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Mister B. Gone
Mister B. Gone
Mister B. Gone
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Mister B. Gone

Rating: 3 out of 5 stars

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“Think of a darker, more aggressive version of C.S. Lewis’ The Screwtape Letters. . . . Filled with wicked mischief and dark dares.” — Kansas City Star

From Clive Barker, the great master of horror and the macabre, comes a brilliant and truly unsettling tour de force of the supernaturala terrifying work that escorts the reader on an intimate and revelatory journey to uncover the shocking truth of the battle between Good and Evil.

“Burn this book!”

So warns Jakerbok, the spellbinding narrator of this fabulously original “memoir,” a tale of good and evil deliberately “lost” for nearly six hundred years. Jakerbok is no ordinary soul; he is a minion of hell with a terrifying plan to cast the world into darkness and despair—a plan thwarted by a young apprentice of Johannes Gutenberg who buried the one and only copy of this damnable manuscript that his master printed in 1438.

Compelling and direct, Jakerbok shares the secrets of his life, going back centuries to recall the events that shaped his childhood, including the traumas he suffered at the hands of his parents, super demons themselves. He explains how he rose from “minor” to “major” demon status, and gleefully reveals his nefarious plot to “invade” the minds and hearts of unwitting humans everywhere thanks to the ingenious Gutenberg and his invention. “Burn this book!” he advises throughout—a taunt, a warning, and a command that will actually unleash the evil with which he has hidden in every word and every page, infusing the very ink and paper upon which they are printed.

Inventive and irresistible, Mister B. Good reaffirms Clive Barker is one of our most brilliant and original voices, an artist with a keen insight into mysteries deep within the human heart.

LanguageEnglish
PublisherHarperCollins
Release dateOct 13, 2009
ISBN9780061827310
Author

Clive Barker

Clive Barker was born in Liverpool in 1952. His earlier books include ‘The Books of Blood’, ‘Cabal’, and ‘The Hellbound Heart’. In addition to his work as a novelist and playwright, he also iilustrates, writes, directs and produces for stage and screen. His films include ‘Hellraiser’, ‘Hellbound’, ‘Nightbreed’ and ‘Candyman’. Clive lives in Beverly Hills, California.

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Rating: 3.2009803764705884 out of 5 stars
3/5

