Tales of Wonder Every Child Should Know

Project Gutenberg's Tales of Wonder Every Child Should Know, by Various

This eBook is for the use of anyone anywhere at no cost and with

almost no restrictions whatsoever. You may copy it, give it away or

re-use it under the terms of the Project Gutenberg License included

with this eBook or online at www.gutenberg.org

Title: Tales of Wonder Every Child Should Know

Author: Various

Editor: Kate Douglas Wiggin and Nora Archibald Smith

Release Date: October 4, 2006 [EBook #19461]

Language: English

*** START OF THIS PROJECT GUTENBERG EBOOK TALES OF WONDER ***

Produced by Juliet Sutherland, Sankar Viswanathan, and the

Online Distributed Proofreading Team at http://www.pgdp.net

The three-headed monster belched forth flame

What Every Child Should Know Library

TALES

OF WONDER

EVERY CHILD SHOULD KNOW

Edited by

KATE DOUGLAS WIGGIN

and NORA ARCHIBALD SMITH

Published by Doubleday, Doran & Co., Inc., for

THE PARENTS' INSTITUTE, INC.

Publishers of The Parents' Magazine

52 Vanderbilt Avenue, New York

COPYRIGHT, 1909, BY DOUBLEDAY, PAGE & COMPANY

PUBLISHER'S NOTE

Doubleday, Page & Company wish to make acknowledgment of their indebtedness to the following publishers:

G. P. Putnam's Sons, New York and London, for permission to use The Five Queer Brothers, The Two Melons and What the Birds Said, from Chinese Nights' Entertainment, by Adele M. Fielde; The Lac of Rupees, from Indian Fairy Tales, by Joseph Jacobs; The Sea-maiden, from Celtic Fairy Tales, by Joseph Jacobs; The Black Horse and The Farmer of Liddesdale, from More Celtic Fairy Tales, by Joseph Jacobs; and The Buried Moon, from More English Fairy Tales, by Joseph Jacobs.

T. Y. Crowell & Company, New York, for permission to use The Grateful Crane from The Fire-fly's Lovers, by William Elliot Griffis.

Joseph McDonough, Albany, for permission to use Little Surya Bai, The Jackal, the Barber and the Brahmin, Truth's Triumph, The Raksha's Palace, and Panch-Phul Ranee, from Old Deccan Days, by M. Frere.

Charles Scribner's Sons, New York, for permission to use The Deserter, Steelpacha and The Watch-tower Between Earth and Heaven, from The Russian Grandmother's Wonder Tales, by L. S. Houghton.

Macmillan & Company, London, for permission to use The Grateful Foxes and The Badger's Money, from Tales of Old Japan, by A. B. Mitford.

The Review of Reviews Company, London, for permission to use The Feast of Lanterns and The Lake of Gems, from Books for the Bairns, edited by W. T. Stead.

We also wish to express our appreciation to Mr. Seumas MacManus for the use of his stories, The Amadan of the Dough, Hookedy-Crookedy, Billy Beg and the Bull, and The Queen of the Golden Mines, from Donegal Fairy Stories, and In Chimney Corners, published by us.

CONTENTS

I WONDER!

I wonder if in Samarcand

Grave camels kneel in golden sand,

Still lading bales of magic spells

And charms a lover's wisdom tells,

To fare across the desert main

And bring the Princess home again—

I wonder!

I wonder in Japan to-day

If grateful beasts find out the way

To those who succoured them in pain,

And bring their blessings back again;

If cranes and sparrows take the shape

And all the ways of mortals ape—

I wonder!

In Bagdad, may there still be found

That potent powder, finely ground,

Which changes all who on it feast,

Monarch or slave, to bird or beast?

Do Caliphs taste and unafraid,

Turn storks, and weeping night-owls aid?

I wonder!

I wonder if in far Cathay

The nightingale still trills her lay

Beside the Porcelain Palace door,

And courtiers praise her as before I

If emperors dream of bygone things

And musing, weep the while she sings—

I wonder!

Such things have never chanced to me.

I wonder if to eyes that see

These magic visions still appear

In daily living, now and here;

If every flower is touched with glory,

If e'en the grass-blades tell a story—

I wonder!

