The Paris Review

On Edmond Baudoin, an Ink-Stained Proust

Edmond Baudoin is a force of nature who holds a singular position in the French comics scene. An ink-stained Proust, his drawings and his memory keep bringing him back to the small, Southern French village of his youth as well as the nearby city of Nice, on the Mediterranean coast. In many of his books, you see the same woodland paths, the same barren views of Nice harbor, the same faces: his own adolescent self, his parents, his brother.

He came to cartooning relatively late in life—his first album (as the French call their bound comic books) wasn’t published until he was forty years old, in the early eighties. From his earliest works, Baudoin focused on autobiography, making him one of the first French cartoonists to explore this genre, which has gone on to become one of the most prominent features of European

You’re reading a preview, subscribe to read more.

More from The Paris Review

The Paris Review2 min read
Acknowledges
The Plimpton Circle is a remarkable group of individuals and organizations whose annual contributions of $2,500 or more help advance the work of The Paris Review Foundation. The Foundation gratefully acknowledges: 1919 Investment Counsel • Gale Arnol
The Paris Review1 min read
As for What the Rain Can Do
wash me in blossoms yet to comelift my boat flood the rice fields where the egret landscomplex math rinse off a benchturn on a dime give you something to think aboutfeed an aspiring stream tell you by thunder it’s comingstand you up play a little mus
The Paris Review1 min read
Credits
Cover: Courtesy of Nicolas Party and the Modern Institute /Toby Webster Ltd. Page 12, courtesy of Alice Notley; pages 32, 36, 39, 42, 45, 48, 52, 55, 56, courtesy of Jhumpa Lahiri; page 59, photograph by Marco Delogu, courtesy of Jhumpa Lahiri; pages

Related