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  • Rating: 3 out of 5 stars
    3/5
    I liked the idea behind this story better than the actual story itself. Definitely not Barker's best.
  • Rating: 3 out of 5 stars
    3/5
    One thing I've always liked about Clive Barker is his ability to blur the lines as to where his material should go. On the face of it this book is a horror novel, but it really is more of a fantasy novel to me. It was good, but not great, I wanted to keep reading it but when thinking back on it, it really was not that compelling of a story.
  • Rating: 3 out of 5 stars
    3/5
    Once a great promise is handed to the reader in the first utterances of a text it must be fulfilled, even if it does turn out to be a threat. If the author promises suspense then we must find ourselves suspended. If a mystery is insinuated then a reveal is in order. Failing to do so can render an otherwise brilliant book disappointing. In Mister B. Gone by Clive Barker we have such a problem. From the very first page, and from then on every other page, we are informed we are going to regret reading the story and that we must burn the book immediately. We will not even reach the end of the text because we will find out how the demon addressing us has come to be captured in our particular copy and how that might have consequences for us. A bold statement you think. Everyone knows the text can't harm us but we might at least expect a remarkable tale that explains how this all came to be. The point the first person author tries to make is completely wasted since It would be equally silly to claim King Kong will snatch us from our theater seats because he can see us trembling from beyond the white screen. Yet every page of this novel plays upon this very concept, the repetition of which becomes annoying. Then again all this is told by a demon and perhaps that's what they do down there.It must be said that Barker is a good storyteller with a rich and rather disturbing imagination. Especially the first chapters where our protagonist demon is dragged from the ninth level of damnation up to our own not so innocent plateau is rendered quite believably. But do we feel sorry for the young abused demon? Or should we not care since this innocent victimized character behaves just as abominable as you might expect? Barker creates constant confusion as to how we should regard about the characters and their fates. The result is that by the time we arrive at the much anticipated ending we don't care either way and we find we've focused mainly on narrative. As in: the interesting events and tidbits from a brief alternative history. Clive Barker is rather good at this weaving of facts and fictions and it is the immersive properties of the story that makes the book worth the read.There is one aspect of the book that is rather excruciating and unnecessary, besides the broken promise that is. If you happen to buy the book new, then at first you might think the pages are made from recycled paper and that the publisher had made the wonderful decision to cast the book in the same disheveled fabric as the story. There are some subtle markings on the paper that suggest a slight burning or careless disuse. To my utter astonishment I realized that these blemishes and paper discolorations were the effect of the printing process and effectively every page contains a background image roughly repeated every 4 pages.
  • Rating: 5 out of 5 stars
    5/5
    What a delightful read this was! Bibliophiles especially will enjoy the playfulness of the demon bound in the pages, taunting you to disregard his story and fates as he begs you to burn the book.While not a true horror story by my definition, it certainly was a tale of the fantastic by a fantastic author. If you have a love of the works by Italo Calvino, you will treasure this as well. Yes, it's a tad gruesome in parts, but necessary to the story.The ending is spot-on perfect. Loved it!
  • Rating: 5 out of 5 stars
    5/5
    A strange exhilarating read that starts with the words “Burn this book!” We learn that we are reading the thoughts and the story of Jakabok Botch, a lesser demon from Hell. Jakabok realizes that the reader won’t burn the book without hearing some of the story behind his life so he begins his tale of being raised in hell by an abusive demon of a father and a mother that wishes he was never born. The reader follows Jakabok as he is “fished” from hell and onto Earth by a corrupt priest and how from there he finds a companion in another demon, Quitoon. The book follows their hundred year journey with frequent pleas from Jakabok known also as Mister B. to burn the book. Finally the climax of the story is reached and the reader is forced to understand that Jakabok is a presence within the book itself and that he has been telling the reader to burn the texts in the hopes of being free on the Earth once again. A complete surprise to me as a book and an excellent ride of a journey that often left me with sweaty palms as Jakabok threatened and pleaded in every manner for me to grab a match and burn the book. I might have done it to except that I borrowed it form the library and had to return it …
  • Rating: 4 out of 5 stars
    4/5
    I was very shaky at first with this book, put off by the demon's constant demands that the reader burn the book, and also the lack of narrative drive. Things become more focused once Quitoon enters the picture, though. This reminded me of "The Screwtape Letters," but also an old Sesame Street book I loved as a child, "The Monster at the End of this Book" narrated by Grover.
  • Rating: 3 out of 5 stars
    3/5
    Innovative and at times quite arresting, Clive Barker assumes the voice of a minor demon who relates its biography to the reader interspersed with pleas to burn the book, under the conceit that the demon itself is contained within its pages. Unfortunately, this conceit requires a significant suspension of disbelief when the book in question is a mass-market paperback. Still, the narrative is lively and reaches a delightfully absurdist climax centered around emissaries from heaven and hell, creative rights management, rapidly expanding craniums, and Gutenberg's printing press.
  • Rating: 3 out of 5 stars
    3/5
    It was good. Not great, not awful, just good. I enjoyed the different perspective. It was a little annoying how the story kept being broken up by the pleas to burn the book. Otherwise I enjoyed it. I wouldn't necessairliy say it's a "must read", but if it's around, I'd definitely suggest picking it up. If nothing else, it's a quick read once you get going.
  • Rating: 4 out of 5 stars
    4/5
