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'House Of Names' Is A Violent Page-Turner, And A Surprising Departure

Colm Tóibín ventures far afield — in time and place — for this heart-stopping take on the tragedy of Clytemnestra and her family, reanimated with suffering the ancient Greeks never imagined.
<em>House of Names</em> by Colm Toibin

Colm Tóibín has ventured to ancient Argos — far from the decorous, restrained worlds of Henry James, coastal Ireland, and mid-20th century Brooklyn we've seen in his earlier books — in this heart-stopping novel based on Clytemnestra's family tragedy.

Although he's taken some of his familiar, familial preoccupations with him — including strained family dynamics — is a surprising turn for Tóibín, a violent page-turner about the mother of all dysfunctional families and the insidious ravages ofhas borrowed the main characters — Agememnon, his wife Clytemnestra, and their three children, Iphigenia, Electra, and Orestes — from the ancient Greeks, and re-animated their tragedies with intimate sagas of suffering you didn't hear from Aeschylus, Sophocles, and Euripides.

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