The Paris Review

Staff Picks: Millepied, Monk, and McPhee

I knew, when I was a little girl, that I wanted to walk up the steps of Lincoln Center in the gathering dusk. Last night, my man and I put on our finery and stepped into the travertine at Lincoln Center to see the . The evening’s first dance, “Souvenir d’un lieu cher,” by Alexei Ratmansky, felt like a warm-up for Benjamin Millepied’s world premiere of “I Feel the Earth Move” (others ). The lights came up after “Souvenir” and we watched a tech cross the floor without cover of a curtain to direct a slow undressing of the stage. Up came the wings and the fly and then, with no music, no light change, no cue discernible to the audience, a battalion of dancers crossed the stage. What followed was some of the most beautiful and fully realized dancing I’ve ever seen. An accomplished dancer, choreographer, and former director

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