The Paris Review

Ennio Morricone Plays Chess

Collage with modified images. Ennio Morricone photo: Gonzalo Tello. Chess photo: David Lapetina (CC BY-SA 3.0 (https://creativecommons.org/licenses/by-sa/3.0)).

Ennio Morricone is responsible for some of the most recognizable soundtracks in cinema. He’s been the go-to composer for Sergio Leone, Pier Paolo Pasolini, Brian De Palma, and many others. He’s especially renowned for his spaghetti western themes, which helped establish the mood of the genre. In 2007, Morricone received an Academy Honorary Award, and in 2016, he won an Academy Award for Best Original Score, for The Hateful Eight. Here, he discusses one of his other great passions: chess.

ENNIO MORRICONE

How about playing a round?

INTERVIEWER

Rather than playing a game, you’ll have to teach me how to play the game.

[We pull out a very elegant chessboard, which Morricone keeps on a table in the living room of his home, where we are seated.]

INTERVIEWER

What’s your first move?

MORRICONE

I usually open with the queen, so I’ll probably start with her, although once the great chess player Stefano Tatai advised me to open on E4, which reminds me a lot of the figured bass.

INTERVIEWER

Have we already started talking about music?

MORRICONE

In a certain sense … In time, I’ve discovered that strong links exist between chess and the musical notation system, set up as it is in durations and pitches.

You’re reading a preview, subscribe to read more.

More from The Paris Review

The Paris Review2 min read
Acknowledges
The Plimpton Circle is a remarkable group of individuals and organizations whose annual contributions of $2,500 or more help advance the work of The Paris Review Foundation. The Foundation gratefully acknowledges: 1919 Investment Counsel • Gale Arnol
The Paris Review1 min read
As for What the Rain Can Do
wash me in blossoms yet to comelift my boat flood the rice fields where the egret landscomplex math rinse off a benchturn on a dime give you something to think aboutfeed an aspiring stream tell you by thunder it’s comingstand you up play a little mus
The Paris Review1 min read
Credits
Cover: Courtesy of Nicolas Party and the Modern Institute /Toby Webster Ltd. Page 12, courtesy of Alice Notley; pages 32, 36, 39, 42, 45, 48, 52, 55, 56, courtesy of Jhumpa Lahiri; page 59, photograph by Marco Delogu, courtesy of Jhumpa Lahiri; pages

Related Books & Audiobooks