N. A. S.

INTRODUCTION

There is a Chinese tale, known as The Singing Prisoner, in which a friendless man is bound hand and foot and thrown into a dungeon, where he lies on the cold stones unfed and untended.

He has no hope of freedom and as complaint will avail him nothing, he begins to while away the hours by reciting poems and stories that he had learned in youth. So happily does he vary the tones of the speakers, feigning in turn the voices of kings and courtiers, lovers and princesses, birds and beasts, that he speedily draws all his fellow-prisoners around him, beguiling them by the spell of his genius.

Those who have food, eagerly press it upon him that his strength may be replenished; the jailer, who has been drawn into the charmed circle, loosens his bonds that he may move more freely, and finally grants him better quarters that the stories may be heard to greater advantage. Next the petty officers hear of the prisoner's marvellous gifts and report them everywhere with such effect that the higher authorities at last become interested and grant him a pardon.

Tales like these, that draw children from play and old men from the chimney-corner; that gain the freedom of a Singing Prisoner, and enable a Scheherazade to postpone from night to night her hour of death, are one and all pervaded by the same eternal magic. Pain, grief, terror, care, and bondage are all forgotten for a time when lakes of gems and enchanted waterfalls shimmer in the sunlight, when Rakshas's palaces rise, full-built, before our very eyes, or when Caballero's Knights of the Fish prance away on their magic chargers. I wonder when! I wonder how! I wonder where! we say as we follow them into the land of mystery. So Youngling said when he heard the sound of the mysterious axe in the forest and asked himself who could be chopping there.

I wonder! he cried again when he listened to the faerie spade digging and delving at the top of the rocks.

I wonder! he questioned a third time when he drank from the streamlet and sought its source, finding it at last in the enchanted walnut. Axe and spade and walnut each gladly welcomed him, you remember, saying, It's long I've been looking for you, my lad! for the new world is always awaiting its Columbus.

No such divine curiosity as that of Youngling's stirred the dull minds of his elder brothers and to them came no such reward. They jeered at the wanderer, reproaching him that he forever strayed from the beaten path, but when Youngling issues from the forest with the magic axe, the marvellous spade, and the miraculous nut to conquer his little world, we begin to ask ourselves which of the roads in the wood are indeed best worth following.

Childish wonder is the first step in human wisdom, said the greatest of the world's showmen, but there are no wonders to the eyes that lack real vision. In the story of What the Birds Said, for instance, the stolid jailer flatly denies that the feathered creatures have any message of import to convey; it is the poor captive who by sympathy and insight divines the meaning of their chatter and thus saves the city and his own life.

The tales in this book are of many kinds of wonder; of black magic, white magic and gray; ranging from the recital of strange and supernatural deeds and experiences to those that fore-shadow modern conquests of nature and those that utilize the marvellous to teach a moral lesson. Choose among them as you will, for as the Spaniards might say, The book is at your feet; whatever you admire is yours!

Tales of Wonder is the fourth and last of our Fairy Series in the Children's Classics, so this preface is in the nature of an epilogue. The Fairy Ring, Magic Casements, Tales of Laughter—each had its separate message for its little public, and Tales of Wonder rings down the curtain.

There was once a little brown nightingale that sang melodious strains in the river-thickets of the Emperor's garden, but when she was transported to the Porcelain Palace the courtiers soon tired of her wild-wood notes and supplanted her with a wonderful bird-automaton, fashioned of gold and jewels.

Time went on, but the Emperor, wisest of the court, began at last to languish, and to long unceasingly for the fresh, free note of the little brown nightingale. It was sweeter by far than the machine-made trills and roulades of the artificial songster, and he felt instinctively that only by its return could death be charmed away.

The old, yet ever new, tales in these four books are like the wild notes of the nightingale in the river-thicket, and many are the emperors to whom they have sung.

Whenever we tire of what is trivial and paltry in the machine-made fairy tale of to-day, let us open one of these crimson volumes and hear again the note of the little brown bird in the thicket.

Kate Douglas Wiggin.

Tales of Wonder

I Wonder

nce on a time there was a man who had three sons—Peter, Paul, and the least of all, whom they called Youngling. I can't say the man had anything more than these three sons, for he hadn't one penny to rub against another; and he told the lads, over and over again, that they must go out into the world and try to earn their bread, for at home there was nothing to be looked for but starving to death.

