The Elements of Story: Field Notes on Nonfiction Writing
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About this ebook
“A splendid book for journalists (new or old), fiction writers, essayists, and critics. But it could also be of great use to the intelligent common reader, the man or woman who wonders why it’s impossible to finish reading certain stories and why others carry the reader in a vivid rush to the end.”
—Pete Hamill, author of A Drinking Life
In the spirit of Strunk and White’s classic The Elements of Style, comes The Elements of Story, by Francis Flaherty, longtime story editor at The New York Times. A brilliant blend of memoir and how-to, The Elements of Story offers more than 50 principles that emphasize storytelling aspects rather than simply the mechanics of writing—a relentlessly entertaining, totally accessible writing guide for the novice and the professional alike.
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Reviews for The Elements of Story
11 ratings1 review
- Rating: 4 out of 5 stars4/5A powerful set of essays about nonfiction writing, The Elements of Story is aimed primarily at newspaper and magazine writers, and contains the kind of real-world, gritty and professional advice that so many writing books seem to lack.
That's due in part to the author's pedigree; Flaherty was a longtime New York Times editor. I believe most nonfiction writers will find something of value in this book, which I resisted reading for a long time (I'm a huge fan of The Elements of Style and many of the knock-off titles haven't come close to measuring up).
Organized by topics like The Theme and Motion, this kind of subject matter resists simple, binary organization, and therein lies my only real difficulty with this book.
Not all of the real-life story excerpts seemed to clearly illustrate their point, and a certain choppiness to the chapters (some were very long, others unhappily short) made the book sometimes difficult to digest.
I read this book cover-to-cover, but suspect it would have been best to tackle the sections singly and then allowing them to digest a little before moving on.
Those quibbles aside, this is a book that tackles difficult, somewhat esoteric subject matter and largely succeeds (the Motion chapter was a favorite), and it's worth a little of your time.1 person found this helpful