    In Clive Barker's most recent novel, a demon by the name of Jakabok Botch retells the tale of his homelife in the Demonation and his being lured like a fish on a hook through the many levels of Hell and into the modern world -- 13th century Europe -- by a party of demon hunters. He manages to escape, thanks to the help of another demon Quitoon Pathea, disguised to move around more easily among the humans. Together, the two demons roam about Europe, leaving havoc in their wake and generally enjoying each others' company. Until one argument goes too far, with Jakabok fleeing for his life while on a journey to Mainz. Not sure what Quitoon's fascination is with Mainz, Jakabok decides to try his luck there, see what all the fuss is about. Upon arriving, he's surprised to discover Angels and Demons in battle both in the air and on the ground, all because of a new invention from Johannes Gutenberg.From the opening sentence, "BURN THIS BOOK.", "Mister B. Gone" takes a unique approach to the story by forcing the reader into becoming a character. The narrator, Jakobok Botch -- or Mister B. Gone as he's also known -- speaks directly to the reader, trying to convince him/her by means of flattery, taunting, tales of horror, and perhaps even pity, to coax the reader into burning the book and releasing him from the prison of pages. But as Jakobok mentions many times during his tale, curiosity draws the reader further and further in, delaying his possible freedom by wanting to know how he became trapped in the book. What also helps the tale is that Barker infuses Jakobok with humor and humanity. Jakobok may be a demon, but he also feels love and pain, and I found myself almost liking him, wanting to burn the book and to release him even after reading all the horrific deeds he'd done."Mister B. Gone" is a fun read that fans of Barker's and of horror tales will enjoy
  • Rating: 3 out of 5 stars
    3/5
    Jakabok Botch ist gefangen zwischen den Deckeln dieses Buches. Er ist ein unbedeutender Dämon, der den Leser gleich zu Beginn auffordert, das Buch zu verbrennen und ihn so von seinen Qualen zu erlösen.Nachdem man seiner Aufforderung (natürlich) nicht folgt, beginnt Botch nun widerwillig, seine Geschichte zu erzählen.Als Dämon des neunten Kreises, geboren in eine Familie voller Hass und Missgunst, hat Botch es nicht leicht. Eines Tages zieht er den Zorn seines Vaters so sehr auf sich, dass dieser eine Hetzjagd beginnt. Beide geraten so in eine Falle und werden an die Oberfläche entführt. Dort will man den Dämon töten, um seine Einzelteile zu verkaufen. Doch Mister B. gelingt die Flucht und es beginnt sein großes Abenteuer…Clive Barker ist berühmt für seine Bücher des Blutes. Schon dort sagten mir persönlich die Dämonengeschichten weniger zu. Und das trifft auch auf dieses Buch zu.Mister B. will ein furchteinflößender Dämon sein, doch aus Gründen, die sich dem Leser einfach nicht erschließen wollen, wird er unter seinesgleichen verachtet und selbst die Menschheit bringt ihm angesichts seines scheußlichen Aussehens nur Verachtung und Hohn entgegen. Barker versucht hier seinen Dämon zu sehr zu vermenschlichen, so dass alles weniger glaubwürdig erscheint.Durch die ständige Aufforderung des Dämons, dieses Buch endlich zu verbrennen, kommt die ganze Geschichte nicht wirklich in Fahrt. Ab der zweiten Hälfte des Buches allerdings verbessert sich der Fluss und somit das Lesegefühl.Nach der Lektüre bleiben einige Fragen und Logiklücken. Der Schreibstil jedoch ist flüssig und die Übersetzung durch Joachim Körber wieder einmal gelungen. Nichtsdestotrotz will das Buch nicht so richtig fesseln und einnehmen. Mister B. bleibt so ziemlich unsympathisch und nervig.Einige gelungene Passagen, insbesondere die Schilderungen der Erlebnisse des Dämons, halten den Leser dennoch an der Leine.
  • Rating: 2 out of 5 stars
    2/5
    Barker doing his best to channel Pratchett channelling Lewis ala Screwtape Letters. If this were any other author I would give it a three; however, I know his potential and this is not it so it gets a one.
  • Rating: 4 out of 5 stars
    4/5
    Barker's back. With a few flaws, but back. Mister B. Gone returns to his horror roots, except that the story wasn't all that horrific. I'd call it moderately creepy, but no more than that. The plot was fairly transparent once you got into the story a bit. On the other hand, the writing was great, as usual for Barker. I ripped right through it, so it was obviously entertaining. While it's probably not Barker's best work, it's worth keeping for the occasional re-reading.
  • Rating: 2 out of 5 stars
    2/5
    I have to admit, right now and up front, that I've always been a sneaking admirer of Mr Barker. He's a prodigiously talented artistic polymath with an imagination that is so electrifying that it is prone to run amok. If he's known to fail, then it's usually because his work is just a little too "out there", or because he is unable to reconcile creative differences with those who have to market his material. It makes me a little sad, then, to have to write a review of his work which laments a lack of imagination in his work. Mister B. Gone was, frankly, unimaginative.Conceptually this novel feels tired from the first page: a less than prepossessing first-person narrative from a book-bound demon - Mister Botch - who alternates between haranguing his reader and complaining about his dismal upbringing in the ninth circle of hell. I hope that I never have to witness the aforementioned setting, but I would probably assume that squalor, violence and child abuse were something along the lines of normal in that environment. Even if they weren't, I would take considerably more convincing than a passing sob story from a whingey demon.The narrative continues to record Botch's life story, interspersed with more threats to the reader, before fizzling out quite unceremoniously. Yes, there's gore and cruelty and fantasy - but it doesn't grip you. It's just too far removed, too fantastical. I wish I could say something more positive, but I'm really struggling. There was no terror, no great originality and, sadly, none of the flashes of imaginative brilliance or sustained character development that made novels like Weaveworld and Imajica such absolute delights. Just the revelation of a "secret" (that most people probably suspected anyway) and the stunted life story of a stunted demon that no one will love, hate or even pity.A shame.
  • Rating: 3 out of 5 stars
    3/5
    He's right. Burn the book. It isn't really worth your time or effort to even pick it out of the ashes. There were parts of the story that I did enjoy, but overall, I was very disappointed.
  • Rating: 2 out of 5 stars
    2/5
    After such a long wait, I was so excited to get my hands on a new Barker book, i sprung for the nice hard cover edition, with the "old" pages and "burnt" cover edges. Unfortunately, that remains the best part of the book - how it looks. The "plot" of the story is wafer thin, the narration is tedious and repetitive, and the horrors few and far between. Halfway thru, i just wanted to be done with it and literally - as the main character keeps begging - to put it aflame. But alas, the book still looked good sitting on the shelf. Now i need to dig up the "Books of Blood" series and remind myself that, once upon a time, Clive Barker was an avant garde horror writer.
  • Rating: 4 out of 5 stars
    4/5
    This book never really took off for me. The idea and basis for the tale sound great, but Barker never really follows through with what his readers have come to expect from him, and the story just ends up moving very slowly. It was worth reading just for the idea and there were some good parts, but all in all I wouldn’t recommend it.