Now near by the man's cottage was the King's palace, and, you must know, just against the windows a great oak had sprung up, which was so stout and tall that it took away all the light. The King had said he would give untold treasure to the man who could fell the oak, but no one was man enough for that, for as soon as one chip of the oak's trunk flew off, two grew in its stead.

A well, too, the King desired, which was to hold water for the whole year; for all his neighbours had wells, but he hadn't any, and that he thought a shame. So the King said he would give both money and goods to anyone who could dig him such a well as would hold water for a whole year round, but no one could do it, for the palace lay high, high up on a hill, and they could only dig a few inches before they came upon the living rock.

But, as the King had set his heart on having these two things done, he had it given out far and wide, in all the churches of his dominion, that he who could fell the big oak in the King's courtyard, and get him a well that would hold water the whole year round, should have the Princess and half the kingdom.

Well! you may easily know there was many a man who came to try his luck; but all their hacking and hewing, all their digging and delving, were of no avail. The oak grew taller and stouter at every stroke, and the rock grew no softer.

So one day the three brothers thought they'd set off and try, too, and their father hadn't a word against it; for, even if they didn't get the Princess and half the kingdom, it might happen that they would get a place somewhere with a good master, and that was all he wanted. So when the brothers said they thought of going to the palace, their father said Yes at once, and Peter, Paul, and Youngling went off from their home.

They had not gone far before they came to a fir-wood, and up along one side of it rose a steep hillside, and as they went they heard something hewing and hacking away up on the hill among the trees.

I wonder now what it is that is hewing away up yonder? said Youngling.

You are always so clever with your wonderings, said Peter and Paul, both at once. What wonder is it, pray, that a wood-cutter should stand and hack up on a hillside?

Still, I'd like to see what it is, after all, said Youngling, and up he went.

Oh, if you're such a child, 't will do you good to go and take a lesson, cried out his brothers after him.

But Youngling didn't care for what they said; he climbed the steep hillside toward where the noise came, and when he reached the place, what do you think he saw?

Why, an axe that stood there hacking and hewing, all of itself, at the trunk of a fir.

Good day, said Youngling. So you stand here all alone and hew, do you?

Yes, here I've stood and hewed and hacked a long, long time, waiting for you, my lad, said the Axe.

Well, here I am at last, said Youngling, as he took the Axe, pulled it off its haft, and stuffed both head and haft into his wallet.

So when he climbed down again to his brothers, they began to jeer and laugh at him.

And now, what funny thing was it you saw up yonder on the hillside? they said.

Oh, it was only an axe we heard, said Youngling.

When they had gone a bit farther, they came under a steep spur of rock, and up above they heard something digging and shovelling.

I wonder, now, said Youngling, what it is digging and shovelling up yonder at the top of the rock?

Ah, you're always so clever with your wonderings, said Peter and Paul again; as if you'd never heard a woodpecker hacking and pecking at a hollow tree.

Well, well, said Youngling, I think it would be a piece of fun just to see what it really is.

And so off he set to climb the rock, while the others laughed and made game of him. But he didn't care a bit for that; up he clambered, and when he got near the top, what do you think he saw? Why, a spade that stood there digging and delving.

Good day, said Youngling. So you stand here all alone, and dig and delve?

Yes, that's what I do, said the Spade, and that's what I've done this many a long day, waiting for you, my lad.

Well, here I am, said Youngling again, as he took the Spade and knocked off its handle, and put it into his wallet; and then he climbed down again to his brothers.

Well, what was it, so strange and rare, said Peter and Paul, that you saw up there at the top of the rock?

Oh, said Youngling, nothing more than a spade; that was what we heard.

So they went on again a good bit, till they came to a brook. They were thirsty all three, after their long walk, and so they lay down beside the brook to have a drink.

I have a great fancy to see where this brook comes from, said Youngling.

So up alongside the brook he went, in spite of all that his brothers shouted after him. Nothing could stop him. On he went. And as he went up and up, the brook grew smaller and smaller, and at last, a little way farther on, what do you think he saw? Why, a great walnut, and out of that the water trickled.

