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Into the Cool: The Collected Poems of David Saxton, 1992 through 2007
Into the Cool: The Collected Poems of David Saxton, 1992 through 2007
Into the Cool: The Collected Poems of David Saxton, 1992 through 2007
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Into the Cool: The Collected Poems of David Saxton, 1992 through 2007

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Saxton's bittersweet reflections immerse the reader in the natural drama of Hindu, Buddhist, and Taoist thought, human loneliness, and deep ecology.

LanguageEnglish
Release dateApr 6, 2011
ISBN9781933237503
Into the Cool: The Collected Poems of David Saxton, 1992 through 2007

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    Book preview

    Into the Cool - David Saxton

    Into the Cool

    The Collected Poems of David Saxton

    1992 through 2007

    Published by Gegensatz Press at Smashwords

    ISBN 978-1-933237-50-3

    Copyright © 2008 by David Saxton.

    Smashwords Edition, License Notes

    This e-book is licensed for your personal enjoyment only. This e-book may not be re-sold or given away to other people. If you would like to share this book with another person, please purchase an additional copy for each recipient. If you are reading this book and did not purchase it, or if it was not purchased for your use only, then please return to Smashwords.com and purchase your own copy. Thank you for respecting the hard work of this poet.

    "David Saxton has found a poetic voice like no other,

    mixing a passion for the earth and a vision of other worlds

    and an insight into other beings and a plain old lover's perplexion.

    Harken to it."

    - Kirkpatrick Sale

    December 1991

    ****

    Contents

    Alphabetical List of Titles

    Introduction

    From the Road at 40

    The Kali Devotionals and Other Poems

    The Second Coming

    My Time With You: Sonnets of Loss and Renewal

    One Life, One Earth, After Ryokan

    Previously Unpublished: The Find

    Previously Unpublished: 9/11

    ****

    Alphabetical List of Titles

    After Walking in Dream

    Among the Bodies

    and death ?

    Angel Time in Manhattan

    Anna Maria Island

    Authority

    The Beat

    Being Pressed

    Being With God

    Black Snow

    Brief Song

    Certain Powers

    Certainty and Change

    Charlie's Soul's Destiny

    Crazy Charlie: An Elegy for Charlie Watkins

    Crazy Charlie: His Dark Origins

    Crocus Time

    The Dance of the Be

    Dharma 5

    Each Father's Prayer

    The Face of Man

    The Fall

    Final Etchings

    The Find

    Flypaper Hopes

    The Fool

    Forgetting at Good Sam Hospital

    Furious Me

    Gaea

    Gathered in the Light

    The God in the Clown's Hat

    The Great Escape of You and Me

    Hidden Speeches

    History Betrayed

    The Idea of Hearing in the Buddha Mind

    If I Were To ?

    Intricate Puzzle

    Invocation to the Great Mother

    Jesus

    The Kali Devotionals

    The Lover's Intent

    Mumbo in the Jumbo

    9/11

    No Hope

    No Mind

    North Point Star Report

    Now Time

    On Almost Losing

    One Life, One Earth

    Poet's Postscript

    Precious Things

    Returning

    Rising

    The Ritual Dream Journey of the Green Codicils

    Rooms Beneath the City

    The Scratching of Tomorrow

    The Second Coming

    The Self is Not Limited !

    Sitting With Jack

    Sitting With the Unknown Dead

    The Song of I Am

    Sonnets I-XLV

    The Soul in Action

    Spring Again

    Star Knowledge Caught at Lunch

    Stupid Things

    Such Silence

    This Damp Earth

    Time

    To Be Old and To Be Young

    Watching

    While Waiting

    Wondering With Spring

    The Zoo

    ****

    Introduction

    "I peer out at my universe

    which looks as vast

    to me

    yours to you."

    - Jane Roberts

    If We Live Again

    The title of these collected works, Into the Cool, is taken from the title from the marvelous book of the same name by Eric D. Schneider and Dorian Sagan. The subtitle of that work - Energy Flow, Thermodynamics, and Life - is meant to reveal the subject of the text which in its way is one of the most fascinating and insightful scientific books I have ever read. Not only for what it reveals about the universal application of the Second Law of Thermodynamics to the phenomena of life, but what it says about the human condition when it confronts the implications and meanings of a universe that is ceaselessly in transformation, renewal, and finally in irreversible decay.

    The mind of humankind has always been aware of the Second Law, of course, as its truths are embedded in the folk wisdom of all peoples. Simply review the proverbs and aphorisms of any culture and one is struck by how they refer to the flow of time, energy, and the meaning of that for the experience of the individual and society.

