The Coast of Chicago: Stories

Farwell

Tonight, a steady drizzle, streetlights smoldering in fog like funnels of light collecting rain. Down Farwell, the balcony windows of the apartment building where my friend Babovitch once lived, reflected across the wet tennis courts, and I wondered if I would ever leave this city. I remembered the first night I walked down Farwell to visit Babo. He was teaching a class in Russian literature that I was taking, and had invited me over. I’d never had a teacher invite me to his home before. When’s a good time? I asked.

"I can always use the company, he answered; scrawling out his address. There’s no phone."

It was a winter night, snowing. His apartment building was the last one on the block where the street dead-ended against the lake. Behind a snow-clotted cyclone fence, the tennis courts were drifted over, and beyond the courts and a small, lakeside park, a white pier extended to a green beacon. Snow had obliterated the outlines of sidewalks and curbs and that night the pier looked as if it was a continuation of the street, as if Farwell lengthened out into the lake. I walked out toward the beacon. Ice, sculpted by waves and spray, encrusted the pier. The guard cables and beacon tower were sheathed in ice. In the frozen quiet, I could hear the lake rasping in under the floes and feel the pier shudder, and as I walked back toward the apartment building I thought I heard singing.

The baritone voice resonating across the tennis courts seemed to float from a balcony window where a curtain fluttered out as if signalling. I was sure it was Babo’s window. Instead of ringing his bell, I stood on the tennis court and tried to make out the song, but the words were indistinct. I formed a snowball out of fresh snow—snow too feathery to be good packing—and lobbed it at the window. It exploded against the pane with a soft phoom. I expected Babo to come to the window. Instead, the music stopped. I lobbed another snowball and the bronze light inside the apartment flicked off. Finally, I walked around to the entrance hall and buzzed the bell beside the name Andrei Babovitch, but there was no answer. I was about to give up when I saw his face magnified by the beveled panes of the lobby door. He opened the door and broke into the craggy grin I’d seen possess his face in class when he would read a poem aloud—first in Russian, as if chanting, and then translated into his hesitant, British-accented English.

So, you, he said.

Is it a good night for a visit?

Definitely. Come in, please. Have tea. And a little shot of something to warm up.

I thought I guessed which window was yours and threw snowballs to get your attention.

"That was you! I thought hooligans had heard Chaliapin moaning about fate and become enraged. Russian opera can have that effect even on those not addicted to rock and roll. I didn’t know what to expect next—a brick, maybe—so I turned off the music and laid down on the floor in the dark."

Sorry, I said, I wasn’t thinking—I don’t know why I didn’t just ring the bell.

No, no. It would have been a memorable entrance. I’m sorry I missed it, though if I looked out the window and saw you in the dark I still might have thought it was hooligans, he laughed. As you see, my nerves aren’t what they should be.

The bronze light was back on in his apartment, which seemed furnished in books. Books in various languages lined the walls and were stacked along the floor. His furniture was crates of more books, the stock left from a small Russian bookstore he’d opened then closed after receiving threats and a bomb in the mail. Above his desk, he’d tacked a street map of Odessa, where he’d grown up beside the Black Sea. There were circles of red ink along a few of the streets. I didn’t ask that night, but later, when I knew him better, I asked what the red circles marked.

Good bakeries, he said.

When the university didn’t renew his contract, he moved away suddenly. It didn’t surprise me. He’d been on the move since deserting to the British during the War. He’d lived in England, and Canada, and said he never knew where else was next, but that sooner or later staying in one place reminded him that where he belonged no longer existed. He’d lived on Farwell, a street whose name sounded almost like saying goodbye.

Tonight, I jogged down Farwell to the lake, past the puddled tennis courts and the pier with its green beacon, and then along the empty beach. Waves were rushing in and I ran as if being chased, tightroping along the foaming edge of water. My shoes peeled flying clods of footprints from the sand. It was late by the time I reached the building where I lived, the hallways quiet, supper smoke still ringing the lightbulbs. In the dark, my room with its windows raised smelled of wet screens and tangerines.

Chopin in Winter

The winter Dzia-Dzia came to live with us in Mrs. Kubiac’s building on Eighteenth Street was the winter that Mrs. Kubiac’s daughter, Marcy, came home pregnant from college in New York. Marcy had gone there on a music scholarship, the first person in Mrs. Kubiac’s family to go to high school, let alone college.