  • Rating: 2 out of 5 stars
    2/5
    This is probably Clive Barker's worst book. Told from the point of view of demon Jakobak Botch (aka Mr. B), the book IS Botch himself. He tells the story of his travels on earth and how he managed to get trapped in the pages of this particular book. I enjoyed the back and forth between myself (as the reader) and Botch. However, I think the book was hurt by Botch's voice - it's not as strong as Barker's usual writing style. I love how fluid Barker can be with description (in Imajica and Weaveworld particularly), but that was lacking in this book.
  • Rating: 4 out of 5 stars
    4/5
    This was a very interesting book I would say its Horror/Fantasy.It was written with an interesting perspective its as if the book is having a conversation with you the reader.And the book is a demon wanting to be burned. There were definately some icky parts of this book when the book/demon tells the reader about his various torture methods it gets pretty graphic.But other than those moments I actually enjoyed this book more than I expected to.I would recommend this book to Horror fans and anyone who enjoyed Good Omens by, Terry Pratchett and Neil Gaiman
  • Rating: 5 out of 5 stars
    5/5
    This was a quick and entertaining read and a unique way to write a story.
  • Rating: 2 out of 5 stars
    2/5
    One of the worst books I have ever had the "pleasure" to lay out twenty dollars for. I was so excited, expecting great things from the master of horror's return to adult books. Sorely disappointing. Jakabok did nothing for me. He was not interesting, he was not scary, he was however dismal and annoying. I really dislike when books shout at me to burn them.
  • Rating: 5 out of 5 stars
    5/5
    A quirky little story. Quite entertaining. A relief and breath of fresh air from some of his other work. One gets tired of reading about male anatomy after homosexual encounters. This is Mr. Barker's one flaw in many of his books. It is possible to tell a story without describing these things. If I want to read that.....I will read 120 days of Sodom.
  • Rating: 3 out of 5 stars
    3/5
    Not one of his best for sure. The narrator of the book is also the main character and he continuously breaks the reality of the book and tries to make it seem like the book is real to the reader. It comes off as rather annoying in the manner in which he does this. Plus it breaks from the story and in my opinion takes away from the story itself. Would have been more entertaining to read if not for that.
  • Rating: 3 out of 5 stars
    3/5
    This book wasn't quite what I expected, but for some reason I really liked it. I liked how the narrator speaks directly to the reader and I thought the idea of the story was pretty unique. Plus, it was quick to read (not even 250 pages long).
  • Rating: 4 out of 5 stars
    4/5
    The first thing I am going to say about this book is that it is strange. Never before have I read a book this compelling, disturbing and downright scary. It’s not scary in the traditional sense, but it’s very psychological. It makes you think and question yourself.The book is written in a style that is called ‘breaking the fourth wall’. Imagine the set of a TV show. The characters are supposedly surrounded by four walls and they do not know of the audience’s existence. The audience can see three walls and they look in and see them from an invisible fourth wall. Then imagine if the characters knew there was someone there, and they could talk to them, but the audience couldn’t talk back.Well that is how this book is written.The main character, Jakabok Botch (or Mister B.) is continually faced with overwhelming struggles throughout the course of the novel. He is a demon trapped in the pages of a book who wants you to set him on fire. You refuse. And so he begins to recount you his tale, telling of how he ended up in his current position in exchange for the promise that you will set him free.No matter how many times Jakabok ’speaks’ to you, you can never really shake the feeling that he isn’t real. As I said before, it’s scary. I would recommend this book to anyone who doesn’t mind a bit of gore and is looking for something quirky. Some readers may not like this book as it can sometimes be a little full on when it comes to the horrors experienced and carried out by the characters, so if you’re squeamish when it comes to violence, then I’d give it a miss. Still, it is a highly innovative and original book and perhaps one of the best that I have read this year.
  • Rating: 2 out of 5 stars
    2/5
    First off, I want to say that I listened to this book on audio and that was a mistake. If you want to feel the connection between the demon narrator and yourself as you read the story, then you have to have the actual book in your hands. However, even if I had read the book itself, I probably still would not have enjoyed it much. There was some hype about this book being Barker's return to horror, but it was not scary. I felt no remorse or fear for Jakabok the demon. I cared little for his troubled relationships and never laughed, cried, or cringed at his tales. Read it only if you have an affinity for Barker or demonology and have nothing else to read at the time.
  • Rating: 1 out of 5 stars
    1/5
    I'm a huge Clive Barker fan, so I was excited to find a Clive Barker book at my local library which I hadn't ready yet. Unfortunately, Mister B. Gone is a huge disappointment. This reads more like his children's stories than his adult books, even though it was shelved with the adult books. The premise is very simple -- that the book contains a demon which is speaking directly to the reader -- and it grows tiresome very quickly. It didn't work as horror because, even though the book is trying to talk directly to the reader, it obviously isn't, so it just comes off as a silly fantasy. The only upsides of this book are the descriptions of Hell and its escape, though even those at times feel like reading about a child in an abusive home in the suburbs. My advice is to skip this and read The Hellbound Heart for a glimpse of the terror that Clive Barker can deliver.
  • Rating: 4 out of 5 stars
    4/5
    OK, at times it got a little gimmicky and repetitive. (There's only so many times you want to hear a narrator imploring the reader to "burn this book... now!") However, as it went on, it grew on me.
    The narrator, a very minor demon from a horribly abusive family, keeps sucking you in to sympathise with him - and them reminding you that no, he really is kind of evil, when you get right down to it... but no, he's just a poor little put-upon demon!
    It starts as a bildungsroman, as the young demon, Jakabok Botch, goes out into the world, has an obsessive affair with an older demon... this part of the book is good enough. But the end, with Johannes Gutenberg as an essential character, and, of course, the Great Secret of the conflict between Heaven and Hell, is excellent.
    Clive Barker is always an entertaining and clever writer, and in the end, this book does not disappoint.

