermit, until my father get killed and Zhang save up the passage and send for us. And in all that time I don’t think he even talked to a woman.

‘How you feel?’ he ask me.

‘I feel like I am under water and everything is just out of reach. Everything is muffled. I can’t quite hear. And I can’t touch or feel anything, my arms just waving about in the air. Except when I am with her and then it is like my feet are on the ground. Everything is sharp and focused and when I put my hand on the table like this, I can feel the wood under my fingers. And it feel like it matters. That it matters that I am sitting there with her. That it mean something. I feel happy just to watch her pour the tea and stir in the milk.’

‘This is the whore in East Kingston?’

That word hit me so hard because it don’t seem to describe anything about Gloria. It don’t seem to be associated with her in any way. But I know what Zhang mean and I say, ‘Yes.’

And he just get up from the table and walk away up the yard.

The next Friday night when I go to make the weekly pick-up everything seem different. I don’t know what. The music is playing, the liquor is flowing, the women is busy. The place look exactly the same. So I decide that it must be me that is different. Maybe it because I decide to harden my heart against her.

So now it seem like this is the place that is under water. Like I am inside some invisible bubble and I am just looking out. And when I reach out to take the envelope from her I not even sure that my hand is going make it outside of the bubble to pull in the money. But somehow I manage to do it, and she just stand there and look at me like she know something is different as well. But she don’t say nothing ’bout it.

After that I can’t stand to go over there so Hampton is doing the weekly pick-up on his own. And then one Friday morning I bump into her, just like that, standing up in King Street after I finish drop off some cigarettes.

It seem rude not to even say hello so we standing up there passing the time of day when she say to me, ‘You keep thinking all the time about what I am. But maybe you should concentrate on who I am, the sort of person I am, and maybe that way you might get to know how you feel. I see the way you look at me. And how you stand far from me in case you might touch me by accident. And how when you have to come close to me you hold your breath like you think something bad about to happen. Well maybe you just need to let yourself breathe.’

I don’t say nothing to her. I just stand there feeling like it is me and her now trapped inside this bubble and the whole of King Street is going past us ’bout its business like it can’t even see we there.

Then she say, ‘Next Monday and Tuesday the rest of the girls are taking themselves up to the north coast to Ocho Rios. They reckon we not so busy then and they can spare the time to have a break. But I am not going with them. I am just going to close up the house so I can get some time to myself. So Monday night I will be there in the house on my own. And what I am saying to you is you can come over for the night if you want to.’

All of this time she is talking to the side of my head because I can’t bring myself to look at her. I am staring out into the street watching the cars fight with the buggies and pushcarts for road space while I feel her eyes burning a hole into my temple.

‘You don’t seem to think that maybe I have some feelings as well.’ And then she stop.

And then she start again, ‘But I have to tell you that this is a one-time offer. If you decide not to come then it will be strictly business between you and me from that point on because we can’t carry on like this.’ And she step out into the noise of horns and cross the street and walk away into the crowd.

I don’t go do the pick-up that Friday night but all weekend I think about what Gloria say to me. And what Hampton say about whores. And what Judge Finley say about marriage. And how Zhang just get up and walk away. And I know they is all right. No matter how you feel, you can’t marry a woman like that. So I think on it, and I think on it. And when Monday night come, I take a shower and go to her house in East Kingston.

Next morning when I set foot inside the gate at Matthews Lane I see Ma up the top of the yard feeding the ducks, and Zhang sitting at the table finishing his tea. So I walk past him and I head to my room. But just as I put my foot on the step with my back to him, and him sitting at the table with his back to me, he say, ‘Your mother start to fret last night when you don’t come home, but I told her it was alright because I knew where you were.’

And I say, ‘Thank you,’ and step into my room.