Good day, said Youngling again. So you lie here and trickle, and run down all alone?

Yes, I do, said the Walnut and here have I trickled and run this many a long day, waiting for you, my lad.

Well, here I am, said Youngling, as he took a lump of moss and plugged up the hole, so that the water mightn't run out. Then he put the Walnut into his wallet, and ran down to his brothers.

Well, now, said Peter and Paul, have you found out where the water comes from? A rare sight it must have been!

Oh, after all, it was only a hole it ran out of, said Youngling, and the others laughed and made game of him again, but Youngling didn't mind that a bit.

So when they had gone a little farther, they came to the King's palace; but as every man in the kingdom had heard that he might win the Princess and half the realm, if he could only fell the big oak and dig the King's well, so many had come to try their luck that the oak was now twice as stout and big as it had been at first, for you will remember that two chips grew for every one they hewed out with their axes.

So the King had now laid it down as a punishment that if anyone tried and couldn't fell the oak, he should be put on a barren island, and both his ears were to be clipped off. But the two brothers didn't let themselves be frightened by this threat; they were quite sure they could fell the oak, and Peter, as he was the eldest, was to try his hand first; but it went with him as with all the rest who had hewn at the oak: for every chip he cut two grew in its place. So the King's men seized him, and clipped off both his ears, and put him out on the island.

Now Paul was to try his luck, but he fared just the same! When he had hewn two or three strokes, they began to see the oak grow, and so the King's men seized him, too, and clipped his ears, and put him out on the island; and his ears they clipped closer, because they said he ought to have taken a lesson from his brother.

So now Youngling was to try.

If you want to look like a marked sheep, we're quite ready to clip your ears at once, and then you'll save yourself some trouble, said the King, for he was angry with him for his brothers' sake.

Well, I'd just like to try first, said Youngling, and so he got leave. Then he took his Axe out of his wallet and fitted it to its handle.

Hew away! said he to his Axe, and away it hewed, making the chips fly again, so that it wasn't long before down came the oak.

When that was done, Youngling pulled out his Spade and fitted it to its handle.

Dig away! said he to his Spade, and so the Spade began to dig and delve till the earth and rock flew out in splinters, and he soon had the well deep enough, you may believe.

And when he had got it as big and deep as he chose, Youngling took out his Walnut and laid it in one corner of the well, and pulled the plug of moss out.

Trickle and run, said Youngling, and so the Nut trickled and ran till the water gushed out of the hole in a stream, and in a short time the well was brimful.

So as Youngling had felled the oak which shaded the King's palace, and dug a well in the palace-yard, he got the Princess and half the kingdom, as the King had said; but it was lucky for Peter and Paul that they had lost their ears, else they might have grown tired of hearing how everyone said each hour of the day:

Well, after all, Youngling wasn't so much out of his mind when he took to wondering.

What the Birds Said

 lad named Kong Hia Chiang, who lived with his parents among the mountains, understood the language of the birds. One twilight, as he sat at his books, a flock of birds alighted on a tree before his window and sang:

"Kong Hia Chiang, on the southern plain

A sheep awaits you by a heap of stones,—

A fine fat wether, that the dogs have slain;

You eat the flesh and we will pick the bones!"

Kong Hia Chiang went and brought in the torn sheep and cooked it during the night. The next morning a shepherd came and said that one of his sheep was missing; he had found blood on the meadow, had followed the trail, and it had brought him to that house. Kong Hia Chiang acknowledged that he had brought in the sheep, but declared that the dogs had killed it, and that its death and the place where it might be found had been made known to him by birds. His story was considered to be an impudent fabrication, and he was haled away to prison.

While he was awaiting his trial before the magistrate, a bird, flying eastward, perched on the wall, saw him, and piped:

"Foes approach the western border,

Banners, bows, and spears in order,

While the gate lacks watch or warder."