    Also - the book itself, as a physical object, is lovely. I love it when publishers bother to put money into making a book look nice. The faux-aged pages and old-fashioned font really work.
  • Rating: 2 out of 5 stars
    2/5
    This was an interesting premise. A demon visits Johannes Gutenberg and winds up in the pages of the book that tells his story. Unfortunately, the book just didn't work for me. I felt the characterizations were shallow, almost cartoon like. And the demon constantly asking the reader to burn the book got annoying after a while.
  • Rating: 4 out of 5 stars
    4/5
    Meet Mister B., a demon trapped in book-form. Barker's writing approach is clearly unique and the idea is deliciously appealing. Much in the spirit of Anne Rice's Memnoch the Devil, Barker's novel is a tale that beckons the reader ever on towards the end.
  • Rating: 2 out of 5 stars
    2/5
    Arghhhhhh. I am the victim of those sly tricksters called the marketing department who ply their evil trade on unsuspecting bibliophiles such as myself. Why, oh why, do I not better guard against this?The Short SynopsisA nasty little demon by the name of Jakabok Botch is fished out of the ninth circle of hell and brought up to our world by those who would sell him for profit. He promptly escapes and spends the next few hundred years wreaking havoc on humankind in all sorts of grotesque ways. On the way, he makes friends with another hideous demon called Quitoon and together they seek out important human inventions throughout the Middle Ages. Eventually ending up at the home of Johannes Gutenberg (yes, of printing press fame), Jakabok is witness to the negotiations between Heaven and Hell's representatives as they hammer out an agreement as to who will profit most from Gutenberg's historical invention. Ultimately, he ends up within the pages of this novel, telling you his own story.The Literary CriticismThis had the makings of a terrific tale. A demon caught in the pages of a book and revealing the secrets of Heaven and Hell? By any estimation, this is an inventive premise.But somewhere between the premise and the telling of the story, opportunity was lost. Instead of following the trail of mankind's role in good and evil, Barker reverts to graphic descriptions of torture machines and the myriad of ways there are to disembowel a person. In some cases, less is more.Every so often, I detected the rumblings of what could have been a much better novel. A phrase here, a philosophical underlining there, but nothing ever came of it. Instead, the author would revert back to pages upon pages (upon pages) of entreaties to burn the book and the terrible things that would happen to me if I did not heed the warnings. Perhaps I ought to have listened?As to Jakabok himself, I never quite felt his anger or his pain (though perhaps this is a good thing). Barker tells us that Jakabok developed quite a close friendship with Quitoon, but the relationship was never fully convincing nor explored. Instead of examining the human-like qualities of the two demons, Barker chose to focus on describing what I am assuming were meant to be unspeakable horrors. Sadly, in this day and age of desensitization, the graphic descriptions only caused me to involuntarily roll my eyes.There were quite a few grammatical errors, such as switching tenses in mid-sentence, but I can't blame the author for that business. Rather, that would be the purveyance of the editor, who dropped the ball here.Are there any good points? Well the marketing team clearly did their job well. The clippings, the aging of the pages to resemble an old manuscript ... all exceptional work. If I wrote a book, I would want this team working for me. After all, they managed to trick a skeptical reader like myself here.The RecommendationI cannot, in good conscious, encourage you to spend your hard-earned money on this novel. Don't take my word for it: ask Brian Baker who aptly titled his review Mister B. Gone, and he took my money with him. Mr. Barker has written many fine novels in the past and if you're interested in his work, you'd do better to try The Hellhound Heart: A Novel or even Abarat. Creepy stuff right there. Perhaps this book is best reserved for die-hard Barker fans if for no other reason than to complete a collection. (I feel your OCD...really, I do.)

