The Commissariat of Enlightenment: A Novel
By Ken Kalfus
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About this ebook
Russia, 1910. Leo Tolstoy lies dying in Astapovo, a remote railway station. Members of the press from around the world have descended upon this sleepy hamlet to record his passing for a public suddenly ravenous for celebrity news. They have been joined by a film company whose cinematographer, Nikolai Gribshin, is capturing the extraordinary scene and learning how to wield his camera as a political tool. At this historic moment he comes across two men -- the scientist, Professor Vorobev, and the revolutionist, Joseph Stalin -- who have radical, mysterious plans for the future. Soon they will accompany him on a long, cold march through an era of brutality and absurdity. The Commissariat of Enlightenment is a mesmerizing novel of ideas that brilliantly links the tragedy and comedy of the Russian Revolution with the global empire of images that occupies our imaginations today.
Ken Kalfus
ken kalfus is the author of a novel, The Commissariat of Enlightenment, and the short story collections Thirst, which won the Salon Book Award, and Pu-239 and Other Russian Fantasies, which was a finalist for the PEN/Faulkner Award.
Read more from Ken Kalfus
PU-239 and Other Russian Fantasies Rating: 4 out of 5 stars4/52 A.M. in Little America: A Novel Rating: 4 out of 5 stars4/5The Commissariat of Enlightenment: A Novel Rating: 0 out of 5 stars0 ratingsThirst Rating: 4 out of 5 stars4/5Coup de Foudre Rating: 4 out of 5 stars4/5
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Reviews for The Commissariat of Enlightenment
4 ratings3 reviews
- Rating: 4 out of 5 stars4/5At times funny, at times grim, Kalfus's novel about the birth of propaganda in the Soviet state has great moments, particularly in the third section. I found the final chapters particularly well down, especially when Kalfus abandons conventional sentence structure to describe Lenin's stroke.
The beginning is a bit uneven, as the novel tries to find the protagonist. Considering most of the novel is about Grishbin/Astapov, the fact that it opens with 3 men on a train who seem to have equal importance is a bit misleading. I realize that Astapov's relationship to those three men is crucial. Also, I feel Stalin and Lenin are not fully developed, nor is the true complexity of Stalin's rise to power given a clear account. Still, the novel does not try to be a recounting of the revolution or the introduction of the worst murderer of the 20th century -- it's all about the role of the image and the death of the word. In that case, Kalfus has done some good things. - Rating: 2 out of 5 stars2/5A novel about cinema, propaganda, and politics in Russia, stranding from the last days of Tolstoi's life, in 1910, to the death of Lenin, in 1924. The protagonist, a young russian filmaker, is the center of a story turning around cinema, religious icon, and soviet politics, involving Lenin's wife Krupskaya, Stalin, and a physician specialized in embalms. A weird plot.
- Rating: 5 out of 5 stars5/5This was a delightful surprise to read. From the opening scenes at Leo Tolstoy's deathbed (and the surrounding media circus) to the rise of Stalin, Kalfus's blends carefully researched history, subtle social commentary and imaginative storytelling. Tolstoy's demise in 1910 presents a career-launching opportunity for a young cinematographer who's beginning to understand the power of film to change or create political reality. This knowledge comes in handy as Russia moves unsteadily from postrevolution chaos toward the bureaucratic nightmare of the Soviet state. The Commissariat of Enlightenment is one of the most powerful as the agency responsible for propaganda. The cinematographer's fate merges with that of Comrade Astapov, director of a massive Red agitprop campaign. People who choose to resist the commissariat include a church congregation that refuses to give up its faith, an experimental theater director, and a resilient young woman who makes an abstract, pornographic film in the name of sexual education for women. Kalfus recreates unforgettably the embalmer and scientist Vladimir Vorobev (who mummified Lenin), Joseph Stalin and Countess Tolstoy who anchor the plethora of plot developments. This book required patience to read, but paid off with a fascinating historical narrative of early twentieth-century Russia.