2

Moral Influence

But Zhang don’t like it. First of all he just ignore it like maybe I going get over it, sorta grow outta Gloria. Then when this no happen he start make comments ’bout what sorta thing a honourable woman do, what kinda life she have, and how she act and suchlike; and how a dishonourable woman will bring a man down. According to Zhang a shameful and disloyal woman is the one single source of a man’s ruination. Then after that no work him start talk ’bout how I need to meet a nice Chinese girl and now every day he is mentioning to me the name of every man in Chinatown who has a daughter. He can’t see that I am not interested, that the time is going by and my life is full. Because apart from seeing Gloria three times a week, I am busy driving US navy surplus all over Kingston and double counting eggs because I discover that the Chinaman on the chicken farm in Red Hills can’t be trusted. Plus Gloria introduce me to two of her friends so now I have three houses to look after. The last thing I need to be thinking about is getting a wife.

But Zhang don’t care. He is on and on at me morning, noon and night and he is beginning to vex me now. So I agree to go up the Chinese Athletic Club and see what going on. I reckon that will shut him up. When I get there I find a bunch of kids playing ping-pong and drinking lemonade.

Then them tell me they organising a garden party. Zhang, and now Ma, very excited. It seem like this is the best thing to happen since Mao Zedong win the war and they set up the People’s Republic of China. Zhang and Ma fuss me so much that Sunday morning I barely make it outta the house on time, with Zhang looking at me all expectant like, and Ma waving me goodbye, and Hampton stand up in the yard with his hands on his hips laughing like him witnessing a clown show.

She was there though, with her dark wavy hair pin in a neat bun at the back of her head, and hips, and lips, and hands that she wave about all the time she talking, and throwing her head back and squeezing her eyes tight shut when she laugh. I ask somebody who she is.

‘That is Fay Wong.’

‘You mean Henry Wong daughter?’

‘That’s the one.’

So then I know there is no point me even going up to her because most likely she wouldn’t even talk to me. Henry Wong is one of the richest Chinese men in Jamaica. He own supermarkets, wholesalers and wine merchants all over Kingston, Ocho Rios and Montego Bay, and he have a big house uptown busting with ser­­vants. And I think well if Zhang reckon Gloria not good enough for me what is he going make of Fay Wong? So right from that moment I had her in my sights.

When I go back to Matthews Lane Judge Finley tell me that Henry Wong is a regular player at the mah-jongg tables in Barry Street. So the next time Henry Wong come down to Chinatown I get a professional to lift his wallet, and that give me a chance to go uptown to return it.

The Wongs’ house on Lady Musgrave Road got a semi-circular driveway, and between the two entrances a grass tennis court with a big red hibiscus hedge. The house sit on top of a flight of concrete steps with a wide tiled veranda, and a low white-concrete balustrade. And all over it there is wicker armchairs and little tables. The flower bed under the veranda crammed with all sorta colours and shapes, pinks and purples and reds, and to the side there is a twelve-foot-tall angel’s trumpet, which I know, come evening, is going to put out a real strong, sweet, heavy scent.

When I get on this veranda I see they got a swimming pool ’round the side with some nice little almond trees for shade. Then I see a black woman filling up one of them big wicker armchair. So I introduce myself and she say she is Cicely Wong, who I know is Henry Wong’s wife.

I tell her what my business is and I reach out with Henry Wong’s wallet in my hand but she don’t take it from me. Instead she call out, ‘Ethyl,’ and this girl come running outta the house like Miss Cicely just call out ‘Fire’, and it turn out that she is the one that is going to take the wallet from me, and then pass it directly to Miss Cicely.

Then Miss Cicely ask me if I want to join her for afternoon tea. Well, this I know about, so I say, ‘Thank you.’ And she tell me to sit down. She move her embroidery so that I can sit on the chair right next to her.

But no sooner than I sit down she stand up and sorta march over to the edge of the veranda and start shouting, ‘Edmond, gather up those mangoes from under the tree, I don’t want them turning to pulp on the grass there around the swing. You need to sweep up all that rubbish from ’round the back as well, all sort of rotten fruit and things ’round there. And when you done that cut back that poinsettia, can’t you see it getting too big for that corner.’ And she come back and sit down again. Edmond standing up under the tree look like him tired. But I don’t know if it from overwork or from Miss Cicely yelling at him.