Book preview

Mister B. Gone - Clive Barker

Begin Reading

BURN THIS BOOK.

Go on. Quickly, while there’s still time. Burn it. Don’t look at another word. Did you hear me? Not. One. More. Word.

Why are you waiting? It’s not that difficult. Just stop reading and burn the book. It’s for your own good, believe me. No, I can’t explain why. We don’t have time for explanations. Every syllable that you let your eyes wander over gets you into more and more trouble. And when I say trouble, I mean things so terrifying your sanity won’t hold once you see them, feel them. You’ll go mad. Become a living blank, all that you ever were wiped away, because you wouldn’t do one simple thing. Burn this book.

It doesn’t matter if you spent your last dollar buying it. No, and it doesn’t matter if it was a gift from somebody you love. Believe me, friend, you should set fire to this book right now, or you’ll regret the consequences.

Go on. What are you waiting for? You don’t have a light? Ask somebody. Beg them. It’s a matter of light and death Believe me! Will you please believe me? A little runt of a book like this isn’t worth risking madness and eternal damnation over. Well, is it? No, of course not. So burn it. Now! Don’t let your eyes travel any further. Just stop HERE.

Oh God! You’re still reading? What is it? You think this is some silly little joke I’m playing? Trust me, it isn’t. I know, I know, you’re thinking it’s just a book filled with words, like any other book. And what are words? Black marks on white paper. How much harm could there be in something so simple? If I had ten hundred years to answer that question I would barely scratch the surface of the monstrous deeds the words in this book could be used to instigate and inflame. But we don’t have ten hundred years. We don’t even have ten hours, ten minutes. You’re just going to have to trust me. Here, I’ll make it as simple as possible for you:

This book will do you harm beyond description unless you do as I’m asking you to.

You can do it. Just stop reading…

Now.

What’s the problem? Why are you still reading? Is it because you don’t know who I am, or what? I suppose I can hardly blame you. If I had picked up a book and found somebody inside it, talking at me the way I’m talking at you, I’d probably be a little wary too.

What can I say that’ll make you believe me? I’ve never been one of those golden-tongued types. You know, the ones who always have the perfect words for every situation. I used to listen to them when I was just a little demon and—

Hell and Demonation! I let that slip without meaning to. About me being a demon, I mean. Oh well, it’s done. You were bound to figure it out for yourself sooner or later.

Yeah, I’m a demon. My full name is Jakabok Botch. I used to know what that meant, but I’ve forgotten. I used to. I’ve been a prisoner of these pages, trapped in the words you’re reading right now and left in darkness most of the time, while the book sat somewhere through the passage of many centuries in a pile of books nobody ever opened. All the while I’d think about how happy, how grateful, I’d be when somebody finally opened the book. This is my memoir, you see. Or, if you will, my confessional. A portrait of Jakabok Botch.

I don’t mean portrait literally. There aren’t any pictures in these pages. Which is probably a good thing, because I’m not a pretty sight to look at. At least I wasn’t the last time I looked.

And that was a long, long time ago. When I was young and afraid. Of what, you ask? Of my father, Pappy Gatmuss. He worked at the furnaces in Hell and when he got home from the night shift he would have such a temper me and my sister, Charyat, would hide from him. She was a year and two months younger than me, and for some reason if my father caught her he would beat and beat her and not be satisfied until she was sobbing and snotty and begging him to stop. So I started to watch for him. About the time he’d be heading home, I’d climb up the drainpipe onto the roof out of our house and watch for him. I knew his walk (or his stagger, if he’d been drinking) the moment he turned the corner of our street. That gave me time to climb back down the pipe, find Charyat, and the two of us could find a safe place where we’d go until he’d done what he always did when he, drunk or sober, came home. He’d beat our mother. Sometimes with his bare hands, but as he got older with one of the tools from his workbag, which he always brought home with him. She wouldn’t ever scream or cry, which only made him angrier.

I asked her once very quietly why she never made any noise when my father hit her. She looked up at me. She was on her knees at the time trying to get the toilet unclogged and the stink was terrible; the little room full of ecstatic flies. She said: I would never give him the satisfaction of knowing he had hurt me.

