The Paris Review

On Making Oneself Less Unreadable

A photograph of H. W. Fowler in sporting attire from his biography The Warden of English.

Grammar enthusiasts either love Henry Watson Fowler or they have yet to encounter his work. It is possible to read his Dictionary of Modern Usage (1926) from cover to cover as a weird, wonderful essay; it is impossible to do so without laughing out loud. A few entries from the second edition, revised by Ernest Gowers:

avoidance of the obvious is very well, provided that it is not itself obvious; but, if it is, all is spoilt. [If the reader believes] that you are attitudinizing as an epicure of words for whom nothing but the rare is good enough, or, worse still, that you are painfully endeavouring to impart some much needed unfamiliarity to a platitude, his feelings towards you will be something that is not admiration. The obvious is better than obvious avoidance of it …

… A sentence written by the creatress of the creator of the creature may save some of those whose acquaintance with all three is indirect from betraying the fact: “Sometimes I endeavoured to gain from by Mary Shelley). is the creator-victim; the creature-despot and fatal creation is  The blunder is very common indeed—almost, but surely not quite, sanctioned by custom: …

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The Plimpton Circle is a remarkable group of individuals and organizations whose annual contributions of $2,500 or more help advance the work of The Paris Review Foundation. The Foundation gratefully acknowledges: 1919 Investment Counsel • Gale Arnol
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