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    The Female Poet, Volume 5
    The Female Poet, Volume 4
    Audiobook series2 titles

    The Female Poet Series

    Written by Katherine Mansfield, Christina Georgina Rossetti, Elinor Wylie and

    Narrated by Ghizela Rowe and Richard Mitchley

    ()

    About this series

    The gentler sex or the deadlier of the species. Between these two definitions of the female gender lies a collection of some of the most beautiful verse ever written. For much of history women have been seen rather than heard. In this volume poets of great depth and feeling express themselves on a range of topics and in ways that perhaps only a woman can. Here in Volume 5 we bring you works from Christina Georgina Rossetti to Elinor Wylie by way of Charlotte Smith, Sara Teasdale, Katharine Tynan, Ella Wheeler Wilcox, Dorothy Wordsworth and many others. Our readers include Ghizela Rowe and Nigel Planer.
    LanguageEnglish
    PublisherThe Copyright Group
    Release dateJan 1, 2014
    The Female Poet, Volume 5
    The Female Poet, Volume 4

    Titles in the series (2)

    • 4

      The Female Poet, Volume 4
      The Female Poet, Volume 4

      The Female Poet, Volume 4

      Katherine Mansfield
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      The gentler sex or the deadlier of the species. Between these two definitions of the female gender lies a collection of some of the most beautiful verse ever written. For much of history women have been seen rather than heard. In this volume poets of great depth and feeling express themselves on a range of topics and in ways that perhaps only a woman can. Here in Volume 4 we bring you works from Katherine Mansfield to Mary Darby Robinson by way of Alice Meynell, Hannah More, Edith Nesbit, Katherine Phillips. Our readers include Ghizela Rowe and Patricia Rodriguez.

      The gentler sex or the deadlier of the species. Between these two definitions of the female gender lies a collection of some of the most beautiful verse ever written. For much of history women have been seen rather than heard. In this volume poets of great depth and feeling express themselves on a range of topics and in ways that perhaps only a woman can. Here in Volume 4 we bring you works from Katherine Mansfield to Mary Darby Robinson by way of Alice Meynell, Hannah More, Edith Nesbit, Katherine Phillips. Our readers include Ghizela Rowe and Patricia Rodriguez.

    • 5

      The Female Poet, Volume 5
      The Female Poet, Volume 5

      The Female Poet, Volume 5

      Christina Georgina Rossetti
      0 ratings
      0 ratings

      The gentler sex or the deadlier of the species. Between these two definitions of the female gender lies a collection of some of the most beautiful verse ever written. For much of history women have been seen rather than heard. In this volume poets of great depth and feeling express themselves on a range of topics and in ways that perhaps only a woman can. Here in Volume 5 we bring you works from Christina Georgina Rossetti to Elinor Wylie by way of Charlotte Smith, Sara Teasdale, Katharine Tynan, Ella Wheeler Wilcox, Dorothy Wordsworth and many others. Our readers include Ghizela Rowe and Nigel Planer.

      The gentler sex or the deadlier of the species. Between these two definitions of the female gender lies a collection of some of the most beautiful verse ever written. For much of history women have been seen rather than heard. In this volume poets of great depth and feeling express themselves on a range of topics and in ways that perhaps only a woman can. Here in Volume 5 we bring you works from Christina Georgina Rossetti to Elinor Wylie by way of Charlotte Smith, Sara Teasdale, Katharine Tynan, Ella Wheeler Wilcox, Dorothy Wordsworth and many others. Our readers include Ghizela Rowe and Nigel Planer.

    Author

    Katherine Mansfield

    Katherine Mansfield was a popular New Zealand short-story writer best known for the stories "The Woman at the Shore," "How Pearl Button Was Kidnapped," "The Doll’s House," and her twelve-part short story "Prelude," which was inspired by her happy childhood. Although Mansfield initially had her sights set on becoming a professional cellist, her role as editor of the Queen’s College newspaper prompted a change to writing. Mansfield’s style of writing revolutionized the form of the short story at the time, in that it depicted ordinary life and left the endings open to interpretation, while also raising uncomfortable questions about society and identity. Mansfield died in 1923 after struggling for many years with tuberculosis.

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