Kong Hia Chiang thereupon so vehemently besought his jailer to inform the magistrate of the imminent danger of invasion through the unprotected Western Pass, that the jailer, though wholly incredulous, decided to test his power of comprehending the utterances of birds. He took some rice, soaked a part of it in sweetened water, and a part in brine, and then spread the whole on the roof of a shed into which he brought Kong Hia Chiang, and asked him if he knew why so many birds were chirruping overhead. Kong Hia Chiang at once replied that those on the roof were hailing those that were flying past, and saying:

"Call a halt; call a halt;

Here is rice fresh and white;

Half is sweet, half is salt;

Stop a bit; take a bite."

The jailer was at once convinced that the prisoner understood the speech of birds, and therefore hastened to the magistrate to report the warning and the test. The magistrate sent a swift courier to notify the military officers, and a scout was sent out to the west. He soon confirmed the message of Kong Hia Chiang, and troops were dispatched to strengthen the garrison at the pass, the invaders thereby being successfully repelled. The great service rendered to the country by Kong Hia Chiang was acknowledged by his sovereign, who afterward made use of his remarkable talent, invited him to study with the princes, and eventually raised him to a high rank among the nobles of the empire.

The Smith and the Fairies

ears ago there lived in Crossbrig a smith of the name of MacEachern. This man had an only child, a boy of about thirteen or fourteen years of age, cheerful, strong, and healthy. All of a sudden he fell ill; took to his bed and moped whole days away. No one could tell what was the matter with him, and the boy himself could not, or would not, tell how he felt. He was wasting away fast; getting thin, old, and yellow; and his father and all his friends were afraid that he would die.

At last one day, after the boy had been lying in this condition for a long time, getting neither better nor worse, always confined to bed, but with an extraordinary appetite—one day, while sadly revolving these things, and standing idly at his forge, with no heart to work, the smith was agreeably surprised to see an old man, well known for his sagacity and knowledge of out-of-the-way things, walk into his workshop. Forthwith he told him the occurrence which had clouded his life.

The old man looked grave as he listened; and after sitting a long time pondering over all he had heard, gave his opinion thus: "It is not your son you have got. The boy has been carried away by the 'Daione Sith,' and they have left a Sibhreach in his place."

Alas! and what then am I to do? said the smith. How am I ever to see my own son again?

I will tell you how, answered the old man. But, first, to make sure that it is not your own son you have got, take as many empty egg-shells as you can get, go into his room, spread them out carefully before his sight, then proceed to draw water with them, carrying them two and two in your hands as if they were a great weight, and arrange them when full, with every sort of earnestness around the fire.

The smith accordingly gathered as many broken egg-shells as he could get, went into the room, and proceeded to carry out all his instructions.

He had not been long at work before there arose from the bed a shout of laughter, and the voice of the seeming sick boy exclaimed, I am eight hundred years of age, and I have never seen the like of that before. The smith returned and told the old man.

Well, now, said the sage to him, did I not tell you that it was not your son you had: your son is in Borracheill in a digh there (that is, a round green hill frequented by fairies). Get rid as soon as possible of this intruder, and I think I may promise you your son. You must light a very large and bright fire before the bed on which this stranger is lying. He will ask you, 'What is the use of such a fire as that?' Answer him at once, 'You will see that presently!' and then seize him, and throw him into the middle of it. If it is your own son you have got, he will call out to you to save him; but if not, the thing will fly through the roof.

The smith again followed the old man's advice: kindled a large fire, answered the question put to him as he had been directed to do, and seizing the child flung him in without hesitation. The Sibhreach gave an awful yell, and sprang through the roof, where a hole had been left to let the smoke out.

On a certain night the old man told him the green round hill, where the fairies kept the boy, would be open, and on that date the smith, having provided himself with a Bible, a dirk, and a crowing cock, was to proceed to the hill. He would hear singing and dancing, and much merriment going on, he had been told, but he was to advance boldly; the Bible he carried would be a certain safeguard to him against any danger from the fairies. On entering the hill he was to stick the dirk in the threshold, to prevent the hill from closing upon him; and then, continued the old man, on entering you will see a spacious apartment before you, beautifully clean, and there, standing far within, working at a forge, you will also see your own son. When you are questioned, say you come to seek him, and will not go without him.

Not long after this, the time came round, and the smith sallied forth, prepared as instructed. Sure enough as he approached the hill, there was a light where light was seldom seen before. Soon after, a sound of piping, dancing, and joyous merriment reached the anxious father on the night wind.