Before Ethyl finish pour the tea Miss Cicely is on her feet again. ‘Lord, Edmond, what is it you think we paying you for? Every other garden down the road look better than this one. The garden next door look like it belong to a palace and their gardener is only part-time and a old man at that, not a young sap like you. Make me wonder if I should ask him to come over here and see what he can do to help us out. I keep praying to the good Lord to see if he can send you some inspiration, but He don’t seem to be paying me no mind. When the ecumenical women’s group come here next week I want the place looking spick and span and beautiful, you understand me? I don’t want it looking like this while you leaning up under a tree shading yourself and acting like you sweating from exhaustion.’

Miss Cicely take a liking to me though, and after that day a week didn’t go by without her inviting me for afternoon tea. So week after week I was sitting there drinking tea while I watch her instruct the butler, and arrange the menu with the housekeeper, and check the grocery bill, and dish out household chores to the maids; all of the time Ethyl keeping us cool with ice-cold lemonade, and at four pm precisely, Earl Grey tea with tin salmon and cucumber sandwiches, and a slice of Victoria sponge cake. Well this bit I never did with Gloria, so I wait and watch and make sure that I do everything just exactly the same way Miss Cicely do it, and that seem to work out fine.

I find out a lot about Miss Cicely. First of all that she like chocolates and grapenut ice cream, so I always make sure to bring plenty of that. Also, she like Chinese men.

‘A Chinese man,’ she say to me, ‘is hardworking and diligent. He is prudent and steadfast in his resolve to make a better future for himself and his family. A Chinese man hunts out prosperity. Not like the Africans. The Africans are irresponsible and unreliable; indolent and slipshod. They squander every penny. That is why I married a Chinese man. And why my daughters will also marry Chinese men.’

Another time she tell me, ‘I can see you have money in your pocket, Philip. You are well dressed, and well mannered and charming. Yes, quite charming, and quite good looking if you will excuse my impertinence. I understand you have a shop in downtown Kingston. When I married my husband, Mr Henry, he had only the one shop as well.’

Every now and again she tell Fay to come sit on the veranda with us and Fay do it, but she don’t seem that interested and after a while she get up and go back inside, or she make an excuse that she have to go somewhere and she leave the house. I keep thinking I should try to say something to her. If I could get her talking ’bout something she might sit there for longer than five minute. But every time I open my mouth she just look at me like she thinking ’bout something else, and she don’t even seem to care that it rude to just sit there and nuh say nothing to me.

After my visiting with Miss Cicely I say to Finley, ‘Cicely Wong, she talk one way to the help and a completely different way to me. When she talk to me she sound like a proper Englishwoman and every afternoon she serve Earl Grey tea and Victoria sponge cake.’

‘The story I hear ’bout her is that she grow up on a banana plantation outside of Ocho Rios with her father, but her education come from missionaries. The first thing she learn to read was the Bible and that how come she such a staunch Wesleyan but I also hear tell that she convert to Catholicism because she think that Catholics are a better class of person.’

So one Wednesday afternoon after months of swallowing gallons of Earl Grey tea and carting quart after quart of grapenut ice cream to Lady Musgrave Road I finally say to Miss Cicely, ‘I was wondering if you and Mr Wong would consider me marrying Fay.’

And she say, ‘Yes.’ Just like that, like she was expecting it.

‘You don’t have to ask Fay or check with Mr Wong or anything like that?’

‘I already took the liberty of asking my husband about you, Philip. He tells me your father is an honourable man. A man greatly respected by the Chinese merchants in Kingston. Henry says you have a family business and have served the Chinatown community for many years. I understand your father is retired now, is that correct?’

I so shocked I dunno what to say. I can’t figure out why

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