Since she had come home I had seen her only once. I was playing on the landing before our door, and as she came up the stairs we both nodded hi. She didn’t look pregnant. She was thin, dressed in a black coat, its silvery fur collar pulled up around her face, her long blonde hair tucked into the collar. I could see the snow-flakes on the fur turning to beads of water under the hall light bulb. Her face was pale and her eyes the same startled blue as Mrs. Kubiac’s.

She passed me almost without noticing and continued up the next flight of stairs, then paused and, leaning over the banister, asked, Are you the same little boy I used to hear crying at night?

Her voice was gentle, yet kidding.

I don’t know, I said.

If your name is Michael and if your bedroom window is on the fourth floor right below mine, then you are, she said. When you were little sometimes I’d hear you crying your heart out at night. I guess I heard what your mother couldn’t. The sound traveled up.

I really woke you up?

Don’t worry about that. I’m a very light sleeper. Snow falling wakes me up. I used to wish I could help you as long as we were both up together in the middle of the night with everyone else snoring.

I don’t remember crying, I said.

Most people don’t once they’re happy again. It looks like you’re happy enough now. Stay that way, kiddo. She smiled. It was a lovely smile. Her eyes seemed surprised by it. Too-da-loo. She waved her fingers.

Too-da-loo. I waved after her. A minute after she was gone I began to miss her.

Our landlady, Mrs. Kubiac, would come downstairs for tea in the afternoons and cry while telling my mother about Marcy. Marcy, Mrs. Kubiac said, wouldn’t tell her who the child’s father was. She wouldn’t tell the priest. She wouldn’t go to church. She wouldn’t go anywhere. Even the doctor had to come to the house, and the only doctor that Marcy would allow was Dr. Shtulek, her childhood doctor.

I tell her, ‘Marcy, darling, you have to do something,’ Mrs. Kubiac said. ‘What about all the sacrifices, the practice, the lessons, teachers, awards? Look at rich people—they don’t let anything interfere with what they want.’

Mrs. Kubiac told my mother these things in strictest confidence, her voice at first a secretive whisper, but growing louder as she recited her litany of troubles. The louder she talked the more broken her English became, as if her worry and suffering were straining the language past its limits. Finally, her feelings overpowered her; she began to weep and lapsed into Bohemian, which I couldn’t understand.

I would sit out of sight beneath the dining-room table, my plastic cowboys galloping through a forest of chair legs, while I listened to Mrs. Kubiac talk about Marcy. I wanted to hear everything about her, and the more I heard the more precious the smile she had given me on the stairs became. It was like a secret bond between us. Once I became convinced of that, listening to Mrs. Kubiac seemed like spying. I was Marcy’s friend and conspirator. She had spoken to me as if I was someone apart from the world she was shunning. Whatever her reasons for the way she was acting, whatever her secrets, I was on her side. In daydreams I proved my loyalty over and over.

At night we could hear her playing the piano—a muffled rumbling of scales that sounded vaguely familiar. Perhaps I actually remembered hearing Marcy practicing years earlier, before she had gone on to New York. The notes resonated through the kitchen ceiling while I wiped the supper dishes and Dzia-Dzia sat soaking his feet. Dzia-Dzia soaked his feet every night in a bucket of steaming water into which he dropped a tablet that fizzed, immediately turning the water bright pink. Between the steaming water and pink dye, his feet and legs, up to the knees where his trousers were rolled, looked permanently scalded.

Dzia-Dzia’s feet seemed to be turning into hooves. His heels and soles were swollen nearly shapeless and cased in scaly calluses. Nails, yellow as a horse’s teeth, grew gnarled from knobbed toes. Dzia-Dzia’s feet had been frozen when as a young man he walked most of the way from Krakow to Gdansk in the dead of winter escaping service in the Prussian army. And later he had frozen them again mining for gold in Alaska. Most of what I knew of Dzia-Dzia’s past had mainly to do with the history of his feet.

Sometimes my uncles would say something about him. It sounded as if he had spent his whole life on the move—selling dogs to the Igorot in the Philippines after the Spanish-American War; mining coal in Johnstown, Pennsylvania; working barges on the Great Lakes; riding the rails out West. No one in the family wanted much to do with him. He had deserted them so often, my uncle Roman said, that it was worse than growing up without a father.

My grandma had referred to him as Pan Djabel, Mr. Devil, though the way she said it sounded as if he amused her. He called her a gorel, a hillbilly, and claimed that he came from a wealthy, educated family that had been stripped of their land by the