Overcoming every impulse to fear, the smith approached the threshold steadily, stuck the dirk into it as directed, and entered. Protected by the Bible he carried on his breast, the fairies could not touch him; but they asked him, with a good deal of displeasure, what he wanted there. He answered, I want my son, whom I see down there, and I will not go without him.

Upon hearing this the whole company before him gave a loud laugh, which wakened up the cock he carried dozing in his arms, who at once leaped up on his shoulders, clapped his wings lustily, and crowed loud and long.

The fairies, incensed, seized the smith and his son, and throwing them out of the hill, flung the dirk after them, and in an instant all was dark.

For a year and a day the boy never did a turn of work, and hardly ever spoke a word; but at last one day, sitting by his father and watching him finishing a sword he was making for some chief, and which he was very particular about, he suddenly exclaimed, That is not the way to do it; and taking the tools from his father's hands he set to work himself in his place, and soon fashioned a sword, the like of which was never seen in the country before.

From that day the young man wrought constantly with his father, and became the inventor of a peculiarly fine and well-tempered weapon, the making of which kept the two smiths, father and son, in constant employment, spread their fame far and wide, and gave them the means in abundance, as they before had the disposition, to live content with all the world and very happily with each other.

The Grateful Crane

[1]

ighting sparrows fear not man," as the old proverb says. Yet it was not a sparrow but a crane that fell down out of the air. Near the feet of Musai, the farmer's boy, it lay, as he waded in the ooze of his rice field, working from daybreak to sundown.

[1] From The Fire-fly's Lovers, by William Elliot Griffis, copyright, 1008, by T. Y. Crowell & Co.

The farmer's boy was used to cranes, for in the plough's furrow on the dry land these long-legged birds walked close behind, not the least afraid in the Mikado's dominions. For who would hurt the white-breasted creature, that every one called the Honourable Lord Crane? The graceful birds seemed to love to be near man, when he worked in the wet or paddy fields, where under four inches of water the seeds were planted and the rice plants grew. So graceful in all its movements is the crane that many a dainty little maid who acts politely hears herself spoken of as the bird that rises from the water without muddying the stream.

Musai hurried to the grassy bank at the edge of the paddy field as fast as he could wade through the liquid mud, to see what was the matter with the crane. Throwing down his hoe, and looking in the grass, he saw that an arrow was sticking in the crane's back, and that red drops of blood dappled its white plumage. Instead of seeming frightened when the man came near, the bird bent down its neck, as if to submit to whatever the farmer's boy should do.

Gently Musai plucked out the arrow and helped the bird to rise, pushing back the undergrowth so that its broad white pinions could have free play. After a few feeble attempts to fly it spread its wings, rose up from the earth, and after circling several times round its benefactor as though to thank him, it flew off to the mountain.

Musai went back to his work, hoping that in season his labor would yield a good crop. He had his widowed mother to support and must needs toil every day. His one delight was to come home, weary after the long hours of labour in the muddy rice field, and have a hot bath. This his mother always had ready for him. Then, clean and with a fresh kimono, and a little rest before supper-time, he was ready for a quiet evening with the neighbours.

So in routine the days passed by until autumn was near at hand. One day, returning before the sun was fully set, he found seated beside his mother a lovely girl. In spite of his contemptible appearance after a day's toil, working barelegged in the mire, she welcomed him with the grace of a princess.

Not thinking of returning the salute in his unwashed condition, he took off his head-kerchief, drew in his breath, and bowing to his mother asked.

Who is the honourable That Side, and how comes she into this miserable hut?

My son, replied his mother, though you are a man, you have as yet no wife. Your virtues of obedience, filial reverence, fidelity, and politeness have made you well known. Hence this fair damsel is not unwilling to become your wife. But, without your consent, I could not answer her proposal. What do you think about it?

The young farmer, though highly complimented, at first said little, but he thought hard. Daintily reared, and perhaps of noble birth is she, but should I gratify her desire, how can she bear the poverty to which we are accustomed? Will she be patient, when she has to suffer hunger? Or, shall we be separated, and that which promises love and happiness last only a little while, to pass away, leaving gloom and sorrow behind?