Thirteen words. That was all she had to say on the subject. But she poured into those words so much hatred and rage that, it was a wonder that the walls didn’t crack and bring the house down on our heads. But something worse happened. My father heard.

How he sniffed out what we were saying I do not know to this day. I suspect he had buzzing tell-tales amongst the flies. I don’t remember much of what he did to us, except for his pushing my head into the unclogged toilet—that I do remember. His face is also inscribed on my memory.

Oh Demonation, he was ugly! At the best of times the sight of him was enough to make children run away screaming, and old devils clutch at their hearts and drop down dead. It was as if every sin he’d ever committed had left its mark on his face. His eyes were small, the flesh around them puffy and bruised. His mouth was wide, like a toad’s mouth, his teeth stained yellowish-brown and pointed, like the teeth of a feral animal. He stank like an animal too, like a very old, very dead animal.

So that was the family. Momma, Pappy Gatmuss, Charyat, and me. I didn’t have any friends. Demons my age didn’t want to be seen with me. I was an embarrassment, coming from such a messed-up family. They’d throw stones at me, to drive me away, or excrement. So I kept myself from becoming a lunatic by writing down all my frustrations on anything that would carry a mark—paper, wood, even bits of linen—which I kept hidden under a loose floorboard in my room. I poured everything into those pages. It was the first time I understood the power of what you’re looking at right now. Words. I found over time that if I wrote on my pages all the things I wished I could do to the kids who humiliated me, or to Pappy Gatmuss (I had some fine ideas about how I would make him regret his brutalities), then the anger would not sting so much. As I got older and the girls I liked threw stones at me just like their brothers had only a few years before, I’d go back home and spend half the night writing about how I’d have my revenge one day. I filled page after page after page with all my plans and plots, until there were so many of them that I could barely fit them into my hidey-hole under the floorboard.

I should have thought of another place, a bigger place, to keep them safe, but I’d been using the same hole for so long I didn’t worry about it. Stupid, stupid! One day I get home from school and race upstairs only to find that all my secrets, my Pages of Vengeance, had been unearthed. They were heaped up in the middle of the room. I’d never risked taking them all out of their hiding place together, so this was the first time I’d seen all of them at once. There were so many of them. Hundreds. For a minute I was amazed, proud even, that I’d written so much.

Then my mother comes in, with such a look of fury on her face I knew I was going to get the beating of my life for this.

You are a selfish, vicious, horrible creature, she said to me. And I wish you’d never been born.

I tried to lie.

It’s just a story I’m writing, I told her. I know there are real names in it right now, but they were only there until I could find something better.

I take it back, my mother said, and for a second I thought what I’d said had worked. But no. "You’re a lying, selfish, vicious, horrible creature. She took a big metal spoon from behind her back. I’m going to beat you so hard you will never—never, do you hear me?—waste your time inventing cruelties again!"

Her words brought another lie to mind. I thought: I’ll try it, why not? She’s going to beat me anyhow so what’s to lose? I said to her:

I know what I am, Momma. I’m one of the Demonation. Maybe just a little one, but I’m still a Demon. Well? Aren’t I?

She didn’t answer. So I went on. And I thought we were supposed to be selfish and vicious and whatever else you said I was. I hear other kids talking about it all the time. The terrible things they’re going to do when they get out of school. The weapons they’re going to invent, and sell to Humankind. And the execution machines. That’s what I’d really like to do. I’d like to create the best execution machine that was ever—

I stopped. Momma had a puzzled look on her face.

What’s wrong?

I’m just wondering how long I’m going to let you go on talking nonsense before I slap some sense into you. Execution machines! You don’t have the brains to make any such thing! And take the ends of your tails out of your mouth. You’ll prick your tongue.

I took the tail tips, which I always chewed on when I was nervous, out from between my teeth, all the while trying to remember what I’d overheard other Demon kids saying about the art of killing people. I’m going to invent the first mechanical disemboweler, I said.

My mother’s eyes grew wide, more I think from the shock of hearing me speak such long words than from the notion itself.

It’s going to have a huge wheel to unwind the condemned man’s guts. And I’m going to sell it to all the most fancy, civilized kings and princes of Europe. And you know what else?

My mother’s expression didn’t alter. Not a flicker of her eye, or a twitch of her mouth. She just said, in a monotone: I’m listening.

Yes! That’s right! Listening!

What?

People who pay for a good seat at an execution deserve to hear something better than a man screaming as he’s disemboweled. They need music!

Music.

Yes, music! I said. I was completely besotted by the sound of my own voice now, not even certain what the next word out of my mouth was going to be, just trusting the inspiration of the moment. Inside the great wheel there’ll be another machine that will play some pretty tunes to please the ladies, and the louder the man’s screams become the louder the music will play.

She still looked at me without so much as a twitch. You’ve really thought about this?

Yes.