    The human can only finally accept the finite and transient terms of its own personal consciousness and need admit that even its own species form is subject to the same certainty of extinction - that the planet itself is on the same course toward eventual disappearance.

    It hurts and it terrifies, but it does compel a response that makes for what is unique in the human experience. That response is what we may call the poet's stance against the seeming certainty of the decay and disappearance of all meaning with the assertion that My feelings, my thoughts, my joys, my visions, my love for the world will not die! I will set them down before you and their beauty will make them and me immortal! Such is the vanity of artists, but it is also the source of the heroic and gives humans the courage to go on to do their best to create and engage the cosmos as creative, self-determining agents resolved to serve the highest potentials in themselves and the species, thereby honoring the planet from which they have so recently emerged.

    It is in that tradition that I present to you, dear reader, my Collected Poems. They have been created since the 1970s and placed haphazardly before the reading public since 1992. With this publication they have been brought together for the first time for your consideration.

    The first work, From the Road at 40, is an assembly of poems I had composed in notebooks for a period of fifteen years. They deal with the challenges of life, political realizations, life with nature, and the challenges of finding meaning in a strange and difficult world. They are simple and straightforward and require no explanation.

    The second, The Kali Devotionals, were created in response to my reading and becoming enthralled by the beauty and the spiritual power of the Gospels of Ramakrishna. I was attempting to recast the meaning and the obligation of the person to the divine energy that lies at the heart of all phenomena. In so doing I attempted to reflect the ecological dimensions of this energy as it relates to the eco-holocaust of our time. These poems were created during a time of seeking wherein I thought that some sort of ultimate realization was possible. This belief emerged from my study of the eastern religious classics.

    The third piece, The Second Coming, came from my involvement in occult practices aimed at self-realization and self-discovery in service to the world of nature. I was probing the inner worlds of the unconscious in service to creating new forms of self-understanding to assist humankind in transcending the limits of the human form and making an evolutionary leap in self-understanding that would result in a new world or new age for the species and planet that is so needed by our earth at this time. The essence of this occult journeying in service to planet earth is embodied in the Hands of Hope / Sacred Ecology Statement contained within this work. It warrants a close reading and sensitive reflection on the reader's part.

    The fourth is My Time with You, a sonnet series created, in service to personal and collective healing, during a difficult period in my life. They are deeply connected spiritually to my love of the poetry of Conrad Aiken, particularly his sonnet series, And in the Human Heart.

    The last previously published work, One Life, One Earth, After Ryokan, is a continuation of the occult theme and, like The Second Coming, incorporates trance sessions with poetry in service to the subject of self-discovery. It explores the methods and promise of self-realization held in the Hindu tradition known as Jnana Yoga. This piece may be thought of as an extension of The Second Coming, in that it employs automatic writing to explore the unconscious and its wonders.

    Finally, new poems, The Find and 9 / 11:

    There is a great painting by Raphael that describes the essential problem that reflective intelligence has faced since the species emerged into self-awareness some one hundred thousand years ago. In that image we are confronted with the two principal philosophers of the west in dialogue with each other as they walk in the city square of Athens. They are Plato and Aristotle. Plato motions heavenward while Aristotle motions downward. These gestures reveal the basic dichotomy the human mind has faced since the project of inquiry about the ultimate nature of reality commenced. The tension this image describes is as to what is primary in the act of knowing. Does the world of becoming precede awareness or is awareness simply an aspect of the presence of the absolute that is known as being, and what is the relationship of the intuitions of these two modes of knowing? Is awareness of and perception of being the end of the project of becoming or is the intuition of the realm of the absolute simply a figment of a living, ever changing mind's imaginative faculties?

    These same questions have been dealt with to one extent or another by every people who have come to an awareness of themselves as a distinct species with unique ability for communication and the transmission of knowledge. The answers brought forth have established religions, schools of thought, shaped civilizations, and structured societies. It is in many ways the central question for the human mind and for the life of the person. How it is decided on the personal and collective levels forms the basis of culture and how a society meets the challenges of its continuance and reproduction over time and space.

    It is no wonder that this is the central preoccupation of the worlds of philosophy, be it western, eastern, or the oral traditions of preliterate peoples. It engenders myths and can make us mad or saintly, launch wars, explain the working of the cosmos, or make for poets to give their own views on the questions.

    The series of poems that make up The Find is a meditation on this theme. They attempt to show the tension of these opposing views as I have come to know and experience them.

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