But as the days slipped along, and when he saw how kind she was to her new mother, ever patient and self-denying in loving reverence, all his fears were driven away like clouds before the wind. So the young man and woman were married.

But when the full autumn-time came for the rice ears to fill and round out, nothing was found but husk and shell. The crop was a total failure. With heavy taxes unpaid and no food in the house, starvation loomed before them. By winter, all were in dire distress.

Then the patient wife revealed new powers and cheered her husband, saying,

I can spin such cloth as was never made in this province, if you will build me a separate room. I cannot weave here, or make the fine pattern of red and white except when alone and in perfect silence. Build me a room, and the money you need will flow in.

The old mother was doubtful as to her daughter-in-law's project and even Musai was but half-hearted. Yet he went to work diligently. With beam, and wattle, and thatch, floor of mats and window of latticed paper, with walls made tight because well daubed with clay, he built the room apart. There alone, day by day, secluded from all, the sweet wife toiled unseen. The mother and husband patiently waited, until after a week, the little woman rejoined the family circle. In her hands she bore a roll of woven stuff, white and shining, as lustrous and pure as fresh fallen snow. Yet here and there, a crimson thread in the stuff did but intensify the purity of the otherwise unflecked whiteness. Pure red and pure white were the only colours of this wonderful fabric.

What shall we call it? inquired the amazed husband.

It has no name, for there is none other in the world like it, said the fair weaver.

But I must have a name. I shall take it to the Daimio. He will not buy, if he does not know how it is called.

Then, said the wife, tell him its name is 'White Crane's-down cloth.'

Quickly passed the snowy fabric into the hands of the lord of the castle, who sent it as a present to the Empress in Kioto. All were amazed by it, and the Empress commanded the donor to be richly rewarded. The farmer husband, bearing a thousand pieces of coin in his bag, hastened home to spread the shining silver at his mother's feet and to thank the wife who had brought him fortune. A feast followed, and for many weeks the family lived easily on the money thus gained. Then, when again on the edge of need, Musai asked his wife if she were willing to weave another web of the wonderful Crane's-down cloth.

Cheerfully she agreed, cautioning him to leave her in privacy, and not to look upon her until she came forth with the cloth.

But alas for the spirit of prying impertinence and wicked curiosity! Not satisfied with having been delivered from starvation by a wife that served him like a slave, Musai stealthily crept up to the paper partition, touched his tongue to the latticed pane, and poked his finger noiselessly through, thus making a round hole to which he glued his eye and looked in.

What a sight! There was no woman at work, but a noble white crane—the same that he had seen in the field, and from whose back he had extracted the hunter's arrow. Bending over the spinning wheel, the bird pulled from her own breast the silky down, and by twining and twisting made it into the finest thread which mortals ever beheld. From time to time, she pressed from her heart's blood red drops with which to dye some strands, and thus the weaving went on. The web of the cloth was nearly finished.

Musai astounded looked on without moving, until suddenly called by his mother, he cried out in response, Yes, I'm coming.

The startled crane turned and saw the eye in the wall. Throwing down thread and web she moved angrily to the door, gave a shrill scream and flew out under the sky. Like a white speck against the blue hills, she appeared for a little while and then was lost to sight.

Son and mother once more faced poverty and loneliness, and Musai again splashed barelegged in the rice field.

Little Surya Bai

 poor Milkwoman was once going into the town with cans full of milk to sell. She took with her her little daughter (a baby of about a year old), having no one in whose charge to leave her at home. Being tired, she sat down by the roadside, placing the child and the cans full of milk beside her; when, on a sudden, two large eagles flew overhead; and one, swooping down, seized the child, and flew away with her out of the mother's sight.

Very far, far away the eagles carried the little baby, even beyond the borders of her native land, until they reached their home in a lofty tree. There the old eagles had built a great nest; it was made of iron and wood, and was as big as a little house; there was iron all round, and to get in and out you had to go through seven iron doors.

In this stronghold they placed the little baby, and because she was like a young eaglet they called her Surya Bai (the Sun Lady). The eagles both loved the child; and daily they flew into distant countries to bring her rich and precious things—clothes that had been made for princesses, precious jewels, wonderful playthings, all that was most costly and rare.

One day, when Surya Bai was