And these writings of yours?

I was just noting down all the horrible thoughts in my head. For inspiration.

My Momma studied me for what seemed like hours, searching every inch of my face as though she knew the word LIAR was written there somewhere. But finally, her scrutiny ceased and she said:

You are a strange one, Jakabok.

Is that a good thing or a bad thing? I asked her.

It depends on whether you like strange children, she replied.

Do you?

No.

Oh.

But I gave birth to you, so I suppose I have to take some of the responsibility.

It was the sweetest thing she’d ever said. I might have shed a tear if I’d time, but she had orders for me.

Take all these scrawlings of yours down to the bottom of the yard and burn them.

I can’t do that.

You can and you will!

But I’ve been writing them for years.

And they’ll all burn up in two minutes, which should teach you something about this World, Jakabok.

Like what? I said, with a sour look on my face.

That it’s a place where whatever you work for and care about is bound to be taken away from you sooner or later, and there isn’t a thing you can do about it. For the first time since this interrogation had begun, she took her eyes off me. I was beautiful once, she said. I know you can’t imagine that now, but I was. And then I married your father, and everything that was beautiful about me and the things that were all around me went up in smoke. There was a long silence. Then her eyes slowly slid back in my direction. Just like your pages will.

I knew there was nothing I could say to her that would persuade her to let me keep my treasures. And I also knew that it was approaching the time that Pappy G. would be coming back from the Furnaces and that my situation would be a lot worse if he picked up any of my Revenge Stories, because all the most terrible things I’d invented I’d saved for him.

So I started to throw my beautiful precious pages into a large sack my mother had already laid beside them for this very purpose. Every now and then I would catch sight of a phrase I’d written, and with one glance I would instantly remember the circumstances which had caused me to write it, and how I’d felt when I’d scrawl the words down; whether I’d been so enraged that the pen had cracked under the pressure of my fingers, or so humiliated by something somebody had said that I’d been close to tears. The words were a part of me, part of my mind and memory, and here I was throwing them all—my Words, my precious words, along with whatever piece of me was attached to them—into a sack, like so much garbage.

Once in a while I thought of attempting to slip one of the special pages into my pocket. But my mother knew me too well. Not once did she take her eyes off me. She watched me fill up the sack, she followed me down the yard, step for step, and stood by while I upturned the sack, picking up those pages that had cartwheeled away from the others and tossing them back onto the main pile.

I don’t have any matches.

Step aside, child, she said.

I knew what was coming, and I stepped away quickly from the pile of pages. It was a wise move, because as I took my second step I heard my mother noisily hawking up a wad of phlegm. I glanced back as she spat the wad towards my precious journals. If she’d simply been spitting on them that wouldn’t have been so bad, but my mother came from a long line of powerful pyrophantics. As the phlegm flew from her lips, it brightened and burst into flames, dropping with horrible accuracy into the chaotic pile of journals.

If there’d simply been a match tossed onto my young life’s work it would have burned black from end to end without igniting a page. But it was my mother’s fire that landed upon the journals and as it struck them it threw out streamers of flame in all directions. One moment I was looking at the pages onto which I had poured all the anger and the cruelty I had cooked up inside me. The next moment those same pages were being consumed, as my mother’s fire ate through the paper.

I was still standing just a step and a half away from the bonfire, and the heat was something ferocious, but I didn’t want to move away from it, even though my little mustache, which I’d been carefully nurturing (it was my first) shriveled up in the heat, the smell making my sinuses sting and my eyes water. There was no way in Demonation I was going to let my mother see tears on my face. I raised my hand to quickly wipe them off, but I needn’t have bothered. The heat had evaporated them.

No doubt had my face been—like yours—covered in tender skin instead of scales, it would have blistered as the fire continued to consume my journals. But my scales protected me for a little while at least. Then it began to feel as though my face were frying. I still didn’t move. I wanted to be as close to my beloved words as I could be. I just stayed where I was, watching the fire do its work. It had a systematic way of unmaking each of the books page by page, burning away one to expose the one beneath, which was then quickly consumed in its turn, giving me glimpses of death-machines and revenges I had written about before the fire took them too.

Still I stood there, inhaling the searing air, my head filling up with visions of the horrors I had conjured up on those pages; vast creations that were designed to make every one of my enemies (which is to say everyone I knew, for I liked no one) a death as long and painful as I could make it. I wasn’t even aware of my mother’s presence now. I was just staring into the fire, my heart hammering in my chest because I was so close to the heat; my head, despite the weight of atrocities that was filling it up, strangely light.

And then:

Jakabok!

I was still sufficiently in charge of my thoughts to recognize my name and the voice that spoke it. I reluctantly took my eyes off the cremation and looked up through the heat-crazed air towards Pappy Gatmuss. I could tell his temper was not good by

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