Stop the Presses!: A Nero Wolfe Mystery
Written by Robert Goldsborough
Narrated by Peter Berkrot
3.5/5
()
Currently unavailable
Currently unavailable
About this audiobook
There are few people Nero Wolfe respects, and Lon Cohen of the New York Gazette is one of them. So when Cohen asks for a favor, Wolfe is inclined to listen.
According to Cohen, someone wants to kill the Gazette’s gossip columnist, Cameron Clay. Death threats are a regular hazard for Clay, who’s hurled insults and accusations at every bold-faced name in the five boroughs. But the latest threats have carried a more sinister tone. The columnist has narrowed his potential killers down to five people.
When Clay turns up dead, the cops deem it a suicide. The bigwigs at the Gazette don’t agree, so they retain Wolfe to figure out which of the suspects had the mettle to pull the trigger.
©2016 Robert Goldsborough (P)2016 Dreamscape Media, LL
Robert Goldsborough
Robert Goldsborough is an American author best known for continuing Rex Stout’s famous Nero Wolfe series. Born in Chicago, he attended Northwestern University and upon graduation went to work for the Associated Press, beginning a lifelong career in journalism that would include long periods at the Chicago Tribune and Advertising Age. While at the Tribune, Goldsborough began writing mysteries in the voice of Rex Stout, the creator of iconic sleuths Nero Wolfe and Archie Goodwin. Goldsborough’s first novel starring Wolfe, Murder in E Minor (1986), was met with acclaim from both critics and devoted fans, winning a Nero Award from the Wolfe Pack. Archie Goes Home is the fifteenth book in the series.
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Reviews for Stop the Presses!
18 ratings1 review
- Rating: 3 out of 5 stars3/5An influential but heartily disliked (by some) gossip columnist is found shot dead, and his employers at the (fictional) New York Gazette bring in Nero Wolfe to determine whether or not it was suicide (as the police think) or murder. Some interesting characters, but on the whole, I wasn't particularly happy with the solution to the crime, as we have a raft of motives, but little else. Stout would have had the same atmosphere, but a better structure.