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    Swimming to Elba: A Novel
    Unavailable
    Swimming to Elba: A Novel
    Unavailable
    Swimming to Elba: A Novel
    Audiobook13 hours

    Swimming to Elba: A Novel

    Written by Silvia Avallone

    Narrated by Cassandra Campbell

    3.5/5

    ()

    Currently unavailable

    Currently unavailable

    About this audiobook

    A sensually charged novel about two girls growing up fast in a failing industrial town on the coast of Italy

    Anna and Francesca are on the brink of everything: high school, adulthood, and the edge of ambition in their provincial town. It's summer in Piombino, Italy, and in their skimpy bathing suits, flaunting their newly acquired curves, the girls suddenly have everyone in their thrall. This power opens their imagination to a destiny beyond Piombino; the resort town of Elba is just a ferry ride away and yet they've never dared to go. Maybe the future is waiting for them there, or somewhere beyond.

    When their friendship suffers a blow, the girls set off on their own only to discover that their budding sexuality takes them further than they expect, though not as far as their dreams. As their choices take them to a painful crossroads, the girls must reconnect if they have any hope of escaping their small town destinies.

    In this poetic, prizewinning debut, Silvia Avallone captures the lost innocence of a generation. Harrowing yet ultimately redemptive, Swimming to Elba is a story about the power of friendship, and the way that family, friendship, and economics shape our world.

    LanguageEnglish
    PublisherPenguin Random House Audio
    Release dateJun 14, 2012
    ISBN9781101566299
    Unavailable
    Swimming to Elba: A Novel
    Author

    Silvia Avallone

    Silvia Avallone is a poet and novelist who was born in Biella, Italy, in 1984 and now lives in Bologna. Swimming to Elba, published in Italy as Acciaio, is her first novel. Antony Shugaar’s recent translations include A Pimp’s Notes by Giorgio Faletti, Bandit Love by Massimo Carlotto, and Sandokan by Nanni Balestini. He lives in Charlottesville, Virginia.

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    Reviews for Swimming to Elba

    3.5/5

    111 ratings5 reviews

    What did you think?

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    Review must be at least 10 words

    • 3/5
      Atmospheric.I listened to this book through Audible, on a few long haul flights but didn't really get the depth of it until I went back and listened again, filling in bits I'd missed. It's actually full of insights into life in a poor town in Italy, but it's a bit slow and didn't grab me on the first listen.Anna and Francesca are the main characters, best friends, teenage girls, they do absolutely everything together. But there are aspects of each other's lives that can't be shared, things that go on beyond closed doors. They live in a town where the steel mill is the main employer and drugs, teenage sex, crime and abuse are the norm. There is little hope for the future and meager incentive for self-improvement.The author paints a wonderful picture of summer in Piombino, Italy - the heat, the atmosphere, the oppressive feel of a run-down seaside town, tenement buildings and the desperate need to BE someone. As the two girls develop into young women over this long summer, their friendship is tested, along with their morality and their family ties.
    • 1/5
      Swimming to Elba is the story of Anna and Francesca, two beautiful teenagers living in Piombino, Italy. They are lifelong friends growing up in the miserable surroundings of a desolate city with a failing steel mill. It is here where they dream of someday escaping their depressing lives to swim across the sea to Elba. Both girls live in tiny apartments of a housing project and their environment is rough. Anna's father is a chronic gambler and rarely makes an appearance at home. Francesca's father beats her regularly. The girls have been close their entire lives until Anna takes up with her brother's older friend Mattia and Francesca is jealous. Francesca then befriends Lisa, a homely classmate most consider an outcast. While the girls are separated tragic events ensue that they are forced to face without the support of each other. I found this to be a difficult read because of the dismal and gritty subject matter. Adolescent girls flaunting their sexuality and pushed into adult situations is stomach-churning for me. This book is not for the faint of heart.
    • 2/5
      The writing started out beautifully. The story itself, was promising.Each chapter was just a repeat of the chapter before.Actually it seemed intentional since the industrial town our characters live in is a Italian post communist industrial town.It is drudgery and boring and stifling.And each chapter made me feel the same way.But the story never felt like it was moving on .Promiising but disappointed.
    • 3/5
      This book explores the transition from adolescence to adulthood in a gritty and emotional way. This transition is never easy, but it's especially hard for Anna and Francesca. They live in a poverty stricken town next to a dying steel mill.

      In Piombino, drug addiction is prevalent, abuse is frequent, and criminal activity is routine. I don't believe I've ever read about more despondent characters.

      This novel nearly suffocated me with it's hopelessness. It made me uncomfortable as well. Reading about these young girls using their sexuality left me feeling squeamish.

      And yet...

      While Swimming to Elba is far from a cheerful story I found it powerful and important. Anna and Francesca are still on my mind. They won't soon be forgotten.
    • 3/5
      I picked up Swimming to Elba by Silvia Avallone (trans. by Antony Shuggar) because I read somewhere that everyone in Europe was raving about it and there were only 2 holds ahead of me at the library for it (and I am an incessant hoarder of library books, which I have mentioned elsewhere, so when I see a book that people are talking about with few if any holds on it, I must immediately have it). The book is centered around two Italian girls, one blond and the other brunette, both beautiful, the summer they turn 14. Their town, Poimbino, is dominated and in turn centered around a giant but dying steel plant. The novel takes place in early 2000-2001 (the Italians’ take on 9/11 is amusing), and though well before the economic crash of 2008 and later, Poimbino is clearly on the verge of its own economic crash. Glittering just a few miles off-shore is the rich, tourist island of Elba, always visible, but always just out of reach for the novel’s sometimes gritty, usually desperate, and frequently frustrated characters. In many ways this is a classic bildungsroman, but it’s also an indictment of socialism, capitalism, class, and gender stereotypes (however much it fails at the latter). The two girls, Anna (brunette) and Francesca (blonde) are inseparable best friends. They live one floor up from each other in massive, concrete city-owned housing projects. Anna’s father is a wanna-be Godfather while Francesca’s is a great brute of a man who beats both Francesca and her mother. The novel opens with a scintillating description of the girls in their newly developed, scantily clad bodies frolicking on the beach and flirting with the older boys, all as seen through Francesca’s father’s binoculars and told through his POV. Creepy. While there are beautiful passages and cinematic scenes, that opening really sets the tone for the entire novel, but gets progressively worse and more and more depressing as the girls’ relationship crumbles and they each get caught up in the adult world of sex. Books like this are why I generally stay away from modern literary realism.The jacket describes the book as a “lightening-rod for discussion” in Europe and a strong criticism of the Leftist, Socialist ideal of the happy proletariat in Italy. I can see that, and I get what Avallone is trying to do here, if what the jacket says is true, and I applaud her for doing so. That doesn’t make me like the book any more than I do. There are a few reasons for my general dislike. The first is technical: Avallone uses the third person omniscient POV, which allows her to jump into the head of whoever she wishes, which she does quite frequently. Therein lies the problem. While most writers that I’ve read who use this narrative technique do so with ease, Avallone’s continual head-hopping is confusing, especially when she does it in the middle of a paragraph using only gender pronouns, when the scene includes several members of that gender whose head she’s already been in and could be in again. I frequently wasn’t sure whose head I was in at a given moment, which continually forced me out of the narrative, instead of keeping me locked in an otherwise engrossingly real world.The second issue I had with the novel was its treatment and view of women. That the opening description of the girls is given through the highly sexualized gaze of one of their fathers is creepy and gut-tumbling enough, but the book is drenched with more and more of it. All of the men in the book are possessive, nearly misogynistic assholes who see women (or rather 13 and 14 year old girls) as nothing more than a good or bad fuck at best, and inhuman house slaves at worst. The women frequently seem to see themselves in these terms as well, and the young ones do what they can as soon as they get tits to look like a good fuck so they can get married to one of the charming assholes from the steel plant and become a house slave later on.There is so little hope in this book, and what bright spot there is is imperiled half-way through. I don’t doubt that this may be what life in a small costal city dominated by a dying industry in Italy looks like; her depiction of life there was so thorough it began to bleed into my own view of Seattle and for that I hate the book a little bit. But in the same way I get what it’s like to look at something shining and shimmering that is close enough to touch but is always just out of reach. I think anyone who reads this book would (unless they were reading it on the white beach of Elba), and for that level of realism, that level of detail that can suck you right in and make you part of that world, I give the book and its author my respect. Final verdict: read at your own risk.